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Claire Rosinkranz © Austin Cieszko
Features, Interviews, MusicJuly 19, 2022<July 12, 2022

Keeping it Real: How Claire Rosinkranz Stays Grounded within Today’s Whirlwind Industry

by Sophie Severs
Sydney Sprague © 2022
Columns, Music, Today's SongJuly 18, 2022<July 13, 2022

Sydney Sprague’s “Think Nothing” is a Ferocious Refusal Against Anxieties

by Kevin Krein
Easy Honey © 2022
Columns, Music, Today's SongJuly 15, 2022<August 1, 2022

Today’s Song: Easy Honey’s “Steady in Vertigo” Is a Unique Vibe That Showed Up Just in Time

by Lilly Eason
Launder © Cameron McCool
Columns, Music, Today's SongJuly 14, 2022<August 4, 2022

Today’s Song: “Intake” a Selcouth, Fresh Breath of Air in Launder’s New Single

by Isabella Le
Josie Dunne © Bree Marie Fish
Debut, Features, Interviews, MusicJuly 14, 2022<July 13, 2022

“TENNIS, But Make It Pop!”: Josie Dunne Serves Up Her Stunning Debut Album

by Mitch Mosk
Atwood Magazine's Editor's Picks 71
Columns, Editor's Picks, Features, MusicJuly 13, 2022<September 29, 2022

Editor’s Picks 71: Chad Price, Rat Tally, CMON CMON, November Ultra, Forest Claudette, & James BKS!

by Mitch Mosk
From Capelton Hill - Stars
Features, Interviews, MusicJuly 13, 2022<July 13, 2022

“We’re just trying to be a kitchen sink band”: Stars’ Torquil Campbell Discusses Ghosts, Songwriting, & New Album ‘From Capelton Hill’

by Mitch Mosk
French for Rabbits © 2022
Features, Interviews, Music, Track-by-TrackJuly 12, 2022<July 12, 2022

“I didn’t expect it to be, but I think it is an album for introverts”: Inside French for Rabbits’ 3rd LP, ‘The Overflow’

by Mitch Mosk
Goon © Josh Beavers
Features, Music, Track-by-TrackJuly 12, 2022<July 12, 2022

“A Dream, But Real”: Goon’s Hazy & Hauntingly Beautiful Sophomore Album, ‘Hour of Green Evening’

by Mitch Mosk
Riley Pearce © Cedric Tang
Debut, Features, Interviews, Music, Track-by-TrackJuly 12, 2022<July 12, 2022

Coastal, Winter, & Driving: Riley Pearce’s Breathtaking Debut Album ‘The Water & The Rough’

by Mitch Mosk
Bleach - Isaac Dunbar
Artist to Watch, Columns, Music, Today's SongJuly 12, 2022<July 12, 2022

Self-Sabotage & Liberation: Isaac Dunbar Soars Bold and True on Triumphant “Bleach”

by Mitch Mosk
Leona Naess © Laura Bailey
Features, Interviews, Music, Track-by-TrackJuly 11, 2022<July 11, 2022

“An honest, bittersweet, collage of all the music I ever loved”: Leona Naess Shares Her Radiant New Album, ‘Brood X’

by Mitch Mosk
BIG THANK - King Youngblood
Features, Interviews, Music, Track-by-TrackJuly 11, 2022<July 11, 2022

“Unapologetic, Open, & Deliberate”: King Youngblood Revive ’90s Alt-Rock on Hard-Hitting Debut Album, ‘BIG THANK’

by Mitch Mosk
Ashton York © Zachary Sun
Music, PremieresJuly 11, 2022<July 11, 2022

“In that broken place, the universe gave me songs”: Ashton York Premieres His Raw, Vulnerable, & Beautiful New Song, “Awful Time”

by Mitch Mosk
Demi Lovato © Brandon Bowen
Columns, Music, Today's SongJuly 11, 2022<July 11, 2022

Today’s Song: Demi Lovato’s “SKIN OF MY TEETH” Rehashes the Past in a New Way

by Sam Franzini
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Brand New

  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)

:: discover something new ::

Recent Posts

  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
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