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Alex Breitling © 2025
Columns, Music, Today's SongDecember 31, 2025<December 31, 2025

Today’s Song: Come Plunge into the Coral Reef (in Your Mind, Anyways) via Alex Breitling’s Immersive “Eternity”

by Josh Weiner
Atwood Magazine's 142nd Editor's Picks!
Columns, Editor's Picks, Features, MusicDecember 30, 2025<December 30, 2025

Editor’s Picks 142: spill tab, praise., Francis of Delirium, Boyish, Quarters, & Wishlist!

by Mitch Mosk
Telescreens © Monty Hamm
Interviews, Music, Today's SongDecember 30, 2025<December 28, 2025

“Screaming Together Is How We Feel Less Alone”: NYC’s Telescreens Turn Numbness into Communal Release on “Nothing”

by Mitch Mosk
Queen Quail "Narcissus" © Celeste Call
Debut, Interviews, Music, Today's SongDecember 29, 2025<December 28, 2025

“You Have to Sit With Uncomfortable Feelings”: Queen Quail Transforms Ache into Resilience on “Southside,” a Smoldering, Slow-Burning Reckoning

by Mitch Mosk
Bartees Strange © William Minke
MusicDecember 29, 2025<December 28, 2025

“These Are Simply Songs I Love”: Bartees Strange Follows His Own Instincts on ‘Shy Bairns Get Nowt,’ an EP About Love, Legacy, & Becoming

by Mitch Mosk
JERUB 'The Wonder Years' © 2025
Features, Interviews, MusicDecember 29, 2025<December 28, 2025

“Maybe These Are the Wonder Years”: JERUB Embraces Presence, Uncertainty, & Becoming on His Spirited, Soul-Searching Mixtape

by Mitch Mosk
Atwood Magazine's 141st Editor's Picks!
Columns, Editor's Picks, Features, MusicDecember 23, 2025<December 23, 2025

Editor’s Picks 141: Witch Post, DM Arthur, TOLEDO, Sly Jr., Chelsea Jordan, & Lucia!

by Mitch Mosk
Hudson Freeman © Sophie B
Artist to Watch, Features, Interviews, Music, Today's SongDecember 22, 2025<December 22, 2025

“Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection

by Mitch Mosk
Atwood Magazine's Mistletones 2025 Pt. 2
Features, Interviews, Lists, Mistletones, MusicDecember 22, 2025<December 25, 2025

Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!

by Atwood Magazine Staff
Vienna Vienna © Chloe Chippendale
Artist to Watch, Interviews, Music, Today's SongDecember 20, 2025<December 20, 2025

“Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”

by Mitch Mosk
Petey USA
Features, Interviews, MusicDecember 19, 2025<December 19, 2025

“This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’

by Mitch Mosk
Anyhow © Gabe Drechsler
Artist to Watch, Debut, Interviews, Music, Today's SongDecember 19, 2025<December 19, 2025

“We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars

by Mitch Mosk
Atwood Magazine's 2025 Mistletones, Pt. 1!
Features, Interviews, Lists, Mistletones, MusicDecember 19, 2025<December 22, 2025

Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!

by Atwood Magazine Staff
Medium Build © Tyler Krippeahne
Features, Interviews, MusicDecember 18, 2025<January 30, 2026

“I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year

by Mitch Mosk
The Kasambwe Brothers © Randi Steinberger
Interviews, MusicDecember 18, 2025<December 18, 2025

Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success

by Josh Weiner
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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