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Columns, Music, Today's SongNovember 3, 2025<November 3, 2025 “I Wish Things Stayed the Same”: Laura Hickli Reckons with Memory & Survival on “call it off,” a PTSD-Fueled Art Pop Fever Dream by Mitch Mosk
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Features, Interviews, MusicOctober 31, 2025<November 6, 2025 “this won’t last forever”: joan Embrace Impermanence, Creation, & the Beauty of Living in the Grey on Their Cinematic Sophomore Album by Mitch Mosk
Features, Music, Reviews, RoundtableOctober 31, 2025<October 31, 2025 Roundtable Discussion: A Review of Not for Radio’s ‘Melt’ by Atwood Magazine Staff
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Columns, Editor's Picks, Features, MusicOctober 30, 2025<January 16, 2026 Editor’s Picks 135: Ax and the Hatchetmen, Savannah Conley, Henry Grace, Tough Cookie, Westside Cowboy, & Jane Leo! by Mitch Mosk
Interviews, MusicOctober 30, 2025<October 30, 2025 A Conversation with Magnetic Skies: Conquering the Electro-Retro-Futuristic World in Full Force by Josh Weiner
Features, Interviews, MusicOctober 30, 2025<October 30, 2025 “Life Is Meant to Be Celebrated”: The Aces’ ‘Gold Star Baby’ Is a Disco-Pop Party of Liberation, Joy, & Queer Euphoria – and Everyone’s Invited! by Mitch Mosk
8.1 Music, Our Take, ReviewsOctober 30, 2025<October 30, 2025 Our Take: Sorry Not Sorry, But Pop Demi Lovato Is Back (and ‘It’s Not That Deep’) by Danielle Holian
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Features, Interviews, Music, Track-by-TrackOctober 29, 2025<October 29, 2025 Roads, Reveries, & Reckoning: Rising Folk-Pop Artist Brenn! Unpacks the Emotional Arc of His ‘Upstate’ EP by Mitch Mosk
Features, Interviews, MusicOctober 29, 2025<October 30, 2025 “Part 1 was the inhale, and Part 2 is the exhale”: Nick Mulvey Harvests, Becomes, and Shines in ‘Dark Harvest Pt. 2’ by Rachel Leong
For the Love of Music
For the Love of Music
