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Daphne Gale © 2025
Music, ReviewsJuly 29, 2025<July 29, 2025

Lionhearted: ‘NIL SATIS’ and Daphne Gale’s Evolution

by Hannah Burns
Ryan Cassata © Molly Louise Hudelson
Features, Interviews, MusicJuly 29, 2025<July 29, 2025

Feature: Ryan Cassata’s Healing Is a Beautiful Balm to Us on ‘Greetings from Echo Park’

by Oliver Crook
Gigi Perez © Caity Krone
Columns, Music, Today's SongJuly 29, 2025<July 29, 2025

Today’s Song: Gigi Perez’s “Twister” Is a Swirling Mystical Ballad Confronting New Worlds and Auto-Tune

by Andrew Lamson
Soft Loft © Flavio Leone
Features, Interviews, Music, Track-by-TrackJuly 28, 2025<November 6, 2025

Track-by-Track: Soft Loft Illuminate Longing, Intimacy, & Emotional Release on Their Lush ‘Modern Roses’ EP

by Mitch Mosk
Folk Bitch Trio © Copper Taylor-Bogaars
Debut, Features, Interviews, MusicJuly 28, 2025<July 29, 2025

Interview: Folk Bitch Trio’s Debut Delivers Gutsy Lyrics and Gorgeous Harmonies

by Aileen Goos
Fejká © Helena Majeswka
Interviews, MusicJuly 28, 2025<July 28, 2025

Interview with Fejká: Chasing EDM Inspiration, From the Black Forest to the Canary Islands

by Josh Weiner
FLETCHER © Carissa Gallo
Music, Reviews, Track-by-TrackJuly 28, 2025<July 28, 2025

Naked Truth in Acoustic Haze: A Love Letter to Self in FLETCHER’s ‘Would You Still Love Me If You Really Knew Me?’

by Danielle Holian
Reneé Rapp © Zora Sicher
Columns, Music, Today's SongJuly 28, 2025<July 28, 2025

Reneé Rapp’s “Why Is She Still Here?” Is a Seductive Reckoning with Being Second Best

by Ari White
Jade Bird © 2025
Columns, Music, Today's SongJuly 27, 2025<July 30, 2025

Today’s Song: Jade Bird Reveals What “Dreams” Are Made of by Uplifting Heartbreak into Optimism

by Ashley Littlefield
Dasha © Alex Green
Columns, Music, Today's SongJuly 26, 2025<July 26, 2025

Dasha Strips It Down in the Song for the Girl Who Never Gave Up, “Oh, Anna!”

by Danielle Holian
Atwood Magazine's 129th Editor's Picks!
Columns, Editor's Picks, Features, MusicJuly 25, 2025<August 7, 2025

Editor’s Picks 129: total tommy, Park National, Zzz., Florentenes, mary in the junkyard, & DR DR!

by Mitch Mosk
Aidan Bissett 'shut up and love me' © 2025
Debut, Features, Interviews, MusicJuly 25, 2025<July 25, 2025

Interview: Aidan Bissett Welcomes the Complexities of Connection on His Debut Album ‘shut up and love me’

by Annaliese Baker
Atwood Magazine's Weekly Roundup | July 25, 2025
Columns, Features, Music, Weekly RoundupJuly 25, 2025<August 4, 2025

Atwood Magazine’s Weekly Roundup: July 25, 2025

by Atwood Magazine Staff
hard life's Murray Matravers © 2025
Music, ReviewsJuly 25, 2025<July 25, 2025

Album Review: hard life (FKA easy life) Peel Back the Layers on Their Raw, Resurgent, & Unfiltered ‘onion’

by Mitch Mosk
Jazzie Young © Caitlin Indiana
Features, Interviews, MusicJuly 25, 2025<July 25, 2025

Interview with Jazzie Young: Playing With Changes and Layering Them Atop Indie Pop Beats

by Josh Weiner
Posts pagination
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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