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mgk "vampire diaries" music video still © Sam Cahill
Columns, Music, Today's SongJuly 22, 2025<July 22, 2025

“I was born to fly, but baby, I would die to run”: mgk’s Genre-Blending Magic Continues with “vampire diaries”

by Danielle Holian
aleksiah © 2025
Interviews, MusicJuly 21, 2025<July 21, 2025

Interview: aleksiah Turns Perfectionism into Pop Gold on “The Hit,” an Emotionally Charged Anthem that Lives Up to Its Name

by Mitch Mosk
Charlotte Lawrence 'Somewhere' album art
Debut, Music, Reviews, Track-by-TrackJuly 21, 2025<July 21, 2025

A Storm After the Drought: Charlotte Lawrence’s Debut LP ‘Somewhere’ Is a Pop Revelation

by Nicolle Knapová
Jake Minch © Adali Schell
Debut, Features, Interviews, MusicJuly 21, 2025<July 21, 2025

“This Is Really Just an Unburdening”: Jake Minch on Heartbreak, Mental Health, & Making His Debut Album ‘George’

by Kelly McCafferty Dorogy
Julia Michaels © Blythe Thomas
Interviews, MusicJuly 21, 2025<July 21, 2025

“Trust Your Gut”: Julia Michaels’ Road to Creative Freedom

by Sage Bava
DITZ © Pedro Takahashi
Columns, Music, Today's SongJuly 21, 2025<July 22, 2025

Ditz Build, Get Lost in, and Burn to the Ground an Emotion-Packed Atmosphere on “britney”

by Andrew Lamson
Natalie Slade © 2025
Columns, Music, Today's SongJuly 20, 2025<July 19, 2025

Today’s Song: Natalie Slade Wrestles With Desire and Devotion on “Unquenchable Craving”

by Marvin Twiggs
Ajii and Jordan Anthony © Joe DeSantis
Columns, Music, Today's SongJuly 19, 2025<July 19, 2025

Today’s Song: Ajii and Jordan Anthony’s “Cherry” Is a Sweet Slice of Pop That Truly Shines

by Chloe Robinson
Atwood Magazine's 128th Editor's Picks!
Columns, Editor's Picks, Features, MusicJuly 18, 2025<July 19, 2025

Editor’s Picks 128: The Favors, Hushtones, ROLE MODEL, Adult Mom, Zac Farro, & fanclubwallet!

by Mitch Mosk
Malena Zavala © Hilda Pellerano
Music, Music Videos, PremieresJuly 18, 2025<July 18, 2025

Premiere: Malena Zavala Captures Love’s Dreamlike Magic in “MELT,” a Softly Soul-Stirring Surrender to Intimacy

by Mitch Mosk
Miley Cyrus' 'Something Beautiful' album art © Glen Luchford
Music, Premieres, Reviews, RoundtableJuly 18, 2025<July 18, 2025

Roundtable Discussion: A Review of Miley Cyrus’ ‘Something Beautiful’

by Atwood Magazine Staff
The Spice of Life
Columns, Music, Sounds From the GroundJuly 18, 2025<July 18, 2025

Sounds From the Ground: The Spice of Life and The Lucky Pig, 2025

by Frederick Bloy
Stela Cole "Stereoqueen" © 2025
Interviews, MusicJuly 18, 2025<July 18, 2025

“Tonight I’m Gonna Be the Stereoqueen”: Stela Cole Is Reclaiming Her Power Through Feel-Good Music and Fearless Self-Expression

by Mitch Mosk
Billie Marten 'Dog Eared' © Frances Carter
Features, Interviews, MusicJuly 18, 2025<July 18, 2025

“I Used to Find Lots of Beauty in Sadness. Now I Find Beauty in Joy”: Billie Marten on Change, the Gifts of Human Error, and the Intimate Making of Her Fifth LP, ‘Dog Eared’

by Noa Jamir
The Favors are Finneas O'Connell and Ashe © Alex G Harper
Columns, Music, Today's SongJuly 18, 2025<July 18, 2025

The Favors’ (FINNEAS & Ashe) “The Hudson” Is a Love Letter to the One You Almost Kept

by Danielle Holian
Posts pagination
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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