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Interviews, MusicJuly 21, 2025<July 21, 2025 Interview: aleksiah Turns Perfectionism into Pop Gold on “The Hit,” an Emotionally Charged Anthem that Lives Up to Its Name by Mitch Mosk
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Interviews, MusicJuly 21, 2025<July 21, 2025 “Trust Your Gut”: Julia Michaels’ Road to Creative Freedom by Sage Bava
Columns, Music, Today's SongJuly 21, 2025<July 22, 2025 Ditz Build, Get Lost in, and Burn to the Ground an Emotion-Packed Atmosphere on “britney” by Andrew Lamson
Columns, Music, Today's SongJuly 20, 2025<July 19, 2025 Today’s Song: Natalie Slade Wrestles With Desire and Devotion on “Unquenchable Craving” by Marvin Twiggs
Columns, Music, Today's SongJuly 19, 2025<July 19, 2025 Today’s Song: Ajii and Jordan Anthony’s “Cherry” Is a Sweet Slice of Pop That Truly Shines by Chloe Robinson
Columns, Editor's Picks, Features, MusicJuly 18, 2025<July 19, 2025 Editor’s Picks 128: The Favors, Hushtones, ROLE MODEL, Adult Mom, Zac Farro, & fanclubwallet! by Mitch Mosk
Music, Music Videos, PremieresJuly 18, 2025<July 18, 2025 Premiere: Malena Zavala Captures Love’s Dreamlike Magic in “MELT,” a Softly Soul-Stirring Surrender to Intimacy by Mitch Mosk
Music, Premieres, Reviews, RoundtableJuly 18, 2025<July 18, 2025 Roundtable Discussion: A Review of Miley Cyrus’ ‘Something Beautiful’ by Atwood Magazine Staff
Columns, Music, Sounds From the GroundJuly 18, 2025<July 18, 2025 Sounds From the Ground: The Spice of Life and The Lucky Pig, 2025 by Frederick Bloy
Interviews, MusicJuly 18, 2025<July 18, 2025 “Tonight I’m Gonna Be the Stereoqueen”: Stela Cole Is Reclaiming Her Power Through Feel-Good Music and Fearless Self-Expression by Mitch Mosk
Features, Interviews, MusicJuly 18, 2025<July 18, 2025 “I Used to Find Lots of Beauty in Sadness. Now I Find Beauty in Joy”: Billie Marten on Change, the Gifts of Human Error, and the Intimate Making of Her Fifth LP, ‘Dog Eared’ by Noa Jamir
Columns, Music, Today's SongJuly 18, 2025<July 18, 2025 The Favors’ (FINNEAS & Ashe) “The Hudson” Is a Love Letter to the One You Almost Kept by Danielle Holian