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Seven Lions © Ashley Von Helsing
Essays, Features, MusicDecember 12, 2025<March 2, 2026

Tales from the Garden: Seven Lions Is Making and Breaking the Formula

by Jack Batt
Atwood Magazine's Best Concerts of 2025
Concerts, Features, Lists, MusicDecember 12, 2025<December 12, 2025

Atwood Magazine’s Best Concerts of 2025!

by Atwood Magazine Staff
Clover County © Luke Rogers
Debut, Interviews, MusicDecember 12, 2025<December 13, 2025

Interview: Clover County on the ‘Finer Things,’ Romanticising Life, and Rediscovering Her Whimsy

by Kelly McCafferty Dorogy
Savannah Conley © 2025
Columns, Interviews, Music, Today's SongDecember 12, 2025<December 12, 2025

“Rev It, Brake It, Love Ya, Mean It”: Savannah Conley Cuts Loose on “Love You Mean It,” a Fun, Feverish Indie Rock Rebirth

by Mitch Mosk
Barbro © Jana van Brussel
Music, PremieresDecember 11, 2025<December 11, 2025

“I Haven’t Heard That Sound Yet”: Copenhagen’s Barbro Premieres “What Men Do,” a Softly Smoldering Indie Folk Reckoning of Unlearning & Quiet Resistance

by Mitch Mosk
It’s Summer, I Love You, and I’m Surrounded by Snow - Dead Gowns
Debut, Features, Interviews, Music, Track-by-TrackDecember 11, 2025<December 11, 2025

“Dark, Romantic, & Disorienting”: Dead Gowns Channels Desire and Grief into an Indie Folk Storm on Debut Album ‘It’s Summer, I Love You, and I’m Surrounded by Snow’

by Mitch Mosk
Nick & June © Luka Popp
Features, Interviews, Music, Track-by-TrackDecember 11, 2025<December 11, 2025

“Fragile, Euphoric, & True”: Nick & June Craft a Cinematic Rebirth on ‘New Year’s Face,’ an Intimate Meditation on Who We Were, Who We Are, and Who We Might Become

by Mitch Mosk
Underbrook © 2025
Debut, Music, ReviewsDecember 11, 2025<December 11, 2025

Review: Underbrook Burst onto the Scene with Explosive Pop-Punk Debut EP ‘Was Happiness Too Boring for You?’

by Kaiana Lee
néomí © Liz van den Akker
Interviews, Music, Today's SongDecember 11, 2025<December 11, 2025

“Sit Back Baby, Let It Go”: néomí Embraces the Art of Release in a Soul-Stirring Mantra of Softness, Surrender, & Self-Love

by Mitch Mosk
Brian Dunne 'Clams Casino' © Marianka Campisi
Features, Interviews, MusicDecember 10, 2025<December 12, 2025

“I’ve Been Trying to Have a Good Life”: Brian Dunne Reckons Through His 30s on ‘Clams Casino,’ a Radiant Rock Record of Dreams, Disillusionment, & the Cost of Wanting More

by Mitch Mosk
Hannah Jadagu © Sam Wailbert
Features, Interviews, MusicDecember 10, 2025<December 10, 2025

Coming Home: Hannah Jadagu’s ‘Describe’ Is a Sanctuary for Growing Pains

by Kayleigh Schweiker
JOSEPH © Gardenia Miramontes
Columns, Interviews, Music, Today's SongDecember 10, 2025<December 10, 2025

“I Wanna Be Closer to Me”: JOSEPH Turn Pain into Power as They Step into a Bold, Raw, & Reflective New Era with ‘Closer to Happy’

by Mitch Mosk
Atwood Magazine's 139th Editor's Picks!
Columns, Editor's Picks, Features, MusicDecember 9, 2025<December 9, 2025

Editor’s Picks 139: Bartees Strange, Spanish Love Songs, Dijon, Deadbeat Girl, Dutch Interior, & mildred!

by Mitch Mosk
St. Panther 'Strange World' EP
Features, Interviews, MusicDecember 9, 2025<December 13, 2025

“I’m Still Rooting for Us”: St. Panther on Leading With Empathy, Speaking Up When It Matters, & Crafting the Neo-Soulful Sound of ‘Strange World’

by Mitch Mosk
"Fell in Love with Christmas" by Toby Gad and Anthony Gargiula
Mistletones, Music, Music Videos, PremieresDecember 9, 2025<December 9, 2025

Premiere: Toby Gad and Anthony Gargiula Find Holiday Magic & a Childlike Sense of Wonder on “Fell in Love with Christmas”

by Mitch Mosk
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Brand New

  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot

:: discover something new ::

Recent Posts

  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
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