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Atwood Magazine's 130th Editor's Picks!
Columns, Editor's Picks, Features, MusicAugust 6, 2025<August 6, 2025

Editor’s Picks 130: Olivia Dean, Ken Yates, Flock of Dimes, Angelsaur, Little Dog Star, & Glom!

by Mitch Mosk
Nectar Woode © Grace Pickering 2025
Features, Interviews, Music, Track-by-TrackAugust 6, 2025<August 6, 2025

“It’s the feeling of finally being at peace with your identity”: Nectar Woode Comes Home to Herself on ‘it’s like I never left’

by Mitch Mosk
Odhran Murphy © Aoife Moloney
Features, Interviews, Music, Track-by-TrackAugust 6, 2025<August 7, 2025

Chaos, Honesty, & the In-Between: Odhran Murphy Bares His Soul on Debut EP ‘Stuck in the Middle,’ a Folk Rock Journey of Self-Discovery and Reclamation

by Mitch Mosk
Susannah Joffe © Austen Juul-Hansen
Columns, Music, Today's SongAugust 6, 2025<August 6, 2025

Today’s Song: Susannah Joffe Freestyles a Sweet Concoction on “Sofia Coppola”

by Josh Weiner
Jack Schneider © Annie Loughead
Music, PremieresAugust 5, 2025<August 5, 2025

Premiere: Jack Schneider’s “Stone’s Throw Away” Breathes Folk Warmth & New Life into an Early ’70s Barbara Keith Deep Cut

by Mitch Mosk
Upstate © Bridget Badore
Columns, Hudson Valley Artists, MusicAugust 5, 2025<August 5, 2025

Hudson Valley Artist Spotlight: Upstate

by Mitch Mosk
Jeeves © Stef Martin
Interviews, MusicAugust 5, 2025<August 5, 2025

“Where Did All the Good Men Go?”: Singer/Songwriter Jeeves on Taking Risks and Crafting Timeless Music

by Danielle Holian
Daniel Caesar © 2025
Columns, Music, Today's SongAugust 5, 2025<August 5, 2025

Today’s Song: “Have A Baby (With Me)” Shows Daniel Caesar at His Most Vulnerable

by Marvin Twiggs
Hushtones © Jen Campbell
Artist to Watch, Interviews, MusicAugust 4, 2025<August 4, 2025

“Keep This Close to Your Heart”: Liverpool Artist-to-Watch Hushtones Shine Bright with Harmony, Warmth, & Light

by Mitch Mosk
jackrabbit. © 2025
Interviews, MusicAugust 4, 2025<August 4, 2025

From Film to the Stage, the Mulroney Brothers Get Honest with jackrabbit.

by Aileen Goos
Clipse © Cian Moore 8.3
Music, Our Take, ReviewsAugust 4, 2025<August 4, 2025

Our Take: Clipse Complete Their Comeback in Remarkable Fashion on ‘Let God Sort Em Out’

by Josh Weiner
Demi Lovato © Daniel Sachon
Columns, Music, Today's SongAugust 4, 2025<August 4, 2025

Demi Lovato Races into a Pop Reawakening Era “Fast,” Fierce, and Free

by Danielle Holian
Jamie xx © Laura Jane Coulson
Columns, Music, Today's SongAugust 2, 2025<August 2, 2025

Today’s Song: Jamie xx Leaks Light into a “Dream Night” on His Latest Single

by Ashley Littlefield
Chappell Roan "The Subway" © Ryan Lee Clemens
Music, Reviews, This Just InAugust 1, 2025<August 1, 2025

This Just In: Chappell Roan’s Queer Heartbreak Anthem “The Subway” Was Well Worth the Wait

by Marc Maleri
Djo 'The Crux' album art
Features, Music, Reviews, RoundtableAugust 1, 2025<August 1, 2025

Roundtable Discussion: A Review of Djo’s ‘The Crux’

by Atwood Magazine Staff
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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