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Halley Neal © Kayte Darling
Interviews, MusicNovember 12, 2025<November 12, 2025

“Vulnerable & Real”: Halley Neal on Her Musical Tributes to Life-Changing Friendships

by Chloe Robinson
Hannah Jadagu at Paulie Gee’s in Brooklyn, NY on October 23, 2025 © Emilio Herce
Concerts, Events, Music, ReviewsNovember 12, 2025<November 13, 2025

Hannah Jadagu Balances Tenderness and Groove at The Wild Honey Pie Little Pizza Party

by Kayleigh Schweiker
Joe Hicks © Emilie Cotterill
Interviews, MusicNovember 12, 2025<November 12, 2025

Interview: Joe Hicks Reclaims His Music and His Life ‘Before It Gets Dark’

by Aileen Goos
ELUNIA "Strobe Lights" © Brenda Huerta Rodríguez
Columns, Music, Today's SongNovember 12, 2025<November 12, 2025

Today’s Song: ELUNIA Opens Up About Work Pressure & Exhaustion in “Strobe Lights”

by Joe Beer
X Ambassadors 'VHS(X)' © 2025
Debut, Features, Interviews, MusicNovember 11, 2025<November 11, 2025

“A Rare Chance to Rewrite Our History”: X Ambassadors Reclaim Their Past & Redefine Their Present with ‘VHS(X),’ a Reimagining of Their Cinematic Masterpiece

by Mitch Mosk
Now, Now © Tom Thornton
Interviews, MusicNovember 11, 2025<November 11, 2025

“Unlearning, Unraveling, Undoing”: Now, Now Reach for Something Bigger on “Talk to God,” a Dark, Intimate, & All-Consuming Rebirth

by Mitch Mosk
Ax and the Hatchetmen 'So Much to Tell You' © Harry Bearows
Debut, Features, Interviews, MusicNovember 11, 2025<November 11, 2025

Interview: Ax and the Hatchetmen’s ‘So Much to Tell You’ Turns Seven Years of Friendship, Shenanigans, & Coming-of-Age into a Defining Debut Album

by Miranda Urbanczyk
Cornelia Murr © Skyler Kim
Concerts, Music, ReviewsNovember 11, 2025<November 11, 2025

Live Review: Cornelia Murr Finds Chemistry, Confidence & Communion at Toad’s Place

by Marc Maleri
Total Wife © Sean Booz
Columns, Music, Today's SongNovember 11, 2025<November 11, 2025

Today’s Song: Total Wife Punch the Gas on “make it last”

by Will Yarbrough
Leilani Patao © Shannon McMahon
Essays, MusicNovember 10, 2025<November 10, 2025

“The Making of ‘daisy’ – and Why It’s Not on Streaming”: An Essay by Leilani Patao

by Guest Writer
Billy Joel Jr. © Evan Montgomery
Interviews, Music, PremieresNovember 10, 2025<November 10, 2025

Premiere: Chicago’s Billy Joel Jr. Shine Bright on “Ur a Star,” a Raw Indie Rock Anthem of Self-Worth & Sincerity

by Mitch Mosk
fantom EP - Wes Parker
Music, ReviewsNovember 10, 2025<November 10, 2025

The Rise and Fall of an Angel: Wes Parker’s EP ‘fantom’ & Defiant Artistry

by Rachel Leong
Vincent Mason © Patrick Tracy
Debut, Features, Interviews, MusicNovember 10, 2025<November 10, 2025

Interview: Vincent Mason Turns Bedroom Demos into a Breakthrough Debut With ‘There I Go’

by Aileen Goos
Genesis Owusu "Death Cult Zombie" © Isaac Brown
Columns, Music, Today's SongNovember 10, 2025<November 10, 2025

Genesis Owusu Takes a Spiky, Punky Swipe at the Alt-Right on “DEATH CULT ZOMBIE”

by Adam Davidson
James Smith © 2025
Artist to Watch, Interviews, Music, Today's SongNovember 8, 2025<November 8, 2025

Artist to Watch: East London’s James Smith Dazzles with the Timeless, Soulful & Smoldering “Dancing with You (Baby)” – A Modern Classic in the Making

by Mitch Mosk
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Brand New

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem

:: discover something new ::

Recent Posts

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
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