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Atwood Magazine's Weekly Roundup | January 9, 2026
Columns, Features, Music, Weekly RoundupJanuary 9, 2026<January 9, 2026

Atwood Magazine’s Weekly Roundup: January 9, 2026

by Atwood Magazine Staff
Witch Post "Changeling" © Parker Love Bowling
Artist to Watch, Interviews, Music, Today's SongJanuary 9, 2026<January 9, 2026

“We Were Never the Same”: Indie Rock Duo Witch Post Embrace Unease, Myth, & Transformation on “Changeling”

by Mitch Mosk
Brigitte Calls Me Baby © Scarlet Page
Debut, Features, Interviews, MusicJanuary 8, 2026<January 8, 2026

Brigitte Calls Me Baby Turned Fear of Death into Romantic Rock Songs Full of Hope, Drama, and Existential Dread

by Mitch Mosk
TOLEDO "Nothing Yet" © 2025
Features, Interviews, Music, Today's SongJanuary 8, 2026<January 8, 2026

“Rudimentary Questions About the Afterlife”: TOLEDO Embrace Wonder and the Unknown with Dreamy Grace on “Nothing Yet”

by Mitch Mosk
Kings of Leon © Lachlan Duthie
Music, ReviewsJanuary 7, 2026<January 7, 2026

“Dream About Beaches”: Kings of Leon Bask in the Glow of a Fresh Sonic Space on ‘EP #2’

by Ashley Littlefield
Fiji Blue’s Trevor Dering © Joe Hunt
Interviews, MusicJanuary 7, 2026<January 9, 2026

Interview: Fiji Blue’s Trevor Dering Gets Candid on ‘Hug’ and the Moments That Shaped His Music

by Aileen Goos
Wishlist © Lauren Kimber
Debut, Interviews, Music, Today's SongJanuary 7, 2026<January 7, 2026

“Throw Your Arms Around”: Melbourne Duo Wishlist Embrace Experimental Pop & Partnership on Dreamy Debut “Even When I’m Leaving”

by Mitch Mosk
The Best Music of 2025, According to Our Favorite Artists!
Features, Lists, MusicJanuary 7, 2026<January 8, 2026

The Best Music of 2025, According to Our Favorite Artists!

by Atwood Magazine Staff
Driving along the coast © Jadon Calvert
Essays, MusicJanuary 6, 2026<January 6, 2026

Essay: Damn You, Music

by Joe McAvoy
Annika Bennett © Caity Krone
Features, Interviews, MusicJanuary 6, 2026<January 6, 2026

Learning to Witness Yourself: Annika Bennett on the Intimacy, Permission, and Surrender of ‘Triple Shooting Star’

by Kelly McCafferty Dorogy
Collage created by Randall Cornish. Chuck Berry image: Creative Commons, Public Domain. Beethoven image: Gordon Johnson from Pixabay.
Essays, MusicJanuary 6, 2026<January 5, 2026

Essay: Roll Over Beethoven, Tell Tchaikovsky the News!

by Guest Writer
DM Arthur © 2025
Interviews, Music, Today's SongJanuary 6, 2026<January 6, 2026

“Wash the Damage Off”: DM Arthur Embraces Resilience, Release, and Renewal on Feel-Good “Fire & Soap”

by Mitch Mosk
Natalie Jane © Lili Skyler
Features, Interviews, MusicJanuary 5, 2026<January 11, 2026

“I Finally Feel Like I Had Something to Say”: Natalie Jane on the World She Didn’t Want, and the One She’s Creating

by Nicolle Knapová
Girl Scout © Lamia Karic
Interviews, Music, Today's SongJanuary 5, 2026<January 12, 2026

“If You Go, I Go, Forever”: Stockholm’s Girl Scout Find Kinship, Conviction, & Belonging on “Same Kids”

by Mitch Mosk
Atwood Magazine's Best Songs of 2025!
Features, Lists, MusicDecember 31, 2025<January 2, 2026

Atwood Magazine’s 2025 Songs of the Year

by Atwood Magazine Staff
Posts pagination
1 … 22 23 24 25 26 … 736

Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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