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Hudson Westbrook 'Texas Forever' © Ian Noh
Debut, Features, Interviews, MusicAugust 1, 2025<August 1, 2025

Feature: Hudson Westbrook’s Bold Debut ‘Texas Forever’ Offers 17 Songs That Prove He’s Here to Stay

by Aileen Goos
OSHEAGA 2024 © Susan Moss
Festival, Music, PreviewAugust 1, 2025<August 1, 2025

Festival Preview: Osheaga 2025 Promises to Be a Festival Like No Other – and Atwood Has You Covered

by Oliver Crook
Dane Baker © 2025
Columns, Music, Today's SongAugust 1, 2025<August 1, 2025

“Growth, Affirmation, & Fulfillment”: Dane Baker’s “Ascension” Urges a Look Inward to Find Happiness

by Adam Davidson
Bec Lauder and the Noise "Nobody Cares" © 2025
Artist to Watch, Interviews, Music, Music Videos, PremieresJuly 31, 2025<July 31, 2025

“Nobody Cares”: NYC’s Bec Lauder and The Noise Premiere Their Explosive Glam-Punk Anthem of Chaos, Rebellion, & Release

by Mitch Mosk
Lollapalooza 2025 © Ismael Quintanilla III
Festival, Music, PreviewsJuly 31, 2025<July 31, 2025

Preview: Lollapalooza 2025 Ends the Summer Off Right With an Unforgettable Lineup

by Miranda Urbanczyk
The Fray "My Heart's a Crowded Room" © Robby Klein
Features, Interviews, MusicJuly 31, 2025<July 31, 2025

Feature: The Fray Reminisce on 20 Years of ‘How to Save a Life’ While Entering a New Era of Music

by Lauren Turner
Charlotte OC © Stewart Baxter
Columns, Music, Today's SongJuly 31, 2025<July 31, 2025

Today’s Song: Charlotte OC Lights Up the Ashes on “Cider and Black”

by Marvin Twiggs
CLOVER "My Kind of Woman" © Caley Senters
Music, Music Videos, PremieresJuly 30, 2025<July 30, 2025

“I’m not afraid to be my kind of woman”: CLOVER Premieres Her Bold, Beautiful, and Unapologetic Celebration of Feminine Power & Truth

by Mitch Mosk
Winnetka Bowling League © Heather Saitz
Features, Interviews, MusicJuly 30, 2025<July 30, 2025

“Wait ‘Til You See My Next Trick”: Winnetka Bowling League’s Matthew Koma Is Ready to Rock Lollapalooza – and Make More Songs

by Mitch Mosk
Pretoria © Brady Olson
Interviews, Music, Track-by-TrackJuly 30, 2025<July 30, 2025

Track-by-Track: Pretoria Are Living Out Loud on ‘If We’re Pretending,’ an EP of Change, Authenticity, & the Art of Letting Go

by Miranda Urbanczyk
mary in the junkyard "drains" © Vittoria Pagliaro
Artist to Watch, Interviews, MusicJuly 30, 2025<July 30, 2025

Slipping Down the “Drains” with mary in the junkyard: British Band-to-Watch on Chaos, Connection, & Catharsis

by Mitch Mosk
Chet Faker © CaptureCharles
Columns, Music, Today's SongJuly 30, 2025<July 29, 2025

Today’s Song: Chet Faker Transports Listeners to the “Far Side of the Moon” on His Latest Single

by Ashley Littlefield
'Bono: Stories of Surrender' promotional poster
Film, Music, ReviewsJuly 29, 2025<July 29, 2025

Film Review: ‘Bono: Stories of Surrender’ & Becoming in the World

by David Buyze
Joan Baez and Bob Dylan performing during the Civil Rights March on Washington, D.C., 1963. With permission from the National Archives.
Editorials, MusicJuly 29, 2025<July 29, 2025

Bob Dylan’s “I Shall Be Released”: It Was Never About Prison

by Guest Writer
Liam Bauman © Rachel Weber
Artist to Watch, Interviews, Music, Music Videos, PremieresJuly 29, 2025<July 29, 2025

Artist to Watch: Liam Bauman’s “Old Friends” Is a Raw, Unfiltered Reckoning with Grief, Guilt, & Emotional Fallout

by Mitch Mosk
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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