• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Ski Team © OK McCausland
Artist to Watch, Interviews, Music, Today's SongDecember 18, 2025<January 8, 2026

“You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

by Mitch Mosk
The Best Albums of 2025 - Atwood Magazine
Features, Lists, MusicDecember 18, 2025<December 18, 2025

Atwood Magazine’s 2025 Albums of the Year

by Atwood Magazine Staff
Low.bō © Eric Jovel
Debut, Features, Interviews, Music, Track-by-TrackDecember 17, 2025<December 17, 2025

“Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’

by Mitch Mosk
Adult Mom's Stevie Knipe © Bao Ngo
Features, Interviews, MusicDecember 17, 2025<December 17, 2025

“Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’

by Mitch Mosk
Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers
Features, Interviews, MusicDecember 17, 2025<December 17, 2025

“None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

by Rachel Leong
Timeline - Drauve
Debut, Features, Interviews, Music, Track-by-TrackDecember 17, 2025<December 17, 2025

“It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’

by Mitch Mosk
The Barons © Kellan DeGarmo
Columns, Music, Today's SongDecember 17, 2025<December 17, 2025

Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out”

by Chloe Robinson
Underbrook © 2025
Debut, Features, Interviews, MusicDecember 16, 2025<December 18, 2025

“We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’

by Isabella Le
mildred © 2025
Debut, Interviews, Music, Today's SongDecember 16, 2025<December 15, 2025

“Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”

by Mitch Mosk
Atwood Magazine's 140th Editor's Picks!
Columns, Editor's Picks, Features, MusicDecember 15, 2025<December 15, 2025

Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!

by Mitch Mosk
Atwood Magazine's Top Artist Discoveries of 2025
Features, Lists, MusicDecember 15, 2025<December 15, 2025

Atwood Magazine’s Top Artist Discoveries of 2025

by Atwood Magazine Staff
Dutch Interior © Julien Sage
Interviews, Music, Today's SongDecember 15, 2025<December 15, 2025

“It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song”

by Mitch Mosk
Deadbeat Girl 'Self-Destructor' © Ashley Crichton
Interviews, Music, Today's SongDecember 14, 2025<December 12, 2025

“I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession

by Mitch Mosk
Max Kuehn © 2025
Columns, Music, Today's SongDecember 13, 2025<December 12, 2025

“I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’

by Ashley Littlefield
Seven Lions © Ashley Von Helsing
Essays, Features, MusicDecember 12, 2025<March 2, 2026

Tales from the Garden: Seven Lions Is Making and Breaking the Formula

by Jack Batt
Posts pagination
1 … 24 25 26 27 28 … 736

Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services