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Sister Ray © Vanessa Heins
Debut, Features, Interviews, Music, Track-by-TrackJune 8, 2022<June 8, 2022

Inside Sister Ray’s Unfiltered & Liberating Debut ‘Communion’: “If anybody’s gonna get crucified, I want it to be me tonight”

by Mitch Mosk
courtship. © Emily Nava
Features, Interviews, MusicJune 8, 2022<February 7, 2023

Feature: Kick Back and Slurp Some “Million Dollar Smoothies” with courtship.

by Anthony Kozlowski
Gretchen Klempa © Chelsea Rose
Columns, Debut, Music, Today's SongJune 8, 2022<June 8, 2022

Gretchen Klempa Doesn’t Want to Say Goodbye in Debut Single “Drunk at Your Funeral”

by Joe Beer
Ken Yates © Jen Squires
Features, Interviews, Music, Track-by-TrackJune 7, 2022<August 4, 2023

“Searching for those small moments of peace”: Ken Yates Dives into 4th LP ‘Cerulean,’ a Softly Stirring Triumph of Grief & Hope

by Mitch Mosk
Charlie Hickey © Frank Ockenfels
Debut, Features, Interviews, MusicJune 7, 2022<July 9, 2022

To Those Who Wait: A Conversation with Charlie Hickey

by Nasim Elyasi
Darius © Manu Fauque
Music, Music Videos, PremieresJune 7, 2022<June 7, 2022

Premiere: Darius & Devin Tracy Dwell in an Intimate Euphoria on Groovy, Seductive “Ease Your Mind”

by Mitch Mosk
Soccer Mommy © Sophie Hur
Columns, Music, Today's SongJune 7, 2022<June 7, 2022

Today’s Song: Soccer Mommy Seamlessly Integrates the New, Retro, and Modern in “Bones”

by Rachel Leong
Spoon 'Lucifer on the Sofa' © Oliver Halfin
Features, Interviews, MusicJune 7, 2022<June 7, 2022

“It’s a great rock record in a time when rock n’ roll is needed”: Jim Eno on Spoon’s 10th LP ‘Lucifer on the Sofa’

by Mitch Mosk
John Doe © Todd V. Wolfson
Features, Interviews, MusicJune 6, 2022<March 2, 2025

After the Fall: John Doe on ‘Fables in a Foreign Land,’ Isolation, and Poetry

by Mariel Fechik
Sunflower Thieves © 2022
Debut, Features, Interviews, Music, Track-by-TrackJune 6, 2022<August 7, 2024

Feature: Sunflower Thieves Shine on Emotive, Heartfelt, & Comforting Debut ‘Someone to Be There For’

by Mitch Mosk
Ziggy Alberts & Donovan Woods © 2022
Columns, Music, Today's SongJune 6, 2022<June 6, 2022

Today’s Song: Ziggy Alberts & Donovan Woods Reckon with Cultural Trends & Polarization in “THE SUN & THE SEA”

by Mitch Mosk
Les Claypool © Paul Haggard
Features, Interviews, MusicJune 6, 2022<June 7, 2022

Interview with Les Claypool: Primus, Oysterhead Founder Discusses Rush, Wine Making, Fishing, Movies, & More

by Guest Writer
Boyish © Anna Koblish
Features, Interviews, Music, Track-by-TrackJune 3, 2022<September 29, 2022

“Nostalgic, Blunt, & Vulnerable”: Boyish’s ‘My Friend Mica’ Is Pure Summer Bummer Bliss

by Mitch Mosk
MOTORCADE (L-R): Jeff Ryan, James Henderson, Andrew Huffstetler, John Dufilho © Jerome Brock
Columns, Music, Today's SongJune 3, 2022<June 3, 2022

Today’s Song: Post-Punk Is Alive & Well in MOTORCADE’s Dreamy, Driving “Slip”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | June 3, 2022
Columns, Features, Music, Weekly RoundupJune 3, 2022<June 3, 2022

Atwood Magazine’s Weekly Roundup: June 3, 2022

by Atwood Magazine Staff
Posts pagination
1 … 259 260 261 262 263 … 741

Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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