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Churches - LP
Features, Interviews, MusicDecember 10, 2021<February 26, 2022

On Love, Songwriting, Spirituality & ‘Churches’: An Interview with LP

by Mitch Mosk
Atwood Magazine's Weekly Roundup | December 9, 2021
Columns, Features, Music, Weekly RoundupDecember 10, 2021<December 17, 2021

Atwood Magazine’s Weekly Roundup: December 10, 2021

by Atwood Magazine Staff
Harrison Whitford © Zack Whitford
Features, Music, Reviews, Track-by-TrackDecember 9, 2021<August 3, 2022

‘Afraid of Nothing’: Inside Harrison Whitford’s Achingly Intimate & Radiantly Raw Sophomore LP

by Mitch Mosk
Mumble Tide
Debut, Features, Music, Reviews, Track-by-TrackDecember 9, 2021<December 10, 2021

Finding Beauty in ‘Everything Ugly’: Inside Mumble Tide’s “Scrappy, Honest, & Frustrated” Mini-Album

by Mitch Mosk
Alex Lahey © Nick Mckk
Columns, Music, Today's SongDecember 9, 2021<December 9, 2021

Today’s Song: Alex Lahey’s Searing, Stunning “Spike the Punch” Hits Hard and Leaves a Mark

by Mitch Mosk
Rén with the Mane
Interviews, Music, Music Videos, PremieresDecember 9, 2021<December 9, 2021

Interview: Brooklyn’s Rén with the Mane on Her Alluring “Short Skirts” Video & Passionate New EP

by Mitch Mosk
Ok Cowgirl © Rita Iovine
Artist to Watch, Debut, Features, Music, Reviews, Track-by-TrackDecember 8, 2021<February 26, 2022

“Dream-Rock, Baby”: Brooklyn’s Ok Cowgirl Put Feelings First on Stunning Debut EP ‘Not My First Rodeo’

by Mitch Mosk
Raekwon © Erick Sasso
Books, Music, ReviewsDecember 8, 2021<December 8, 2021

Book Review: Raekwon Gives Us a Powerful Snapshot of ’90s Hip-Hop and NY Life in ‘Raekwon: From Staircase to Stage’

by Oliver Crook
Row Me Away - Leo Sawikin
Debut, Features, Music, Reviews, Track-by-TrackDecember 8, 2021<December 8, 2021

“Bittersweet, Pre-Dystopian, Longing”: Inside Leo Sawikin’s Dramatic Solo Debut, ‘Row Me Away’

by Mitch Mosk
LAIKIPIA © 2021
Features, Music, Reviews, Track-by-TrackDecember 8, 2021<December 8, 2021

A Place Like No Other: A Track-by-Track Review of LAIKIPIA’s ‘All Hail Hyperion’

by Joe Beer
Emily Blue © Kirsten Barnett
Artist to Watch, Columns, Music, Today's SongDecember 8, 2021<December 8, 2021

Artist to Watch: Emily Blue’s “The Afterlove” Is a Radiant Kiss of Intimate Brooding & Pop Magic

by Mitch Mosk
Features, Interviews, MusicDecember 7, 2021<October 18, 2023

Interview: Laura Dreyfuss Talks Vulnerability, Life Lessons & Development of Sound

by Chloe Robinson
Dom Dolla & Mansionair © Jesse Lirola
Columns, Music, Today's SongDecember 6, 2021<December 6, 2021

Today’s Song: Dom Dolla and Mansionair Showcase the Finest of Australian EDM on “Strangers.”

by Josh Weiner
talker © Sean Berger
Columns, Music, Today's SongDecember 3, 2021<December 1, 2021

Today’s Song: talker Haunt with Sunshine on “Summerlin”

by James Crowley
La Luz © Pooneh Ghana
Features, Interviews, MusicDecember 3, 2021<December 9, 2022

“Super True Surf-Guitar-Doo-Wop Sound”: A Conversation with La Luz’s Shana Cleveland

by Ben Niesen
Posts pagination
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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