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Daddy's Little Lawyer - KTJ & CARLY © 2022
Columns, Music, Today's SongMarch 24, 2022<March 24, 2022

Today’s Song: KTJ & CARLY Tackle Entitlement in Empowering Anthem “Daddy’s Little Lawyer”

by Mitch Mosk
Euan Blackman © Olivia Mayall
Music, PremieresMarch 24, 2022<March 24, 2022

Premiere: Liverpool’s Euan Blackman Channels Anxiety-Fueled Nights in New Song “I’m Not Scared”

by Mitch Mosk
Susan Cattaneo © Jon Cohan
Columns, Music, Women's History MonthMarch 24, 2022<March 24, 2022

“Too Old to Be an Ingenue, Too Young to Be an Icon”: Susan Cattaneo on the Shame Associated with Ageism in the Music Industry

by Guest Writer
Little Quirks © Adam Toole
Columns, Music, Today's SongMarch 23, 2022<March 23, 2022

Today’s Song: Little Quirks’ “The Rain” Is an Exhilarating Chant of Freedom & Joy

by Mitch Mosk
Benji Lewis © Sean Pyke
Music, PremieresMarch 23, 2022<March 23, 2022

Premiere: Benji Lewis Dives Inside His Beautifully Intimate & Vulnerable “Head Rush”

by Mitch Mosk
RAHH © JC Verona
Music, PremieresMarch 23, 2022<March 23, 2022

Premiere: RAHH’s Feverish “Run the Lights” Is an Intoxicating Song of Indulgence & Escape

by Mitch Mosk
Treefort Music Fest 10 © Ben Niesen
Festival, Music, PreviewsMarch 23, 2022<March 23, 2022

10 Things to Look Forward to at Treefort 10

by Atwood Magazine Staff
Spotify Singles - Del Water Gap
Music, ReviewsMarch 23, 2022<March 24, 2022

Del Water Gap Un-“Complicates” Avril in Stripped-Down Spotify Singles

by Guest Writer
Freakout by Treefort Fest 2021
A Casual Ramble, Columns, MusicMarch 22, 2022<March 22, 2022

A Casual Ramble: Freaking Out Before, At, and By Treefort 2022

by Ben Niesen
Bob Vylan © Esmé Surfleet
Columns, Music, Today's SongMarch 22, 2022<June 17, 2023

Today’s Song: Bob Vylan Change Up the Sound But Not Their Message on “Health Is Wealth”

by Oliver Crook
Royal Blood © Dean Martindale
Concerts, Music, PreviewsMarch 21, 2022<March 23, 2022

Royal Blood 2022 UK Tour Preview

by Bethan Harper
Interviews, MusicMarch 18, 2022<March 18, 2022

Interview: Sea Glass Speaks About New Music, Dream Collaborations, & Being a Dad

by Joe Beer
Megan Winsor © 2022
Columns, Music, Women's History MonthMarch 18, 2022<March 18, 2022

Trying Twice As Hard: Megan Winsor on Speaking Up As an Independent Artist in a Male-Driven Music Industry

by Guest Writer
Atwood Magazine's Weekly Roundup | Women's History Month 2022
Columns, Features, Music, Weekly Roundup, Women's History MonthMarch 18, 2022<March 18, 2022

Atwood Magazine’s Weekly Roundup: Women’s History Month 2022

by Atwood Magazine Staff
Little Boots © 2022
Features, Music, Reviews, Track-by-TrackMarch 18, 2022<March 18, 2022

“DIY Disco Pop”: Little Boots Dives Inside Her Groovy & Glistening 4th LP ‘Tomorrow’s Yesterdays’

by Mitch Mosk
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Brand New

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’

:: discover something new ::

Recent Posts

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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