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Festival, Interviews, MusicOctober 8, 2021<October 8, 2021

Interview: The Sonic Symbiosis of Anjimile

by Sophie Prettyman-Beauchamp
Young Robin © Mastu Photography
Columns, Music, Today's SongOctober 8, 2021<October 4, 2021

Today’s Song: Perth’s Young Robin Explore Struggle in Growth on “Violent”

by Kelly McCafferty Dorogy
Columns, Music, Today's SongOctober 7, 2021<October 11, 2021

Today’s Song: iamnotshane’s Returns Happier Than Ever With “Don’t Say That.”

by Josh Weiner
DoomFolk StarterKit © Savannah Kee
Music, ReviewsOctober 7, 2021<October 4, 2021

DoomFolk StarterKit’s ‘SunFaded’ EP Is a Glistening Memorial to the Sun

by Lowndes Commander
Ásgeir © Jonatan Gretarsson
Features, Interviews, MusicOctober 7, 2021<October 4, 2021

Interview: Ásgeir’s ‘The Sky Is Painted Gray Today’ EP Brings the Past into the Future

by Ilana Kalish
TORRES © Shervin Lainez
Features, Interviews, MusicOctober 7, 2021<October 4, 2021

Interview: TORRES Wants You to Feel Her Love

by Kelly Liu
CHVRCHES © Sebastian Mlynarski & Kevin J Thomson
Music, ReviewsOctober 7, 2021<October 4, 2021

The Remarkable Inner Experience of Chvrches: A Review of ‘Screen Violence’

by Guest Writer
Sincere Engineer © Hovland 7.3
Music, Our Take, ReviewsOctober 6, 2021<October 4, 2021

Our Take: ‘Bless My Psyche’ Is Sincere Engineer’s Second Grand Introduction

by Nick Baron
Crimson Calamity © Samantha Hearn
Interviews, MusicOctober 6, 2021<October 4, 2021

Interview: Nashville Duo Crimson Calamity on Their Dreamy Sound, New Single “WildCard,” & Big Successes

by Chloe Robinson
making sense of it all - Swim School
Features, Interviews, MusicOctober 6, 2021<October 4, 2021

Interview: Take a Plunge into the World of Edinburgh’s Riotous Rockers Swim School

by Bethan Harper
Parallel Timeline
Features, Interviews, MusicOctober 5, 2021<October 5, 2021

Interview: Slothrust dig into their latest hypnotic, mysterious album ‘Parallel Timeline’

by Dimitra Gurduiala
RIVER © Filip Piskorzynski
Columns, Music, Today's SongOctober 5, 2021<October 5, 2021

Today’s Song: Hamburg’s RIVER Kindle a Spark in Sophomore Single “Dance in the Darkness”

by Mitch Mosk
Leah Shaw © Rodgers Dameron
Debut, Features, Music, Reviews, Track-by-TrackOctober 5, 2021<October 5, 2021

“Heart-Wrenching, Real, & Lifegiving”: The Stunning Grief of Leah Shaw’s Debut Album ‘Play Beautifully’

by Mitch Mosk
NGAIIRE © Dan Segal
Features, Music, Reviews, Track-by-TrackOctober 5, 2021<October 5, 2021

“Never Ending Story”: Inside NGAIIRE’s Intimate, Wondrous & Soulful Album, ‘3’

by Mitch Mosk
Scalawag © Teo Saefkow
Music, PremieresOctober 5, 2021<October 4, 2021

Premiere: Scalawag’s Hauntingly Peaceful “Nobody Leaves”

by Kelly McCafferty Dorogy
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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