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Cloudbelly © Cara Totman
Music, Music Videos, PremieresApril 12, 2022<April 12, 2022

Premiere: Cloudbelly’s Intimate “Leavened” Reckons & Soothes in the Eye of the Inner Storm

by Mitch Mosk
Johnnyswim © Chloe Enos
Features, Interviews, MusicApril 8, 2022<April 30, 2024

Dreaming Big & Celebrating the Mundane: Johnnyswim Dive into Their Eponymous 4th Album

by Kelly McCafferty Dorogy
VanWyck © Jitske Schols
Features, Music, Premieres, Track-by-TrackApril 7, 2022<April 6, 2022

Album Premiere: VanWyck Dives into Her Rich, Ambitious, & Mysterious ‘The Epic Tale of the Stranded Man’

by Mitch Mosk
Caitlyn Smith © Robert Chavers
Features, Interviews, MusicApril 7, 2022<March 11, 2024

Breaking Down Barriers in Country Music: Caitlyn Smith on Self-Producing New Album ‘High’ & Why Country Music Needs More Women Producers

by Emily Frances Algar
Gary O'Neill © Zyanya Lorenzo
Columns, Music, Today's SongApril 6, 2022<April 6, 2022

Today’s Song: Gary O’Neill’s Beautifully Bittersweet “Petals” Aches with Love & Longing

by Mitch Mosk
almost sex © Trevor Brenden
Debut, Features, Music, Reviews, Track-by-TrackApril 6, 2022<April 14, 2022

“Warts and All”: Brooklyn’s almost sex Shine an Intimate & Raw Indie Folk Light on Debut EP ‘We’re Okay’

by Mitch Mosk
Maddox Jones © 2022
Debut, Features, Music, Premieres, Track-by-TrackApril 6, 2022<April 7, 2022

Album Premiere: Maddox Jones Soars on His Epic, Emotive, & Joyful Debut Album ‘Believe It’

by Mitch Mosk
Dekker © Emily & Katy
Music, PremieresApril 6, 2022<April 6, 2022

Premiere: Dancing the Days Away with Dekker’s Grooving “Let’s Pretend”

by Mitch Mosk
Royal Blood © Katja Orgrin
Concerts, MusicApril 6, 2022<April 6, 2022

Live Review: Royal Blood Reign Supreme in Bournemouth

by Bethan Harper
Foxes © 2022
Features, Interviews, MusicApril 5, 2022<September 29, 2022

“Alchemy in Dance”: Inside Foxes’ Bold, Impassioned, & Irresistible 3rd Album ‘The Kick’

by Mitch Mosk
Velvet © 2022
Columns, Music, Today's SongApril 5, 2022<April 5, 2022

Today’s Song: Glasgow’s Velvet Shake, Rattle, Rock N’ Roll on Electrifying 3rd Single “I Prefer You (In My Head)”

by Mitch Mosk
Jelly Oshen © Bridie J Egan
Music, PremieresApril 5, 2022<April 5, 2022

Premiere: Dance Along to Jelly Oshen’s Soulful Quarantine Groove “Bordalonely”

by Mitch Mosk
Quelle Rox © Carina Allen (@rlyblonde)
Features, Interviews, MusicApril 5, 2022<July 9, 2022

Interview: Quelle Rox’s ‘coffee & a cig’ EP Reminds Us We Need More Powerful Latina Women in Music

by Dimitra Gurduiala
Jessie Reid © Emilie Cotterill
Artist to Watch, Features, Music, Reviews, Track-by-TrackApril 4, 2022<April 4, 2022

“Heartfelt, Vulnerable, & Optimistic”: Jessie Reid Stirs & Stuns on Intimate Mini-Album ‘Other Hand’

by Mitch Mosk
Ben Abraham © Danielle Levitt
Features, Interviews, Music, Reviews, Track-by-TrackApril 4, 2022<April 4, 2022

“The Colliding Worlds of Sexuality & Spirituality”: Ben Abraham Dives Inside His Stunning Sophomore LP, ‘Friendly Fire’

by Mitch Mosk
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Brand New

  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley!
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors

:: discover something new ::

Recent Posts

  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
  • Fresh Northern Rockers Florentenes Are Impassioned and Authentic on “Undiscovered Colours” June 18, 2026
  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
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© Atwood Magazine 2024 For the Love of Music
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