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Teddy Swims © Gus Black
Features, Interviews, MusicJuly 20, 2021<July 21, 2021

Learning to Unlearn: Teddy Swims Explores Life and the Human Experience on ‘Unlearning’ EP

by Anthony Kozlowski
Lucy Dacus © Ebru Yildiz
Music, ReviewsJuly 19, 2021<February 2, 2025

Review: Lucy Dacus Presents a Double Feature of Adolescence & Acceptance with ‘Home Video’

by Nasim Elyasi
Low Roar © Konrad Cwik
Columns, Music, Today's SongJuly 19, 2021<July 19, 2021

Today’s Song: Low Roar Takes on a Journey to Outer & Inner Space with “Hummingbird”

by Diego Morales
Keuning © Dana Trippe
Features, Interviews, MusicJuly 19, 2021<July 13, 2021

Interview: Dave Keuning Explains His Greatest Work, ‘A Mild Case of Everything’

by Dimitra Gurduiala
Features, Interviews, MusicJuly 16, 2021<July 16, 2021

Only Just Begun: Jeremiah Lloyd Harmon on Gorgeous New Album ‘Wake Me Up When It’s Over’

by Mariel Fechik
Atwood Magazine's Weekly Roundup | July 16, 2021
Columns, Features, Music, Weekly RoundupJuly 16, 2021<July 16, 2021

Atwood Magazine’s Weekly Roundup: July 16, 2021

by Atwood Magazine Staff
Shungudzo © Yazz Alali
Debut, Features, Interviews, MusicJuly 16, 2021<February 7, 2022

“A Portrait of a Human Experience”: Shungudzo Talks Debut Album, Activism, Motherhood, & Love

by Mitch Mosk
VEPS © Jenny F. Lunde
Debut, Features, Music, Reviews, Track-by-TrackJuly 15, 2021<July 15, 2021

“Raw, Young, & Energetic”: Oslo’s VEPS ‘Open the Door’ with Radiant Indie Rock Debut EP

by Mitch Mosk
Play​.​Make​.​Believe. - Ace Hashimoto
Debut, Features, Music, Reviews, Track-by-TrackJuly 15, 2021<July 15, 2021

“A Pharrell Homage”: Ace Hashimoto Dives into His Fresh & Fun Debut Album ‘Play.Make.Believe.’

by Mitch Mosk
Hovvdy © Pooneh Ghana
Columns, Music, Today's SongJuly 15, 2021<July 15, 2021

Today’s Song: Hovvdy Find Comfort, Catharsis, & Connection in “True Love”

by Mitch Mosk
I Think I Know - Georgia Parker
Features, Music, Reviews, Track-by-TrackJuly 14, 2021<July 16, 2021

“Sincere, Hopeful, Warm”: Georgia Parker Premieres Her Stirring, Spellbinding ‘I Think I Know’ EP

by Mitch Mosk
Favorite What If - Ashley Kutcher
Interviews, MusicJuly 14, 2021<July 14, 2021

Interview: Singer/Songwriter Ashley Kutcher Sings a Poignant Goodbye to Love in “Favorite What If”

by Mitch Mosk
Sofia Monroy © Hugo Aldén
Columns, Music, Today's SongJuly 14, 2021<July 14, 2021

Today’s Song: Sofia Monroy’s Empowering, Liberating Self-Love Anthem “Sweet Temptation”

by Mitch Mosk
Gone Gone Beyond © LP Hastings
Features, Music, Reviews, Track-by-TrackJuly 14, 2021<July 14, 2021

“Beautiful, Expansive, & Honest”: Gone Gone Beyond Radiate Existential Love on Sophomore LP ‘2030’

by Mitch Mosk
Dizzy © cowboydrugs
Features, Interviews, MusicJuly 13, 2021<July 13, 2021

Turning Songs Inside Out: A Conversation with Dizzy

by Nicole Almeida
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Brand New

  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out”
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!
  • Atwood Magazine’s Top Artist Discoveries of 2025

:: discover something new ::

Recent Posts

  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession December 14, 2025
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’ December 13, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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