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Vie - Doja Cat
Features, Music, Reviews, RoundtableNovember 13, 2025<November 13, 2025

Roundtable Discussion: A Review of Doja Cat’s ‘Vie’

by Atwood Magazine Staff
Tomás Tomás © Jess Farran
Interviews, Music, Music Videos, PremieresNovember 13, 2025<November 13, 2025

“The Sweetest of Sounds”: Tomás Tomás’ “Brought It Down” Is a Smoky, Soul-Stirring Reverie of Memory, Longing, & Midnight Drift

by Mitch Mosk
Sophia Hansen-Knarhoi © Milda Ambrozaite
Music, Music Videos, PremieresNovember 13, 2025<November 13, 2025

“A Moment of Rage”: Sophia Hansen-Knarhoi Unleashes a Haunting, Bruised & Beautiful Storm in “All the things that aren’t you”

by Mitch Mosk
JULESY © Charlie Hyman
Interviews, Music, Music Videos, PremieresNovember 13, 2025<November 13, 2025

“I Know You Know Me Now”: Brooklyn’s JULESY Ignites Youthful Chaos & Emotional Reckoning in “Blue Lie,” a Dreamy, Cinematic Standout Off Debut ‘Flip the Bed’

by Mitch Mosk
ANT ENOCH "9INE to 5IVE" © Shari Annabell
Interviews, Music, Today's SongNovember 13, 2025<November 12, 2025

“The Space Between the Club and the Confessional”: ANT ENOCH Reckons with Self-Worth & Freedom on “9INE to 5IVE,” a Cinematic Fever Dream

by Mitch Mosk
Kita Alexander © Rob Tennent
Interviews, MusicNovember 12, 2025<November 12, 2025

“It’s Messy, It’s Fun, & It’s Alive”: Kita Alexander Channels Late-Night Euphoria in “I Don’t Wanna Go Home,” a Carefree, Feel-Good Pop Anthem

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 12, 2025
Columns, Features, Music, Weekly RoundupNovember 12, 2025<November 12, 2025

Atwood Magazine’s Weekly Roundup: November 12, 2025

by Atwood Magazine Staff
Halley Neal © Kayte Darling
Interviews, MusicNovember 12, 2025<November 12, 2025

“Vulnerable & Real”: Halley Neal on Her Musical Tributes to Life-Changing Friendships

by Chloe Robinson
Hannah Jadagu at Paulie Gee’s in Brooklyn, NY on October 23, 2025 © Emilio Herce
Concerts, Events, Music, ReviewsNovember 12, 2025<November 13, 2025

Hannah Jadagu Balances Tenderness and Groove at The Wild Honey Pie Little Pizza Party

by Kayleigh Schweiker
Joe Hicks © Emilie Cotterill
Interviews, MusicNovember 12, 2025<November 12, 2025

Interview: Joe Hicks Reclaims His Music and His Life ‘Before It Gets Dark’

by Aileen Goos
ELUNIA "Strobe Lights" © Brenda Huerta Rodríguez
Columns, Music, Today's SongNovember 12, 2025<November 12, 2025

Today’s Song: ELUNIA Opens Up About Work Pressure & Exhaustion in “Strobe Lights”

by Joe Beer
X Ambassadors 'VHS(X)' © 2025
Debut, Features, Interviews, MusicNovember 11, 2025<November 11, 2025

“A Rare Chance to Rewrite Our History”: X Ambassadors Reclaim Their Past & Redefine Their Present with ‘VHS(X),’ a Reimagining of Their Cinematic Masterpiece

by Mitch Mosk
Now, Now © Tom Thornton
Interviews, MusicNovember 11, 2025<November 11, 2025

“Unlearning, Unraveling, Undoing”: Now, Now Reach for Something Bigger on “Talk to God,” a Dark, Intimate, & All-Consuming Rebirth

by Mitch Mosk
Ax and the Hatchetmen 'So Much to Tell You' © Harry Bearows
Debut, Features, Interviews, MusicNovember 11, 2025<November 11, 2025

Interview: Ax and the Hatchetmen’s ‘So Much to Tell You’ Turns Seven Years of Friendship, Shenanigans, & Coming-of-Age into a Defining Debut Album

by Miranda Urbanczyk
Cornelia Murr © Skyler Kim
Concerts, Music, ReviewsNovember 11, 2025<November 11, 2025

Live Review: Cornelia Murr Finds Chemistry, Confidence & Communion at Toad’s Place

by Marc Maleri
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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