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Paris Paloma "Good Boy" © Phoebe Fox
Columns, Music, Today's SongSeptember 29, 2025<September 29, 2025

Paris Paloma’s “Good Boy” Is a Scorching Anti-Capitalist, Feminist Anthem for the Working Class

by Nicolle Knapová
Ellur "Missing Kid" © Sarah Oglesby
Artist to Watch, Interviews, MusicSeptember 27, 2025<September 27, 2025

“This Sinking Feeling, I Know It So Well”: Ellur Channels Anxiety into Anthemic Indie Rock on “Missing Kid”

by Mitch Mosk
Bre Kennedy 'The Alchemist' © Tabitha Turner
Features, Interviews, MusicSeptember 26, 2025<September 26, 2025

Interview: Bre Kennedy Finds Beauty in the Breakdown on Her Fourth Album, ‘The Alchemist’

by Aileen Goos
Deftones 'private music' © Jimmy Fontaine
Music, ReviewsSeptember 26, 2025<September 26, 2025

Deftones Make a Euphoric Return and Begin a New Era with ‘Private Music,’ Their First Album in 5 Years

by Adam Davidson
Sydney Sprague 'Peak Experience' album art
Music, ReviewsSeptember 26, 2025<September 26, 2025

Sydney Sprague Examines the Idea of Identity, Among Other Things, on ‘Peak Experience’

by Kevin Krein
Zimmer90 © Lisa Nguyen
Debut, Features, Interviews, MusicSeptember 26, 2025<September 26, 2025

“We just need a place where we feel the vibe”: Zimmer90’s ‘Interior’ Is a Home Away from Home

by Nasim Elyasi
Couch © Billy Landers x Prophet Media
Artist to Watch, Interviews, Music, Today's SongSeptember 26, 2025<September 26, 2025

Artist to Watch: Boston’s Couch Embrace ‘Big Talk,’ Brash Emotions, & Bold Sounds in “What Were You Thinking”

by Mitch Mosk
for your entertainment - Savanna Leigh
Music, PremieresSeptember 25, 2025<September 26, 2025

“Aim for the highs and learn from the lows”: Savanna Leigh Finds Freedom on “for your entertainment,” an Indie Pop Anthem of Chaos & Becoming

by Mitch Mosk
Victorialand - Cocteau Twins
Columns, Music, Music & CitiesSeptember 25, 2025<September 25, 2025

Music & Cities: Cocteau Twins’ ‘Victorialand’ in Syracuse

by David Buyze
The Wild Honey Pie x BENEE Pizza Party © Emilio Herce
Events, Music, ReviewsSeptember 25, 2025<September 25, 2025

The Wild Honey Pie’s Beloved Musical Fundraiser Transforms a Cramped Brooklyn Pizzeria with BENEE

by Julia Dzurillay
Karley Scott Collins 'Flight Risk' © Matthew Berinato
Debut, Features, Interviews, MusicSeptember 25, 2025<September 26, 2025

“I know exactly who I am and where I want to go”: Karley Scott Collins Brings a New Sound to Nashville With Debut Album ‘Flight Risk’

by Emily Frances Algar
Capital Soirée © Annaliese Baker
Artist to Watch, Interviews, MusicSeptember 25, 2025<September 25, 2025

“We’re Just Working-Class Pop”: Chicago’s Capital Soirée Is the Band to Watch

by Annaliese Baker
Coral Moons "Apartment" © Amber Layton
Features, Interviews, Music, PremieresSeptember 25, 2025<September 25, 2025

“Am I Just Counting the Seconds?”: Coral Moons Confront Anxiety & Existence on “Apartment,” an Emotionally Charged Indie Rock Reckoning

by Mitch Mosk
Chartreuse ‘Bless You & Be Well’ © Stewart Baxter
Features, Interviews, MusicSeptember 24, 2025<September 24, 2025

Interview: Chartreuse Collectively Move Through Grief and Struggle in ‘Bless You & Be Well’

by Jonah Evans
Kareem Rahma & Tiny Gun © Justin Belmondo
Features, Interviews, MusicSeptember 24, 2025<September 24, 2025

Kareem Rahma & Tiny Gun: Big Heads Just Want to Have Fun

by Nasim Elyasi
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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