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Cooper Phillip © Alena Sable
Interviews, MusicApril 30, 2025<April 30, 2025

Interview: Singer Cooper Phillip Breathes Life into Voices and Discovers a Path to Empowerment

by Chloe Robinson
The Walters © Rachel Briggs
Debut, Features, Interviews, MusicApril 29, 2025<April 29, 2025

Interview: The Walters Celebrate ‘Good Company’ with a Debut Album Rooted in Friendship, Resilience, & Rediscovery

by Miranda Urbanczyk
Atwood Magazine's Weekly Roundup | April 28, 2025
Columns, Features, Music, Weekly RoundupApril 28, 2025<May 1, 2025

Atwood Magazine’s Weekly Roundup: April 28, 2025

by Atwood Magazine Staff
Momma © Jazon Whittington
Features, Interviews, MusicApril 28, 2025<April 28, 2025

Interview: Momma Discuss Their Unfiltered & Unapologetic Fourth Album ‘Welcome to My Blue Sky’

by Juls Patterson
bat zoo © Hannah Riedel
Debut, Music, Music Videos, PremieresApril 28, 2025<April 28, 2025

Premiere: bat zoo’s Achingly Intimate “Frozen Milk” Is a Raw Reckoning with Grief, Growth, & the Fragile Beauty of Connection

by Mitch Mosk
The Murder Capital © Hugo Comte
MusicApril 28, 2025<April 27, 2025

Today’s Song: Boredom Turns to Yearning for Absent Love on The Murder Capital’s “A Distant Life”

by Adam Davidson
YUNGBLUD "Lovesick Lullaby" © Tom Pallant
Columns, Music, Today's SongApril 27, 2025<April 27, 2025

Today’s Song: YUNGBLUD’s “Lovesick Lullaby” Is a Brit-Rock Blitz

by Danielle Holian
Lorde "What Was That" © Thistle Brown
Columns, Music, This Just In, Today's SongApril 26, 2025<April 25, 2025

Lorde Invites Heartbreaking Praise in “What Was That”

by Annaliese Baker
d4vd 'WITHERED' © Max Durante
Debut, Features, Interviews, MusicApril 25, 2025<June 19, 2025

“Fully and Unadulteratedly Mine”: d4vd Reflects on Personal Evolution, the Art of Worldbuilding, and Beauty in Serendipitous Timing on ‘WITHERED’

by Isabella Le
Samia 'Bloodless' © Graham Tolbert
Features, Interviews, MusicApril 25, 2025<April 26, 2025

Interview: Samia’s ‘Bloodless’ Is a Return to Form and Reclamation of Self

by Nasim Elyasi
Coby Brown © 2025
Editorials, MusicApril 25, 2025<April 25, 2025

Essay: “Let Me Travel Like a Trail” by Coby Brown

by Guest Writer
Adam Melchor © Caro Knapp
Columns, Music, Today's SongApril 25, 2025<April 25, 2025

Adam Melchor & Mt. Joy Deliver a Timeless Folk Classic in “Room on Your Shoulder,” a Heartfelt Ode to Friendship, Vulnerability, & Human Connection

by Mitch Mosk
Martha Wainwright © 2025
Features, Interviews, MusicApril 24, 2025<September 5, 2025

“I Was Trying to Be Loved”: Martha Wainwright Reflects on 20 Years of Music, Family, & Finding Herself

by Nasim Elyasi
Bon Iver 'SABLE, fABLE' © Graham Tolbert 8.6
Music, Our Take, ReviewsApril 24, 2025<April 24, 2025

Our Take: Bon Iver’s ‘SABLE, fABLE’ Is a Love Letter from Sorrow to Salvation

by Danielle Holian
Gemma Laurence © Charlotte Schweiger
Columns, Features, Interviews, Music, Today's SongApril 23, 2025<April 23, 2025

Interview: Gemma Laurence Grants Amnesty to Her Past and Looks Forward in “Bloodlines”

by Sophie Severs
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Brand New

  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’

:: discover something new ::

Recent Posts

  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
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