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The Reklaws "Never Drinking Again" © 2025
Columns, Music, Today's SongSeptember 9, 2025<September 4, 2025

Today’s Song: “Never Drinking Again” Doubles Down on The Reklaws’ Signature Energy

by Aileen Goos
Katy Perry © Jack Bridgland
Columns, Music, Today's SongSeptember 8, 2025<September 1, 2025

“Who’s gonna save us from losin’ our minds?”: Katy Perry’s “Artificial” Is a Futuristic Fever Dream of Love, Illusion, & Human Connection

by Bárbara Martínez Campuzano
Dean Lewis © Sean Loaney
Features, Interviews, MusicSeptember 8, 2025<September 5, 2025

Interview: Dean Lewis Pushes Past the Breakdowns on ‘The Epilogue (Deluxe)’

by Aileen Goos
Avalon © Andrea Riba
Interviews, MusicSeptember 5, 2025<September 5, 2025

Interview: Avalon Paints a Sonic Cityscape with ‘permanent californian’

by Ashley Littlefield
Jyou "fallin" © 2025
Columns, Interviews, Music, Today's SongSeptember 5, 2025<September 3, 2025

“Vulnerability Is Edgy”: Jyou’s “fallin” is Modern Nostalgia in Motion

by Aileen Goos
Sydney Rose © Sofia Valladares
Features, Interviews, MusicSeptember 4, 2025<September 4, 2025

“I Want to Be as Real and as Vulnerable as Possible”: Finding Peace in Simplicity with Sydney Rose

by Nicolle Knapová
Barton Hollow - The Civil Wars
Interviews, Music, ReviewsSeptember 3, 2025<September 4, 2025

“The Winding Roads That Led Me Here”: Celebrating The Civil Wars’ Iconic ‘Barton Hollow’

by Emily Frances Algar
Jake & Shelby © Emmy Meleika
Columns, Music, PremieresSeptember 3, 2025<September 3, 2025

“I Don’t Wanna Be Fragile”: Jake & Shelby Bare Their Souls in “Fragile,” an Achingly Intimate Indie Pop Confessional

by Mitch Mosk
Luca Wilding "Leonine" © Aisha Schliessler
Columns, Music, Music Videos, PremieresSeptember 3, 2025<September 17, 2025

“Oh Man, He Must Be Free”: Luca Wilding Explores the Duality of Memory in “Leonine,” a Dreamy Indie Folk Song of Grief, Light, & Liberation

by Mitch Mosk
McCartney’s Wings legacy is re-centered in new retrospective material © Aidan Moyer
Music, NewsSeptember 3, 2025<September 3, 2025

No Less, Know More: Paul McCartney on “Daytime Nighttime Suffering”

by Aidan Moyer
Goldie Boutiliere © Greg Swales
Artist to Watch, Interviews, MusicSeptember 3, 2025<September 3, 2025

“Gangster in a Gown”: Goldie Boutilier Steps into Her Prime as ‘Goldie Montana,’ an Outlaw Era of Grit, Glamour, & Bad Decisions

by Mitch Mosk
Nicki Bluhm © Lauren Massie
Music, PremieresSeptember 2, 2025<September 2, 2025

“I’m Just Along for the Ride”: Nicki Bluhm Premieres “Tumbleweed,” a Radiant, Soulful Ode to Surrender & the Present Moment

by Mitch Mosk
Jack Garratt 'Pillars' © Wolf James
Features, Interviews, MusicSeptember 2, 2025<October 6, 2025

“There Are Red Flags All Over the Place”: Jack Garratt’s Big Risks Pay Off on ‘Pillars,’ an Unflinching Album of Love, Scars, & Survival

by Mitch Mosk
The Pretty Reckless © Lewis Cater
Columns, Music, Today's SongSeptember 2, 2025<September 1, 2025

Haunting, Heavy, & Alive: The Pretty Reckless Return with “For I Am Death”

by Danielle Holian
The Clearing - Wolf Alice 7.6
Music, Our Take, PremieresSeptember 1, 2025<September 1, 2025

Our Take: Wolf Alice Step into ‘The Clearing’ With Their Most Confident & Mature Album Yet

by Julia Dzurillay
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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