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Showpony © Eddi M
Columns, Debut, Music, Today's SongApril 14, 2025<April 14, 2025

Today’s Song: New Haven’s Showpony Arrive with Drama, Theatricality, & Poetic Darkness on Debut Single “Shine”

by Miranda Urbanczyk
Bottle Rockets © Rosie Sco
Columns, Music, Today's SongApril 12, 2025<April 12, 2025

Glasgow’s Bottle Rockets Answer the “Video Call” with a Heart-on-Sleeve Indie Rock Anthem

by Mitch Mosk
Atwood Magazine's 117th Editor's Picks!
Columns, Editor's Picks, Features, MusicApril 11, 2025<April 11, 2025

Editor’s Picks 117: Dancer, Adam Melchor & Mt. Joy, CMAT, Arcy Drive, Sydney Sprague, and Charlotte OC!

by Mitch Mosk
Heaven © 2025
Features, Interviews, Music, Track-by-TrackApril 11, 2025<April 11, 2025

“Sonic Love Consciousness”: NYC’s Heaven ‘Dream Aloud’ on a Sweaty Reverie of Hazy Shoegaze, Spiritual Connection, & Emotional Surrender

by Mitch Mosk
Brielle Brown © Maria Wurtz
Columns, Music, Today's SongApril 11, 2025<April 11, 2025

Today’s Song: Brielle Brown’s “Blessing” Is a Stirring Call for Resilience & Hope

by Chloe Robinson
Atwood Magazine's Weekly Roundup | April 11, 2025
Columns, Features, Music, Weekly RoundupApril 11, 2025<April 16, 2025

Atwood Magazine’s Weekly Roundup: April 11, 2025

by Atwood Magazine Staff
Japanese Breakfast © Pak Bae
Features, Music, Reviews, RoundtableApril 10, 2025<April 10, 2025

Roundtable Discussion: A Review of Japanese Breakfast’s ‘For Melancholy Brunettes (& sad women)’

by Atwood Magazine Staff
Magnolia Park © Jonathan Weiner
Features, Interviews, MusicApril 10, 2025<April 11, 2025

Interview: Magnolia Park Create a Whole New World for Their Fans on ‘VAMP’

by Kaiana Lee
Stephen Day © Nick Jackson
Concerts, Music, ReviewsApril 10, 2025<April 10, 2025

Stephen Day Turns the Troubadour into a Gold Mine

by Guest Writer
Filiah © Marie Schrentewein
Music, PremieresApril 10, 2025<April 11, 2025

Premiere: Filiah’s Enchanting “On & On” Is a Cathartic, Liberating Exhale of Shame, Healing, & Self-Acceptance

by Mitch Mosk
Jonas Brothers © Anthony Mandler
Columns, Music, Today's SongApril 10, 2025<April 10, 2025

The Jonas Brothers’ Uplifting Anthem “Love Me to Heaven” Takes Fans on a Journey to New Heights

by Danielle Holian
Lucette © Sebestian Buzzalino
Features, Interviews, Music, Track-by-TrackApril 9, 2025<April 9, 2025

Feature: Lucette Lets Her Bruises, Boldness, and “Big Messy Feelings” Breathe on ‘Nice Girl From the Suburbs’

by Mitch Mosk
Sarah and the Sundays © Miles Ellisor
Concerts, Music, ReviewsApril 9, 2025<April 9, 2025

Live Review: Austin’s Sarah and the Sundays Bring Their Sunshine to NYC

by Jamie Kahn
Michigander © Erick Frost
Debut, Features, Interviews, MusicApril 9, 2025<April 9, 2025

“Welcome to the Broadcast”: Michigander’s Jason Singer on Change, Letting Go, and Crafting a Timeless Debut Album

by Kelly McCafferty Dorogy
Dosey © 2025
Interviews, MusicApril 9, 2025<April 9, 2025

“This is year 12 of me putting out music and year 1 of it starting to work”: Dosey Collects His Flowers from ‘maybe i’m just terrified’

by Grace Holtzclaw
Posts pagination
1 … 42 43 44 45 46 … 711

Brand New

  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’

:: discover something new ::

Recent Posts

  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
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