Columns, Debut, Music, Today's SongApril 14, 2025<April 14, 2025 Today’s Song: New Haven’s Showpony Arrive with Drama, Theatricality, & Poetic Darkness on Debut Single “Shine” by Miranda Urbanczyk
Columns, Music, Today's SongApril 12, 2025<April 12, 2025 Glasgow’s Bottle Rockets Answer the “Video Call” with a Heart-on-Sleeve Indie Rock Anthem by Mitch Mosk
Columns, Editor's Picks, Features, MusicApril 11, 2025<April 11, 2025 Editor’s Picks 117: Dancer, Adam Melchor & Mt. Joy, CMAT, Arcy Drive, Sydney Sprague, and Charlotte OC! by Mitch Mosk
Features, Interviews, Music, Track-by-TrackApril 11, 2025<April 11, 2025 “Sonic Love Consciousness”: NYC’s Heaven ‘Dream Aloud’ on a Sweaty Reverie of Hazy Shoegaze, Spiritual Connection, & Emotional Surrender by Mitch Mosk
Columns, Music, Today's SongApril 11, 2025<April 11, 2025 Today’s Song: Brielle Brown’s “Blessing” Is a Stirring Call for Resilience & Hope by Chloe Robinson
Columns, Features, Music, Weekly RoundupApril 11, 2025<April 16, 2025 Atwood Magazine’s Weekly Roundup: April 11, 2025 by Atwood Magazine Staff
Features, Music, Reviews, RoundtableApril 10, 2025<April 10, 2025 Roundtable Discussion: A Review of Japanese Breakfast’s ‘For Melancholy Brunettes (& sad women)’ by Atwood Magazine Staff
Features, Interviews, MusicApril 10, 2025<April 11, 2025 Interview: Magnolia Park Create a Whole New World for Their Fans on ‘VAMP’ by Kaiana Lee
Concerts, Music, ReviewsApril 10, 2025<April 10, 2025 Stephen Day Turns the Troubadour into a Gold Mine by Guest Writer
Music, PremieresApril 10, 2025<April 11, 2025 Premiere: Filiah’s Enchanting “On & On” Is a Cathartic, Liberating Exhale of Shame, Healing, & Self-Acceptance by Mitch Mosk
Columns, Music, Today's SongApril 10, 2025<April 10, 2025 The Jonas Brothers’ Uplifting Anthem “Love Me to Heaven” Takes Fans on a Journey to New Heights by Danielle Holian
Features, Interviews, Music, Track-by-TrackApril 9, 2025<April 9, 2025 Feature: Lucette Lets Her Bruises, Boldness, and “Big Messy Feelings” Breathe on ‘Nice Girl From the Suburbs’ by Mitch Mosk
Concerts, Music, ReviewsApril 9, 2025<April 9, 2025 Live Review: Austin’s Sarah and the Sundays Bring Their Sunshine to NYC by Jamie Kahn
Debut, Features, Interviews, MusicApril 9, 2025<April 9, 2025 “Welcome to the Broadcast”: Michigander’s Jason Singer on Change, Letting Go, and Crafting a Timeless Debut Album by Kelly McCafferty Dorogy
Interviews, MusicApril 9, 2025<April 9, 2025 “This is year 12 of me putting out music and year 1 of it starting to work”: Dosey Collects His Flowers from ‘maybe i’m just terrified’ by Grace Holtzclaw