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Atwood Magazine's 120th Editor's Picks!
Columns, Editor's Picks, Features, MusicMay 9, 2025<May 12, 2025

Editor’s Picks 120: Reem Mitten, hard life, BEL, Lord Huron, girlpuppy, & Young Gun Silver Fox!

by Mitch Mosk
Emily Vaughn "Call It What It Isn't" © 2025
Music, PremieresMay 9, 2025<May 9, 2025

Premiere: Emily Vaughn Flirts with Passion on Fun, Frisky, & Feel-Good “Call It What It Isn’t”

by Mitch Mosk
KALEO'S JJ Julius Son © 2025
Features, Interviews, MusicMay 9, 2025<May 9, 2025

Interview: KALEO Reflect on Life, Society, & Their Roots in Impactful Third Album ‘MIXED EMOTIONS’

by Lauren Turner
Maroon 5's Adam Levine & LISA © Travis Schneider
Columns, Music, Today's SongMay 9, 2025<May 9, 2025

Maroon 5 & LISA’s “Priceless”: A Collaboration That’s Anything But Ordinary

by Danielle Holian
Gizmo Varillas 'The World in Colour'
Features, Interviews, MusicMay 9, 2025<May 8, 2025

“Take a moment and soak it in”: Gizmo Varillas Sees ‘The World in Colour,’ And So Can You

by Mitch Mosk
OSKA © Ines Futterknech
Music, Music Videos, PremieresMay 8, 2025<May 8, 2025

Premiere: OSKA Finds Quiet Strength in “Gloria,” a Soul-Stirring Song of Resilience & Self-Liberation

by Mitch Mosk
Litany's Beth Cornell © Marieke Macklon
Debut, Features, Interviews, MusicMay 8, 2025<May 8, 2025

“The Anthology of Depression”: Litany’s Beth Cornell Unpacks & Embraces Her Mental Health Journey on Breathtaking Debut LP ‘Sadgirl’

by Mitch Mosk
Wet Leg's founding members Rhian Teasdale and Hester Chambers © Iris Luz
Columns, Music, Today's SongMay 8, 2025<May 8, 2025

Today’s Song: Wet Leg Channel Their Anger on “Catch These Fists”

by Kaiana Lee
Ken Yates © Brittany Farhat
Music, Music Videos, PremieresMay 7, 2025<May 7, 2025

Premiere: Ken Yates’ Delicate & Driving “Under the Cover of Light” Shines with Empathy, Intimacy, & Emotional Release

by Mitch Mosk
country girl © Rob Blair
Music, PremieresMay 7, 2025<May 7, 2025

Premiere: country girl & Melody English Invite Us into Spring’s Sweet Embrace on “ring my bell”

by Mitch Mosk
Blood on the Silver Screen - SASAMI
Features, Interviews, MusicMay 7, 2025<May 7, 2025

Interview: SASAMI on Trusting Her Instincts, Embracing Creative Freedom, & Crafting Her Cinematic Pop Pivot, ‘Blood on the Silver Screen’

by Brian Denney
HELANG © 2025
Asian American and Pacific Islander Heritage Month, Columns, Music, PlaylistsMay 7, 2025<May 7, 2025

“AAPI Women Are Power”: A Chinese-American Looking Glass into House & Techno from HELANG

by Guest Writer
The Kooks' Luke Pritchard (R) and Hugh Harris (L) © 2025
Features, Interviews, MusicMay 7, 2025<May 9, 2025

Interview: The Kooks’ Luke Pritchard on Music, Nostalgia, and Reinvention with Seventh Album ‘Never/Know’

by Guest Writer
Cristóvam © Diogo Rola
Columns, Interviews, Music, Today's SongMay 7, 2025<May 15, 2025

Interview: Cristóvam Balances Between Life and Music in New Single “Fever”

by Joe Beer
Lucy Dacus © Shervin Lainez
Features, Music, Reviews, RoundtableMay 6, 2025<May 6, 2025

Roundtable Discussion: A Review of Lucy Dacus’ ‘Forever Is a Feeling’

by Atwood Magazine Staff
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Brand New

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’

:: discover something new ::

Recent Posts

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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