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Deftones 'private music' © Jimmy Fontaine
Music, ReviewsSeptember 26, 2025<September 26, 2025

Deftones Make a Euphoric Return and Begin a New Era with ‘Private Music,’ Their First Album in 5 Years

by Adam Davidson
Sydney Sprague 'Peak Experience' album art
Music, ReviewsSeptember 26, 2025<September 26, 2025

Sydney Sprague Examines the Idea of Identity, Among Other Things, on ‘Peak Experience’

by Kevin Krein
Zimmer90 © Lisa Nguyen
Debut, Features, Interviews, MusicSeptember 26, 2025<September 26, 2025

“We just need a place where we feel the vibe”: Zimmer90’s ‘Interior’ Is a Home Away from Home

by Nasim Elyasi
Couch © Billy Landers x Prophet Media
Artist to Watch, Interviews, Music, Today's SongSeptember 26, 2025<September 26, 2025

Artist to Watch: Boston’s Couch Embrace ‘Big Talk,’ Brash Emotions, & Bold Sounds in “What Were You Thinking”

by Mitch Mosk
for your entertainment - Savanna Leigh
Music, PremieresSeptember 25, 2025<September 26, 2025

“Aim for the highs and learn from the lows”: Savanna Leigh Finds Freedom on “for your entertainment,” an Indie Pop Anthem of Chaos & Becoming

by Mitch Mosk
Victorialand - Cocteau Twins
Columns, Music, Music & CitiesSeptember 25, 2025<September 25, 2025

Music & Cities: Cocteau Twins’ ‘Victorialand’ in Syracuse

by David Buyze
The Wild Honey Pie x BENEE Pizza Party © Emilio Herce
Events, Music, ReviewsSeptember 25, 2025<September 25, 2025

The Wild Honey Pie’s Beloved Musical Fundraiser Transforms a Cramped Brooklyn Pizzeria with BENEE

by Julia Dzurillay
Karley Scott Collins 'Flight Risk' © Matthew Berinato
Debut, Features, Interviews, MusicSeptember 25, 2025<September 26, 2025

“I know exactly who I am and where I want to go”: Karley Scott Collins Brings a New Sound to Nashville With Debut Album ‘Flight Risk’

by Emily Frances Algar
Capital Soirée © Annaliese Baker
Artist to Watch, Interviews, MusicSeptember 25, 2025<September 25, 2025

“We’re Just Working-Class Pop”: Chicago’s Capital Soirée Is the Band to Watch

by Annaliese Baker
Coral Moons "Apartment" © Amber Layton
Features, Interviews, Music, PremieresSeptember 25, 2025<September 25, 2025

“Am I Just Counting the Seconds?”: Coral Moons Confront Anxiety & Existence on “Apartment,” an Emotionally Charged Indie Rock Reckoning

by Mitch Mosk
Chartreuse ‘Bless You & Be Well’ © Stewart Baxter
Features, Interviews, MusicSeptember 24, 2025<September 24, 2025

Interview: Chartreuse Collectively Move Through Grief and Struggle in ‘Bless You & Be Well’

by Jonah Evans
Kareem Rahma & Tiny Gun © Justin Belmondo
Features, Interviews, MusicSeptember 24, 2025<September 24, 2025

Kareem Rahma & Tiny Gun: Big Heads Just Want to Have Fun

by Nasim Elyasi
runo plum "Lemon Garland" © Alexa Viscius
Artist to Watch, Columns, Interviews, Music, Today's SongSeptember 24, 2025<September 24, 2025

“Give Me Company, Barefoot and Muddy”: runo plum on the Magic of Friendship and Her Tender Folk Fantasy “Lemon Garland”

by Mitch Mosk
Molly Dolphin © 2025
Debut, Music, ReviewsSeptember 22, 2025<September 22, 2025

Unmasked & Unearthed: Molly Dolphin’s ‘Underground River’ Is a Refreshing Burst of Folk in an Era of Manufactured Music

by Kareem Ghezawi
Lois © studio SODIUM
Interviews, Music, ReviewsSeptember 22, 2025<September 29, 2025

Interview: Lois Is Rewriting the Rules With ‘SEVEN’ – And We’re Listening

by Nicolle Knapová
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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