• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Alexander 23 © Julian Burgueño
Interviews, MusicOctober 10, 2019<October 10, 2019

Interview: Alexander 23 Contends with Long Goodbyes in Pop Ballad “See You Later”

by Nick Baron
Future Thieves © Andrew Fannin
Music, PremieresOctober 10, 2019<October 10, 2019

Premiere: Future Thieves “Get Up” with the Heat in Fiery New Groove

by Mitch Mosk
Jessi Mason
Music, PremieresOctober 10, 2019<October 10, 2019

Premiere: Jessi Mason Embraces Brutal Honest in Both “Everest” & “When Rains in L.A.”

by James Crowley
COIN © Zachary Gray
Columns, Music, Today's SongOctober 10, 2019<October 10, 2019

COIN Tell the Story of the One Who Got Away with “Malibu 1992”

by Madison Vettorino
MUNA 2019 © Nicole Almeida
Concerts, Music, ReviewsOctober 9, 2019<October 9, 2019

Live Review: Philadelphia’s The Foundry Watches in Awe as MUNA Save the World

by Nicole Almeida
Features, Interviews, MusicOctober 9, 2019<October 9, 2019

Interview with Barns Courtney: Productive Procrastination & Enjoyable Distraction

by Ilana Kalish
Columns, Music, Today's SongOctober 9, 2019<October 9, 2019

Today’s Song: Hudson Taylor’s “Back to You” Beautifully Showcases the Art of Simplicity

by Christine Costello
Racoon Racoon © Yoris Photographer
Music, PremieresOctober 9, 2019<November 21, 2019

Premiere: The Blissful Revelry of Racoon Racoon’s Acoustic Love Song “Thunderbird”

by Mitch Mosk
Luckie © William Henry Thompson
Music, PremieresOctober 9, 2019<October 8, 2019

Premiere: UK’s Luckie Debuts Bluesy Anthem “Sad People, Bad People”

by Kelly McCafferty Dorogy
Zanillya © Jozef Wright
Features, Interviews, MusicOctober 8, 2019<October 8, 2019

Unfiltered, Inspired, and Free: A Conversation with Zanillya

by Nicole Almeida
Ships Have Sailed © Wood Wall
Music, PremieresOctober 8, 2019<July 24, 2023

Premiere: Ships Have Sailed Embrace Vulnerability & Thin “Skin” in Heartfelt Ballad

by Mitch Mosk
Hayley Reardon © Allie Krause
Music, Music Videos, PremieresOctober 8, 2019<October 8, 2019

Premiere: Hayley Reardon Injects a Raw, Stirring Depth into New Single “Forgiveness”

by Mitch Mosk
Grimes
Columns, Music, Today's SongOctober 8, 2019<October 8, 2019

Today’s Song: Grimes’ “Violence” Is a Stunning Synthesis

by Danny Vagnoni
Eden Iris © Jes Harlen
Music, PremieresOctober 7, 2019<October 7, 2019

Premiere: Eden Iris’ Bittersweet Ode to Loneliness “Birthday Baby”

by Mitch Mosk
An Orchestrated Impulse
Music, PremieresOctober 7, 2019<October 7, 2019

Exploring the Natural Balance with An Orchestrated Impulse’s “Pink Waves”

by Mitch Mosk
Posts pagination
1 … 484 485 486 487 488 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services