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Jessica Audiffred © 2025
Interviews, MusicMarch 19, 2025<April 15, 2025

A Conversation with Jessica Audiffred: Making EDM-Pumped Waves on Both Sides of the Border

by Josh Weiner
Savanna Leigh © Brooke Jennings
Columns, Music, Today's SongMarch 19, 2025<March 19, 2025

Today’s Song: Savanna Leigh Turns Heartache into Hope in “you don’t exist yet,” an Anthem for Anxious Romantics

by Miranda Urbanczyk
Lady Gaga 'MAYHEM' album art
Features, Music, Reviews, RoundtableMarch 18, 2025<March 18, 2025

Roundtable Discussion: A Review of Lady Gaga’s ‘MAYHEM’

by Atwood Magazine Staff
Chappell Roan "The Giver" © Ryan Lee Clemens
Columns, Music, Today's SongMarch 18, 2025<March 18, 2025

Today’s Song: Chappell Roan’s Sapphic Country Anthem “The Giver” Blends Her Wit, Charm, and Flirty Flair

by Bárbara Martínez Campuzano
HAIM © Lea Garn
Columns, Music, Today's SongMarch 17, 2025<March 17, 2025

Today’s Song: HAIM’s “Relationships” Is a Breezy, Bold Return to Introspection and Groove

by Danielle Holian
Atwood Magazine's 114th Editor's Picks!
Columns, Editor's Picks, Features, MusicMarch 14, 2025<March 18, 2025

Editor’s Picks 114: Attention Bird Utopia, Your Smith, Bo Staloch, Matilda Mann, Courting, & ESKA!

by Mitch Mosk
Mali Hâf © 2025
Editorials, Music, Women's History MonthMarch 14, 2025<March 14, 2025

“H.W.F.M – A Song for Women in Wales & Everywhere”: An Essay by Mali Hâf for Women’s History Month

by Guest Writer
Soda Blonde © 2025
Columns, Interviews, Music, Today's SongMarch 14, 2025<March 25, 2025

“I Just Wanted to Be Wanted”: Soda Blonde’s “People Pleaser” Is a Bold Reckoning with Love, Validation & Self-Worth

by Mitch Mosk
tryin to be born - Emile Mosseri
Features, Interviews, Music, Track-by-TrackMarch 13, 2025<March 13, 2025

“We hit this magical frequency”: Emile Mosseri Breaks Down His Sophomore Album ‘tryin to be born’

by Mitch Mosk
The Veils © Katya Brook
Features, Interviews, Music, Track-by-TrackMarch 13, 2025<March 13, 2025

Track-by-Track: The Veils Take Us on a Poetic Journey Through Love & Death in ‘Asphodels’

by Joe Beer
Jessica Vaughn © Sterling Taylor
Editorials, Music, Women's History MonthMarch 13, 2025<March 13, 2025

“MASA: Make America Shameful Again – Why the Music Industry Needs Its Own Reckoning”: An Essay by Jessica Vaughn for Women’s History Month

by Guest Writer
Horsegirl © Ruby Faye
Music, ReviewsMarch 13, 2025<March 13, 2025

Review: Horsegirl Sing for You on “Phonetics On and On”

by Juls Patterson
Arcy Drive © 2025
Columns, Music, Today's SongMarch 13, 2025<March 13, 2025

“What a day for a daydream”: Arcy Drive’s Sun-Soaked Folk Rock Reverie, “Oak Tree (Daydream)”

by Mitch Mosk
emmersonHALL © Cole Yearwood
Columns, Music, Today's SongMarch 12, 2025<March 12, 2025

“I bleed so you’re winning”: emmersonHALL’s “Air” Is a Heavy, Cathartic, and Aching Exhale

by Mitch Mosk
Taylor Bickett © Libby Danforth
Editorials, Music, Women's History MonthMarch 12, 2025<March 12, 2025

“The Crime of Being a Woman”: An Essay by Taylor Bickett for Women’s History Month

by Guest Writer
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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