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Atwood Magazine's Weekly Roundup | July 14, 2025!
Columns, Features, Music, Weekly RoundupJuly 14, 2025<July 14, 2025

Atwood Magazine’s Weekly Roundup: July 14, 2025

by Atwood Magazine Staff
Bebe Stockwell 'Driving Backwards' © Spruce Bohen
Artist to Watch, Debut, Features, Interviews, MusicJuly 14, 2025<July 14, 2025

“It Started With a Bad Hangover and a Week of Listening to Bob Dylan”: Bebe Stockwell Debuts with ‘Driving Backwards,’ an EP Built on Humor, Heart, & Honesty

by Emily Frances Algar
Justin Bieber 'SWAG' © Renell Medrano
Music, ReviewsJuly 14, 2025<July 14, 2025

Justin Bieber’s Surprise Record ‘SWAG’ Is a Wonderfully Fragmented Reflection on Life of Late

by Rachel Leong
Animal Collective © Dave Portner
Columns, Music, Today's SongJuly 14, 2025<July 14, 2025

Today’s Song: “Love on the Big Screen” Ensures Animal Collective’s Longevity

by Annaliese Baker
Andy Tongren © Tyler Hansen, Eric Chase
Columns, Music, Today's SongJuly 13, 2025<July 13, 2025

Today’s Song: Andy Tongren Can’t Seem to Forget “Franconia,” and Neither Can We

by Miranda Urbanczyk
Towa Bird © courtesy of Interscope Records
Columns, Music, Today's SongJuly 12, 2025<July 12, 2025

Today’s Song: Towa Bird’s “FML” Is a Queer Anthem That Laughs, Loves, & Bleeds in Color

by Ari White
Sharp Pins © 2025
Columns, Music, Today's SongJuly 11, 2025<July 11, 2025

Today’s Song: Sharp Pins Revolutionize Youth Through Their Jangly Anthem “I Can’t Stop”

by Ashley Escobar
Royal She © Nick Fancher
Debut, Interviews, MusicJuly 11, 2025<July 11, 2025

“It really is a reckoning album”: Royal She’s ‘Befores and Afters’ Marks the Band’s Fiercest Era Yet

by Chloe Robinson
Atwood Magazine's 127th Editor's Picks!
Columns, Editor's Picks, Features, MusicJuly 10, 2025<July 10, 2025

Editor’s Picks 127: Stela Cole, Breagh Isabel, Debbii Dawson, aleksiah, Royel Otis, & Benson Boone!

by Mitch Mosk
Soundtracks for Small Dramas – Concert Crowd © Tijs van Leur
Columns, Music, Soundtracks for Small DramasJuly 10, 2025<July 10, 2025

Soundtracks for Small Dramas: Songs I Stole from Him

by Guest Writer
BEL "I Want" © SJ Spreng
Artist to Watch, Interviews, MusicJuly 10, 2025<July 14, 2025

Restless Hearts & Holy Grails: BEL Channels the Ache of Ambition in “I Want,” an Intimate Anthem for Big Yearners & Sensitive Souls

by Mitch Mosk
Keep Good Company Records' Tina and Matt Baione © Brooklyn Zeh
Features, Interviews, MusicJuly 10, 2025<July 10, 2025

“Make the Road by Walking”: How Keep Good Company Records Is Redefining What an Indie Label Can Be

by Mitch Mosk
Hotline TNT © Graham Tolbert
Music, ReviewsJuly 10, 2025<July 10, 2025

Review: Hotline TNT Find Focus in the Fuzz on ‘Raspberry Moon’

by Liz Costello
Chase Petra © Syd Trip
Columns, Music, Today's SongJuly 10, 2025<July 10, 2025

Escaping Projected Identities, Denying Negativity, and Finding Your Soul on the Other Side in Chase Petra’s “Centrifugal Force”

by Jonah Evans
Baby Said © Lawrence Hughes
Debut, Features, Interviews, Music, Track-by-TrackJuly 9, 2025<July 9, 2025

The Best ‘BS’ You’ve Ever Heard: Baby Said Find Empowerment Through Explosive Alt-Rock on Their Loud, Liberating Debut

by Mitch Mosk
Posts pagination
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Brand New

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention

:: discover something new ::

Recent Posts

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
  • “Realizing God Didn’t Want Me in the Closet”: A Pride Month Essay by Tory Silver June 15, 2026
  • “And I’ve Been Comin’ Back My Whole Damn Life”: Kurt Vile Finds a New Warmth in “Chance to Bleed,” a Mesmerizing Homecoming Ode June 14, 2026
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