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Short n’ Sweet (Deluxe) - Sabrina Carpenter
Columns, Music, Today's SongFebruary 14, 2025<February 14, 2025

Today’s Song: The Lovestruck Empowerment of Sabrina Carpenter’s “Busy Woman”

by Annaliese Baker
Atwood Magazine's 110th Editor's Picks
Columns, Editor's Picks, Features, MusicFebruary 13, 2025<February 13, 2025

Editor’s Picks 110: James Bay, The Aces, Bren Joy, Stevie Bill, Julien Baker & TORRES, & Gabriel Jacoby!

by Mitch Mosk
Rose Gray 'Louder, Please!' © Yana Van Nuffel
Debut, Features, Interviews, MusicFebruary 13, 2025<February 13, 2025

Interview: Rose Gray, the Party People’s Princess

by Brian Denney
Magic Bronson © Cameron Maier
Music, Reviews, Track-by-TrackFebruary 13, 2025<February 13, 2025

Track-by-Track: Magic Bronson Offer a Motivating Antidote With ‘Good Dogs’

by Joe Beer
Nico
Columns, Music, Nostalgia TracksFebruary 13, 2025<February 13, 2025

Nostalgia Tracks: Finding Consolation in Nico’s “These Days”

by McKenna Lucas
Luke Tyler Shelton © 2025
Artist to Watch, Columns, Music, Today's SongFebruary 13, 2025<February 13, 2025

Today’s Song: Luke Tyler Shelton’s Sun-Soaked “Love on My Mind” Shines With Vintage Warmth & Timeless Sound

by Mitch Mosk
Disaster Kid © 2025
Music, Music Videos, PremieresFebruary 12, 2025<February 12, 2025

Premiere: Chicago’s Disaster Kid Embrace Love & Schmaltz on “Wine/Weapon”

by Mitch Mosk
Juice Mazelee © Dennis Thompson & Jeremiah Fristoe
Features, Interviews, Music, Track-by-TrackFebruary 12, 2025<February 12, 2025

Feature: Chicago Rapper Juice Mazelee on Legacy, Identity, and Why He’s ‘HERE NOW N FOREVER’

by Mitch Mosk
Julia Logan © Olof Grind
Features, Interviews, Music, Track-by-TrackFebruary 12, 2025<February 12, 2025

‘Faraway Nearby’: Julia Logan Explores Connection, Distance, & the Human Experience on Her Soul-Stirring Sophomore Album

by Mitch Mosk
Ziggy Alberts © Janneke Storm
Columns, Music, Today's SongFebruary 12, 2025<February 12, 2025

Today’s Song: Ziggy Alberts’ “I’m With You” Is a Sun-Kissed Celebration of Love, Adventure, & Life’s Simple Pleasures

by Mitch Mosk
Lucette © Sebestian Buzzalino
Music, PremieresFebruary 11, 2025<February 11, 2025

Premiere: Lucette’s “Too Soon for Sorry” Is a Smoky, Soulful Fever Dream of Regret & Late-Night Longing

by Mitch Mosk
Atwood Magazine's Weekly Roundup | February 11, 2025
Columns, Features, Music, Weekly RoundupFebruary 11, 2025<February 11, 2025

Atwood Magazine’s Weekly Roundup: February 11, 2025

by Atwood Magazine Staff
Ebonie Smith © Matt Fajardo
Black History Month, Editorials, MusicFebruary 11, 2025<February 11, 2025

“On Imagination”: A Tribute to Black Art, Black Language, and My Friend Derrick Cobb by Ebonie Smith

by Guest Writer
Will Wood © Jacob Feldman
Features, Interviews, MusicFebruary 11, 2025<February 11, 2025

Interview: Will Wood Slouches On

by Guest Writer
bdrmm © Stew Baxter
Columns, Music, Today's SongFebruary 11, 2025<February 11, 2025

Today’s Song: bdrmm’s “John on the Ceiling” Is a Dark Wash of Shiver-Inducing Shoegaze

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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