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Bobby Mahoney © Dieter Unrath
Music, PremieresMarch 15, 2018<March 15, 2018

Premiere: Bobby Mahoney and The Seventh Son Channel the “Roaring Twenties”

by James Crowley
"Like a Drug" by Like Language © Aaron Green
Music, Music Videos, PremieresMarch 14, 2018<May 20, 2022

Video Premiere: The Anthemic Ache and Strain of Like Language’s “Like a Drug”

by Mitch Mosk
Tom Gallo © Morgen Gallo
Music, PremieresMarch 14, 2018<March 14, 2018

Premiere: Tom Gallo Gets Tender on Dreamy “Home (If This Is Love)”

by Natalie Harmsen
Pale Waves © Nicole Almeida
Features, Interviews, MusicMarch 14, 2018<March 14, 2018

Groove and Emotion: A Conversation with Pale Waves

by Maggie McHale
Racquet © Sapphire Jewell
Debut, Features, Music, PremieresMarch 14, 2018<March 14, 2018

EP Premiere: Avoid the Riptide with Racquet’s Impassioned Debut EP ‘Artifacts’

by Carolyn Fasone
Sunflower Bean © Hollie Fernando
Columns, Music, Today's SongMarch 14, 2018<March 14, 2018

Today’s Song: Sunflower Bean’s “Twentytwo,” a Figurative & Literal Representation of Growth

by Alexandra Graber
Header Viewfinder Troye Sivan Lorde
Columns, Music, Music Videos, ViewfinderMarch 14, 2018<March 14, 2018

Viewfinder: “My My My!” and “Green Light” Capture Youth and Euphoria

by Carmen Chan
Tiger March © Dexy Valentine
Debut, Music, PremieresMarch 13, 2018<March 13, 2018

Premiere: The Shimmering Glitz of Tiger March’s “Hold Something”

by Mitch Mosk
Schultz & Forever © Sebastian Zieler
Debut, Features, Music, PremieresMarch 13, 2018<March 14, 2018

Album Premiere: The Intimate Revolt of Schultz & Forever’s Debut ‘Grand Guignol’

by Mitch Mosk
Black Panther Soundtrack
Features, Music, Reviews, RoundtableMarch 13, 2018<June 29, 2024

Roundtable Discussion: A Review of the ‘Black Panther’ Soundtrack

by Atwood Magazine Staff
Carmanah © Helene Cyr
Music, Music Videos, PremieresMarch 13, 2018<March 13, 2018

Video Premiere: The Gentle Flow of Carmanah’s Beautifully Critical “Water Falling”

by Mitch Mosk
Baba Sonya © James Kilker
Music, PremieresMarch 13, 2018<March 13, 2018

Premiere: Baba Sonya’s Haunting “Jeremiah” Is a Mourner’s Tragic Lament

by Mitch Mosk
Hippo Campus © Alice Baxley
Columns, Music, Today's SongMarch 13, 2018<March 13, 2018

Today’s Song: Hippo Campus’ “Warm Glow” is a Perennial Anthem of Positivity

by Abby Jones
BoTalks © Lauren Allaina
Music, Reviews, This Just InMarch 9, 2018<March 9, 2018

Review: Embracing Exposed Emotions in BoTalks’ “Fuck It” ft. Caroline Pennell

by Mitch Mosk
SUMif © Kelly Mason
Columns, Music, Today's SongMarch 9, 2018<March 9, 2018

Today’s Song: Get Lost with SUMif’s Infectious “In With Me”

by Anie Delgado
Posts pagination
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Brand New

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’

:: discover something new ::

Recent Posts

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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