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Atwood Magazine's 2025 Grammy Award Predictions
Editorials, Features, Lists, MusicJanuary 31, 2025<January 31, 2025

Atwood Magazine’s 2025 Grammy Awards Predictions

by Noah Wade
Angie McMahon 'Light Sides' © Young Ha Kim
Features, Interviews, MusicJanuary 31, 2025<January 31, 2025

Growth, Grief, & Gratitude: Angie McMahon Reflects on Her Intimate Journey from Darkness to ‘Light Sides’

by Mitch Mosk
The Spice of Life
Columns, Sounds From the GroundJanuary 31, 2025<January 31, 2025

Sounds From the Ground: The Spice of Life and Cheeky Chicos

by Frederick Bloy
Franz Ferdinand 'The Human Fear' album art
Features, Interviews, MusicJanuary 31, 2025<January 31, 2025

Identity, Instinct, and ‘The Human Fear’: A Conversation With Franz Ferdinand

by Nasim Elyasi
Japanese Breakfast © Pak Bae
Columns, Music, Today's SongJanuary 31, 2025<January 31, 2025

“Like Venus from a shell”: “Orlando in Love” Is Japanese Breakfast’s Dreamy, Seductive Siren Song

by Marc Maleri
Las Nubes © Sal Rispoli
Features, Interviews, Music, Track-by-TrackJanuary 30, 2025<January 30, 2025

Heavy, Cathartic, & Saudade: Las Nubes Brave Life’s Storms on Fiery Sophomore LP ‘Tormentas Malsanas’

by Mitch Mosk
CIAO MALZ © Alex SK Brown
Debut, Features, Interviews, Music, Track-by-TrackJanuary 30, 2025<January 30, 2025

Track-by-Track: Brooklyn’s CIAO MALZ Debuts With ‘Safe Then Sorry,’ an Unrestrained Record of Risks & Rewards

by Mitch Mosk
Pictoria Vark © Aleiagh Hynds
Features, Interviews, MusicJanuary 30, 2025<January 30, 2025

‘Nothing Sticks’: Pictoria Vark on Savoring the Moments That Count

by Sophie Severs
Cian Ducrot © Jasmine De Silva
Columns, Music, Today's SongJanuary 30, 2025<January 30, 2025

Today’s Song: Cian Ducrot Questions “Who’s Making You Feel It” on New Hit

by Danielle Holian
Penny and Sparrow © Claire Schaper
Music, PremieresJanuary 29, 2025<January 30, 2025

Premiere: Penny and Sparrow’s “Breakdown” Is an Intimate, Honest, & Fun Indie Folk Confessional

by Mitch Mosk
Foley 'That’s Life, Baby!' © Frances Carter
Music, PremieresJanuary 29, 2025<January 31, 2025

Premiere: The Sweaty, Irresistible Heat of Foley’s “Fever”

by Mitch Mosk
Lucy Dacus © Shervin Lainez
Columns, Music, Today's SongJanuary 29, 2025<January 29, 2025

Today’s Song: Lucy Dacus’ “Ankles” Is a Lush Landscape of Yearning

by Brianna Corrine
Atwood Magazine's Weekly Roundup | January 28, 2025
Columns, Features, Music, Weekly RoundupJanuary 28, 2025<January 29, 2025

Atwood Magazine’s Weekly Roundup: January 28, 2025

by Atwood Magazine Staff
Atwood Magazine's 108th Editor's Picks
Columns, Editor's Picks, Features, MusicJanuary 28, 2025<January 28, 2025

Editor’s Picks 108: Bria Salmena, TOLEDO, Mon Rovîa, Mary Eliza, jasmine.4.t, & MEGGO!

by Mitch Mosk
Camille Schmidt 'Nude #9' album art
Debut, Features, Interviews, MusicJanuary 28, 2025<January 28, 2025

Interview: Camille Schmidt Bares All in Debut Album ‘Nude #9’

by Noa Jamir
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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