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Aaron Taylor © Jasmijn van Buytene
Features, Interviews, Music, Track-by-TrackJuly 2, 2025<July 2, 2025

“Yours Always”: Aaron Taylor Turns a Powerful Promise into Soul-Stirring Music in His Stripped-Back EP

by Mitch Mosk
Shura 'I Got Too Sad For My Friends' © Charlotte Croft
Features, Interviews, MusicJuly 2, 2025<July 9, 2025

“Gentle, Big, & Sad”: Shura Opens Up About the Quiet Chaos of Being Human and ‘I Got Too Sad for My Friends,’ Her Most Vulnerable Album Yet

by Mitch Mosk
Kindelan © Monika Levčenkovaitė
Music, PremieresJuly 2, 2025<July 2, 2025

Premiere: Kindelan Reckons with Lost Love & Lingering Regret in Her Soul-Stirring “Wish I Wrote a Love Song”

by Mitch Mosk
The Cure © Sam Rockman
Columns, Music, Music & CitiesJuly 2, 2025<July 2, 2025

Music & Cities: The Cure’s ‘Songs of a Lost World’ in New York City

by David Buyze
Sheléa "Time Machine" © 2025
Columns, Interviews, Music, Today's SongJuly 2, 2025<July 2, 2025

Sheléa Revisits Lost Love with Grace & Golden-Era Soul in Her Cinematic, Motown-Inspired Classic “Time Machine”

by Mitch Mosk
Vacation Manor © Nathan Grimes
Features, Interviews, Music, Track-by-TrackJuly 1, 2025<July 1, 2025

“Accepting the Present”: Vacation Manor on Finding Beauty in Stillness and the Emotional Landmarks of Their ‘Back to Town’ EP

by Mitch Mosk
flipturn 'Burnout Days' © Amanda Laferriere
Features, Interviews, Music, Track-by-TrackJuly 1, 2025<July 3, 2025

“I wanna feel my heart again”: flipturn’s ‘Burnout Days’ Become Sweaty, Soul-Stirring Fever Dreams on Their Sophomore Album

by Mitch Mosk
Tales of the Free Mexican Airforce - Peter Rowan
Music, ReviewsJuly 1, 2025<July 1, 2025

Peter Rowan Gives Voice to Legends of the American Outlaw Trail in ‘Tales of the Free Mexican Airforce’

by Mike Fiorito
John Muirhead © Moira Ijzerman
Interviews, MusicJuly 1, 2025<July 1, 2025

Big-Hearted Songs for Dreamers: John Muirhead on Connection, Community, and the Road Ahead

by Aileen Goos
The Heartstrings Project © 2025
Columns, Interviews, Music, Today's SongJuly 1, 2025<July 1, 2025

Interview: The Heartstrings Project Finds Freedom in Motion with Reflective New Single “30”

by Aileen Goos
Woody Guthrie, standing, with a guitar around his neck and the written message, "This Machine Kills Fascists" © Lester Balog
Essays, MusicJuly 1, 2025<July 1, 2025

“This Land Is Your Land”: The Unfinished Legacy of Woody Guthrie, from the Great Depression to Trump’s America

by Audrey Connelly
Suki Summer © courtesy of the artist
Features, Interviews, MusicJune 30, 2025<June 30, 2025

Interview: Suki Summer on Vulnerability, Romance, & the Making of Her EP ‘Lovesick and Sick of Love’

by Danielle Holian
bbno$ © Ed Gumuchian Montecristo
Features, Interviews, MusicJune 30, 2025<June 30, 2025

No Label, No Limits: Inside bbno$’s Self-Made Music Machine

by Brian Denney
APACALDA © Suzie King
Columns, Music, Pride MonthJune 30, 2025<June 30, 2025

“Embracing My Multiplicity, Unapologetically”: A Pride Month Essay by APACALDA

by Guest Writer
Mac DeMarco © 2025
Columns, Music, Today's SongJune 30, 2025<June 30, 2025

Today’s Song: Mac DeMarco Redefines What “Home” Really Means

by Miranda Urbanczyk
Posts pagination
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Brand New

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention

:: discover something new ::

Recent Posts

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
  • “Realizing God Didn’t Want Me in the Closet”: A Pride Month Essay by Tory Silver June 15, 2026
  • “And I’ve Been Comin’ Back My Whole Damn Life”: Kurt Vile Finds a New Warmth in “Chance to Bleed,” a Mesmerizing Homecoming Ode June 14, 2026
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