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The 1 Class © 2018
Music, PremieresMarch 16, 2018<March 16, 2018

Premiere: Deception and Denial in The 1 Class’ “If You Were Honest”

by Mitch Mosk
Hey Baby © Bin Blow
Columns, Debut, Music, Reviews, Today's SongMarch 16, 2018<March 16, 2018

Review: Hey Baby! Embrace the Buzz in Punk Anthem “Kids”

by Mitch Mosk
Catalina © 2018
Music, PremieresMarch 16, 2018<March 16, 2018

Premiere: Lost in the Ethereal Waves of Catalina’s “Ceremony”

by Mitch Mosk
Everything You Need - The Yellow Traffic Light © Mario Toyoshima
Debut, Music, Music Videos, PremieresMarch 16, 2018<October 1, 2018

Premiere: The Yellow Traffic Light Challenge “Everything You’ll Need” with Dark Disillusion

by Mitch Mosk
Riley Moore © 2018
Music, PremieresMarch 16, 2018<March 16, 2018

Premiere: “Wandering Man,” Riley Moore’s Americana Ode to the Nomad

by Mitch Mosk
Watts' Weekend Picks 2018-03-16
Columns, Music, Playlists, Watts' Weekend PicksMarch 16, 2018<March 23, 2018

Watts’ Weekend Picks: John Newman, MNEK & More for Your Weekend Lifestyle

by Watts
Bright City Lights - Rebecca Haviland
Music, Music Videos, PremieresMarch 15, 2018<March 16, 2018

Video Premiere: Rebecca Haviland Finds Her Voice in “Bright City Lights”

by Mitch Mosk
Mica Tenenbaum of Magdalena Bay © Nicole Almeida
Debut, Features, Interviews, MusicMarch 15, 2018<December 21, 2024

Talking Retro Pop and Vintage Film: A Conversation with Magdalena Bay

by James Meadows
LJ Gomez © Mari Hernandez
Music, PremieresMarch 15, 2018<March 15, 2018

Premiere: A Familiar Ache in LJ Gomez’s Poignant “Replay”

by Mitch Mosk
The Violet Kind © 2018
Music, PremieresMarch 15, 2018<March 15, 2018

Premiere: The Violet Kind Stand Up & Speak Out in “Good Behaviour”

by Lindsay Call
Columns, Music, Today's SongMarch 15, 2018<March 15, 2018

Today’s Song: Revisiting Your Summer Love with Twin Shadow’s “Saturdays”

by Adrian Vargas
Bobby Mahoney © Dieter Unrath
Music, PremieresMarch 15, 2018<March 15, 2018

Premiere: Bobby Mahoney and The Seventh Son Channel the “Roaring Twenties”

by James Crowley
"Like a Drug" by Like Language © Aaron Green
Music, Music Videos, PremieresMarch 14, 2018<May 20, 2022

Video Premiere: The Anthemic Ache and Strain of Like Language’s “Like a Drug”

by Mitch Mosk
Tom Gallo © Morgen Gallo
Music, PremieresMarch 14, 2018<March 14, 2018

Premiere: Tom Gallo Gets Tender on Dreamy “Home (If This Is Love)”

by Natalie Harmsen
Pale Waves © Nicole Almeida
Features, Interviews, MusicMarch 14, 2018<March 14, 2018

Groove and Emotion: A Conversation with Pale Waves

by Maggie McHale
Posts pagination
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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