Columns, Features, Music, Weekly RoundupMarch 30, 2018<March 30, 2018 Atwood Magazine’s Weekly Roundup: March 30, 2018 by Atwood Magazine Staff
Features, Music, Our Take, ReviewsMarch 30, 2018<March 30, 2018 Our Take: The Weeknd’s ‘My Dear Melancholy,’ Marks the Beauty in the Breakup by Kelly Wynne
Columns, Music, Today's SongMarch 30, 2018<March 29, 2018 Today’s Song: Sea Girls Let Loose on “Eat Me Whole” by Natalie Harmsen
Columns, Music, Today's SongMarch 29, 2018<March 29, 2018 Today’s Song: Civil Twilight’s “Holy Dove” is Alt-Rock for the Alt-Righteous by Ilana Kalish
Music, PremieresMarch 29, 2018<March 29, 2018 Premiere: “Got to Believe” in Angela Josephine’s Folk Rock Talent by Josh Weiner
Music, Our Take, ReviewsMarch 29, 2018<March 29, 2018 Our Take: Sophistication Meets Carefree Temperaments on Ravyn Lenae’s Crush EP by Brandon Payano
Music, Music Videos, PremieresMarch 29, 2018<March 29, 2018 Premiere: Scarlet Pleasure Ignite and Indulge in “Deja Vu” by Mitch Mosk
Music, PremieresMarch 29, 2018<March 29, 2018 Premiere: Dwell in the Sultry Surrender of Charles’ “Relax My Mind” by Mitch Mosk
Debut, Music, ReviewsMarch 29, 2018<March 29, 2018 Track-by-Track: Tiger March Explore Love on Debut ‘Hold Something’ by Mitch Mosk
Music, Premieres, ReviewsMarch 29, 2018<March 29, 2018 Premiere: Girl Blue’s Swirling, Memory-Filled “Lolita” by Mariel Fechik
Columns, Music, Sound TracksMarch 28, 2018<March 28, 2018 Sound Tracks: ‘Call Me By Your Name’ – When Music Becomes the Narrator by Carmen Chan
Music, PremieresMarch 28, 2018<March 29, 2018 Premiere: “Trade My Trips” Is Knox Hamilton’s Ode to the Road by Maggie McHale
Concerts, Music, ReviewsMarch 28, 2018<March 28, 2018 Live: Billie Eilish and her Undeniable Star Quality Wow Philadelphia’s Coda by Nicole Almeida
Interviews, MusicMarch 28, 2018<March 28, 2018 Sticking to Roots While Constantly Evolving: A Conversation with Honduras by Alexandra Graber
Music, PremieresMarch 28, 2018<March 28, 2018 Premiere: Connecting with Kareen Lomax’s Intimate Alt-Soul “Clothes” by Mitch Mosk
For the Love of Music
For the Love of Music
