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BØRNS © Chuck Grant
Features, Interviews, MusicFebruary 15, 2018<September 26, 2018

Romance, Beauty, and Blue Madonna: A Conversation with BØRNS

by Mitch Mosk
Liar - Andreas Wijk © 2018
Debut, Music, PremieresFebruary 15, 2018<February 15, 2018

Premiere: Falling for Andreas Wijk’s Heartbroken “Liar” & the Other Side of Unrequited Love

by Mitch Mosk
Son of the Morning - Caspar Leopard
Debut, Music, Music Videos, PremieresFebruary 15, 2018<February 15, 2018

Premiere: Caspar Leopard’s Breathtaking “Son of the Morning” Seeks Meaning in Abstraction

by Mitch Mosk
Mulherin © Tommy Kha
Columns, Music, Today's SongFebruary 15, 2018<February 15, 2018

Today’s Song: Mulherin Indulge in “All to Myself”

by Ethan Germann
Swoll - Swoll
Debut, Music, PremieresFebruary 15, 2018<February 15, 2018

Premiere: Get SWOLL in the Bright Darkness & Disconnect of “You’ve Gone Away”

by Mitch Mosk
Kiss Like A Woman - MONA
Features, Music, Music Videos, Reviews, This Just InFebruary 14, 2018<February 14, 2018

This Just In: Celebrate Your Love with MONA’s Impassioned “Kiss Like a Woman”

by Mitch Mosk
Harry Pane Beautiful Life
Features, Music, PremieresFebruary 14, 2018<February 15, 2018

Premiere: The Haunting Embrace of Harry Pane’s “Beautiful Life”

by Mitch Mosk
Music, PlaylistsFebruary 14, 2018<February 16, 2018

Valentine’s Day Playlists: With and Without Love, Atwood Magazine

by Atwood Magazine Staff
Living a Lie - Royal Canoe
Music, Music Videos, PremieresFebruary 14, 2018<February 14, 2018

Video Premiere: Royal Canoe’s “Living a Lie” Explores Intimacy & Taboo Desire

by Mitch Mosk
Tyler Sjostrom © Kevin J. Rose
Features, Music, PremieresFebruary 14, 2018<February 14, 2018

Premiere: Tyler Sjöström Dwells in the Throes of Love on “I Don’t Know You Don’t Know”

by Mitch Mosk
Beautiful People Will Ruin Your Life - The Wombats album art
Features, Music, Reviews, RoundtableFebruary 14, 2018<June 29, 2024

Roundtable Discussion: A Review of The Wombats’ ‘Beautiful People Will Ruin Your Life’

by Atwood Magazine Staff
MILKK © Ryan Smallhands
Columns, Music, Today's SongFebruary 14, 2018<August 21, 2023

Today’s Song: MILKK’s New Track Is Cool as Ice and Sweet as Sugar

by Sara Santora
More Giraffes © Jasmine Safaeian
Columns, Debut, Music, Today's SongFebruary 13, 2018<February 13, 2018

Today’s Song: Chill Out to More Giraffes’ Euphoric Debut Single “Basement”

by Mitch Mosk
Natti Vogel © 2018
Music, ReviewsFebruary 13, 2018<April 26, 2018

Review: Natti Vogel Dissects Modern Relationships on ‘Serving Body’ EP

by James Crowley
Nadia Kazmi © Krisanne Johnson
Music, Music Videos, PremieresFebruary 13, 2018<February 13, 2018

Video Premiere: Nadia Kazmi’s Intimately Dark “Like a Cat”

by Mitch Mosk
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Brand New

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

:: discover something new ::

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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