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Monikers © Lucero Photography
Music, PremieresNovember 17, 2017<November 17, 2017

Premiere: Monikers’ Frigid and Fiery “Glacial Pace”

by Mitch Mosk
Atwood Magazine's Weekly Roundup 11-17-2017
Columns, Music, Weekly RoundupNovember 17, 2017<December 11, 2017

Atwood Magazine’s Weekly Roundup: November 17, 2017

by Atwood Magazine Staff
Street Joy © 2017
Music, Music Videos, PremieresNovember 17, 2017<November 17, 2017

Video Premiere: High-Energy Swells on Street Joy’s Lax “Do A Thing”

by Kendall Graham
Reputation - Taylor Swift © Mert & Marcus
Features, Music, Reviews, RoundtableNovember 17, 2017<June 29, 2024

Roundtable Discussion: A Review of Taylor Swift’s ‘Reputation’

by Atwood Magazine Staff
Ekurtis © 2017
Music, PremieresNovember 17, 2017<November 16, 2017

EP Premiere: Ekurtis’ ‘Part II’ Reaches Bittersweet Resolve

by Mitch Mosk
LIEZA © 2017
Music, PremieresNovember 16, 2017<November 16, 2017

Premiere: LIEZA’s Intimate & Empowering Anthem “Don’t Make Me Dance”

by Mitch Mosk
Broke Royals © Sound Snap Photography
Debut, Features, Music, PremieresNovember 16, 2017<November 16, 2017

Album Premiere: Broke Royals Break the Mold with Multi-Layered Debut

by Sara Santora
Harlee © Mara Yamnicky (Hosh Gureli)
Music, PremieresNovember 16, 2017<November 16, 2017

Premiere: Harlee’s “Venom” Burns with Pop-Filled Betrayal

by Kelly McCafferty Dorogy
Gayle Skidmore © 2017
Music, Music Videos, PremieresNovember 16, 2017<November 16, 2017

Premiere: Gayle Skidmore’s “Pale Ghosts” World Fully Encompasses You

by James Crowley
Mariah Carey
Columns, Music, Nostalgia TracksNovember 16, 2017<November 22, 2017

Nostalgia Tracks: Mariah Carey Teaches Us “Bye Bye”s Aren’t Forever

by Kevin Young
Flying Lotus 3D Tour 2017
Columns, Concert Conversations, Concerts, MusicNovember 15, 2017<November 15, 2017

Live: Flying Lotus’ Mind-Bending 3D Show at Brooklyn Steel

by Carmen Chan
Speedy Anejo - Antagonista
Music, PremieresNovember 15, 2017<November 15, 2017

Premiere: The Anxious Intensity of Antagonista’s “Speedy Anejo”

by Mitch Mosk
We Can Die Happy - Tennis
Features, Music, Our Take, ReviewsNovember 15, 2017<December 11, 2017

Our Take: The Dreamy Depths of Tennis’ Magical ‘We Can Die Happy’ EP

by Mitch Mosk
Elwell © 2017
Music, PremieresNovember 15, 2017<November 15, 2017

Premiere: Elwell “Claps” for Clarity and Closure

by Mitch Mosk
Sleight of Hand © POP ETC
Features, Music, Music Videos, PremieresNovember 15, 2017<November 15, 2017

Premiere: POP ETC’s Dreamy “Sleight of Hand” Begs for Balance in Chaos

by Mitch Mosk
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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