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Nina Nesbitt © Julia Underwood, "Somebody Special
Features, Interviews, MusicFebruary 13, 2018<March 6, 2018

Making Pop Personal: A Conversation with Nina Nesbitt

by Baylee Less
Arms Akimbo © 2018
Music, PremieresFebruary 13, 2018<February 13, 2018

Premiere: Arms Akimbo Ignite with Fiery Grace on “Seven Mirrors”

by Mitch Mosk
Derrival © AntiFragile Music
Debut, Features, Music, PremieresFebruary 13, 2018<February 16, 2018

Album Premiere: Energy & Emotion Swell on Derrival’s Dynamic Debut

by Mitch Mosk
Belle of the Fall © Mike Marques
Music, PremieresFebruary 12, 2018<February 12, 2018

Premiere: “Rise Up” with Belle of the Fall’s Uplifting Folk Beauty

by Mitch Mosk
Ruins - First Aid Kit
Features, Music, ReviewsFebruary 12, 2018<February 16, 2018

Review: First Aid Kit’s Ruins, Calling Our Hearts Home to Heal

by Ilana Kalish
DENNY © 2017
Features, Music, PremieresFebruary 12, 2018<February 12, 2018

Premiere: “Something Furious,” DENNY’s Entrancing Love-Soaked Euphoria

by Mitch Mosk
Shakey Graves © Greg Giannukos
Music, Our Take, ReviewsFebruary 12, 2018<February 12, 2018

Our Take: Shakey Graves Evolves with Indie Influence on ‘The Sleep’ EP

by Kelly Wynne
THE WLDLFE © Nitish Durbha
Music, PremieresFebruary 12, 2018<February 13, 2018

Premiere: The Energy & Nostalgia of THE WLDLFE’s “I Don’t Mind”

by Baylee Less
Karaoke Life - Blue Jazz TV
Music, Music Videos, PremieresFebruary 9, 2018<February 9, 2018

Premiere: Be What You Want in Blue Jazz TV’s “Karaoke Life”

by Mitch Mosk
Atwood Magazine's Weekly Roundup 02-09-2018
Columns, Features, Music, Playlists, Weekly RoundupFebruary 9, 2018<February 9, 2018

Atwood Magazine’s Weekly Roundup: February 9, 2018

by Atwood Magazine Staff
VOILÀ © 2018
Debut, Features, Interviews, MusicFebruary 9, 2018<February 9, 2018

Raw Romantics: A Conversation with VOILÀ

by Kelly Wynne
Hand It Over - MGMT
Columns, Music, Today's SongFebruary 9, 2018<February 9, 2018

Today’s Song: Speculating Pop Politics with MGMT’s “Hand It Over”

by Olivia Perry
Watts' Weekend Picks 2018-02-09
Columns, Music, Playlists, Watts' Weekend PicksFebruary 9, 2018<February 9, 2018

Watts’ Weekend Picks: Chromeo, Frenship & More for Your Lifestyle

by Watts
James Bay © Sarah Piantadosi
Features, Music, Reviews, This Just InFebruary 8, 2018<February 12, 2018

This Just In: James Bay Returns with Intimate, Electrifying “Wild Love”

by Mitch Mosk
The Young Novelists © Jen Squires
Music, PremieresFebruary 8, 2018<February 8, 2018

Premiere: The Young Novelists “Come Round Again” with Euphoric Bliss

by Mitch Mosk
Posts pagination
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Brand New

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

:: discover something new ::

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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