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Lets Just Dance - Ships Have Sailed
Music, Music Videos, PremieresJanuary 31, 2018<January 31, 2018

Premiere: Bask in the Moment with Ships Have Sailed’s Euphoric “Let’s Just Dance”

by Mitch Mosk
Alfred Hall © Pernille Wangsmo
Music, PremieresJanuary 31, 2018<January 31, 2018

Premiere: Alfred Hall’s “Pearl Diver” & the Never-Ending Search for Happiness

by Mitch Mosk
Rolling Blackouts Coastal Fever © Warwick Baker
Columns, Music, Today's SongJanuary 31, 2018<January 31, 2018

Today’s Song: Rolling Blackouts Coastal Fever Reimagine Lyrical Structure with “French Press”

by Alexandra Graber
The Visions © 2018
Music, PremieresJanuary 30, 2018<January 30, 2018

Premiere: The Visions Are “Lookin for Ya” with Warm, Bittersweet Nostalgia

by Mitch Mosk
Pink Skies © Wild Card Music Group
Debut, Music, PremieresJanuary 30, 2018<January 30, 2018

Premiere: Pink Skies Dives Deep in Dreamy Pop Song “Reflections”

by Mitch Mosk
Growing Pains - Tiny Blue Ghost
Debut, Music, ReviewsJanuary 30, 2018<January 30, 2018

Review: Tiny Blue Ghost Bring a Well-Rounded, Mature Approach to ‘Growing Pains’

by James Crowley
free cake for every creature © 2018
Columns, Music, Today's SongJanuary 30, 2018<March 2, 2025

Today’s Song: Free Cake for Every Creature’s “All You Gotta Be When You’re 23 Is Yourself” Reminds Us to Slow Down

by Carolyn Fasone
Panteon © 2018
Music, Music Videos, PremieresJanuary 29, 2018<March 27, 2018

Video Premiere: Surreal, Real Connection in Panteon’s “January Keeper”

by Mitch Mosk
Welcome Center © 2017
Debut, Music, PremieresJanuary 29, 2018<May 29, 2018

Premiere: Welcome Center Blur Drugs & Pain in “Altoids”

by Mitch Mosk
Debut, Features, Interviews, MusicJanuary 29, 2018<January 29, 2018

A Lot of Debauchery: A Conversation with Rad Horror

by Maggie McHale
Ought © Laura Harvey
Columns, Music, Today's SongJanuary 29, 2018<January 29, 2018

Today’s Song: Ought Import International Confusion with “Disgraced in America”

by James Crowley
Mike Shinoda - Over Again
Music, ReviewsJanuary 26, 2018<January 26, 2018

EP Review: Linkin Park’s Mike Shinoda Offers a Window into Grieving Loss of Chester Bennington

by James Crowley
Atwood Magazine's Weekly Roundup 1-26-2018
Columns, Features, Music, Weekly RoundupJanuary 26, 2018<January 26, 2018

Atwood Magazine’s Weekly Roundup: January 26, 2018

by Atwood Magazine Staff
Low Swans © 2018
Music, PremieresJanuary 26, 2018<January 26, 2018

Premiere: Vibing Out to Low Swans’ Kind & Dangerous “Ostfront”

by Mitch Mosk
Watts' Weekend Picks 2018-01-26
Columns, Music, Playlists, Watts' Weekend PicksJanuary 26, 2018<January 26, 2018

Watts’ Weekend Picks: George Ezra, Rudimental & More for Your Lifestyle

by Watts
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Brand New

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

:: discover something new ::

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
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