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LJ Gomez © Mari Hernandez
Music, PremieresMarch 15, 2018<March 15, 2018

Premiere: A Familiar Ache in LJ Gomez’s Poignant “Replay”

by Mitch Mosk
The Violet Kind © 2018
Music, PremieresMarch 15, 2018<March 15, 2018

Premiere: The Violet Kind Stand Up & Speak Out in “Good Behaviour”

by Lindsay Call
Columns, Music, Today's SongMarch 15, 2018<March 15, 2018

Today’s Song: Revisiting Your Summer Love with Twin Shadow’s “Saturdays”

by Adrian Vargas
Bobby Mahoney © Dieter Unrath
Music, PremieresMarch 15, 2018<March 15, 2018

Premiere: Bobby Mahoney and The Seventh Son Channel the “Roaring Twenties”

by James Crowley
"Like a Drug" by Like Language © Aaron Green
Music, Music Videos, PremieresMarch 14, 2018<May 20, 2022

Video Premiere: The Anthemic Ache and Strain of Like Language’s “Like a Drug”

by Mitch Mosk
Tom Gallo © Morgen Gallo
Music, PremieresMarch 14, 2018<March 14, 2018

Premiere: Tom Gallo Gets Tender on Dreamy “Home (If This Is Love)”

by Natalie Harmsen
Pale Waves © Nicole Almeida
Features, Interviews, MusicMarch 14, 2018<March 14, 2018

Groove and Emotion: A Conversation with Pale Waves

by Maggie McHale
Racquet © Sapphire Jewell
Debut, Features, Music, PremieresMarch 14, 2018<March 14, 2018

EP Premiere: Avoid the Riptide with Racquet’s Impassioned Debut EP ‘Artifacts’

by Carolyn Fasone
Sunflower Bean © Hollie Fernando
Columns, Music, Today's SongMarch 14, 2018<March 14, 2018

Today’s Song: Sunflower Bean’s “Twentytwo,” a Figurative & Literal Representation of Growth

by Alexandra Graber
Header Viewfinder Troye Sivan Lorde
Columns, Music, Music Videos, ViewfinderMarch 14, 2018<March 14, 2018

Viewfinder: “My My My!” and “Green Light” Capture Youth and Euphoria

by Carmen Chan
Tiger March © Dexy Valentine
Debut, Music, PremieresMarch 13, 2018<March 13, 2018

Premiere: The Shimmering Glitz of Tiger March’s “Hold Something”

by Mitch Mosk
Schultz & Forever © Sebastian Zieler
Debut, Features, Music, PremieresMarch 13, 2018<March 14, 2018

Album Premiere: The Intimate Revolt of Schultz & Forever’s Debut ‘Grand Guignol’

by Mitch Mosk
Black Panther Soundtrack
Features, Music, Reviews, RoundtableMarch 13, 2018<June 29, 2024

Roundtable Discussion: A Review of the ‘Black Panther’ Soundtrack

by Atwood Magazine Staff
Carmanah © Helene Cyr
Music, Music Videos, PremieresMarch 13, 2018<March 13, 2018

Video Premiere: The Gentle Flow of Carmanah’s Beautifully Critical “Water Falling”

by Mitch Mosk
Baba Sonya © James Kilker
Music, PremieresMarch 13, 2018<March 13, 2018

Premiere: Baba Sonya’s Haunting “Jeremiah” Is a Mourner’s Tragic Lament

by Mitch Mosk
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Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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