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Like You Love Me - Mo Brandis
Debut, Music, Music Videos, PremieresNovember 30, 2017<November 30, 2017

Premiere: Mannequin Infatuation in Mo Brandis’ Vibrant “Like You Love Me”

by Mitch Mosk
Document © Alex Stotland
Debut, Features, Music, PremieresNovember 30, 2017<November 30, 2017

Album Premiere: Document Debut ‘The Void Repeats’ with Comforting Discomfort

by Mitch Mosk
Buku Love - Rubycon © 2017
Music, Music Videos, PremieresNovember 29, 2017<November 29, 2017

Premiere: Clouds & Rainbows Color Rubycon’s Dazzling “Buku Love”

by Mitch Mosk
Live & Circle © 2017
Features, Music, Premieres, ReviewsNovember 29, 2017<November 29, 2017

EP Premiere: Line & Circle’s ‘Vicious Folly’ Balances Raw Energy with Restless Emotion

by Mitch Mosk
Cassandra Violet © Polly Barrowman
Music, PremieresNovember 29, 2017<November 29, 2017

Premiere: The Catchy Critique of Cassandra Violet’s “Pretty”

by Mitch Mosk
Clara Strauch © 2017
Music, PremieresNovember 29, 2017<November 29, 2017

Premiere: The Hopeful Darkness of Clara Strauch’s “Islands”

by Mitch Mosk
Lloyd Llewellyn © 2017
Debut, Music, Music Videos, PremieresNovember 29, 2017<November 29, 2017

Premiere: Lloyd Llewellyn’s “Run” is a Somber & Soulful Goodbye

by Mitch Mosk
The Fear – Georgia Reed © 2017
Columns, Music, Today's SongNovember 29, 2017<December 11, 2017

Today’s Song: Flashback to Fast-Track Forward with Georgia Reed’s “The Fear”

by Hannah Maire
Surf the Pines © Crystal Hoeveler
Debut, Music, PremieresNovember 28, 2017<November 28, 2017

Premiere: Surf the Pines Debut with Experience & Honesty in “The Runaround”

by Christine Costello
Carl Hauck © Dylan Fischer
Music, PremieresNovember 28, 2017<November 28, 2017

Premiere: Carl Hauck’s Glowing “Refraction” Sparks a Warm Light

by Mitch Mosk
The Opener - Camp Cope
Columns, Music, Today's SongNovember 28, 2017<November 28, 2017

Today’s Song: Camp Cope Expose the Closeted Misogyny of the Punk Scene in “The Opener”

by James Crowley
Jordan Mackampa © 2017
Music, Music Videos, PremieresNovember 28, 2017<December 11, 2017

Premiere: Jordan Mackampa’s Inspiring Anthem Is a “Battlecry” to Stand Up

by Mitch Mosk
Caroline Grace © 2017
Debut, Features, Music, PremieresNovember 27, 2017<November 27, 2017

Premiere: Caroline Grace Is Raw & Exposed on Acoustic Pop Anthem “Cheers to the Night”

by Mitch Mosk
Walk on Water - Eminem
Columns, Music, Reviews, Today's SongNovember 27, 2017<November 27, 2017

Today’s Song: Eminem and Beyoncé’s “Walk on Water” Is Not Miraculous, but Still a Heartfelt Effort

by Josh Weiner
Sulene © 2017
Features, Interviews, MusicNovember 27, 2017<November 29, 2017

Composition, Style, and “Something New”: A Conversation with Sulene

by Kelly Wynne
Posts pagination
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Brand New

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem

:: discover something new ::

Recent Posts

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
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