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Features, Music, Music Videos, PremieresSeptember 15, 2017<October 10, 2017

Video Premiere: The Natural Warmth & Beauty of Ásgeir’s “I Know You Know”

by Mitch Mosk
Music, Today's SongSeptember 14, 2017<September 14, 2017

Today’s Song: Moses Sumney’s Insular and Intimate “Indulge Me”

by Mariel Fechik
Music, PremieresSeptember 14, 2017<September 13, 2017

Premiere: Remembering and Forgetting on LeRiche’s “River Runs”

by Natalie Harmsen
Music, PremieresSeptember 14, 2017<September 14, 2017

Album Premiere: Church Girls Acknowledge the Trials of Everyday Life in ‘Hidalgo’

by Josh Weiner
Concerts, Music, ReviewsSeptember 13, 2017<September 13, 2017

Live Review: Vesperteen, PHANGS, and The Band CAMINO at the Hi-Tone Cafe

by Baylee Less
Wolf Alice © Laura Allard Fleischl
Features, Interviews, MusicSeptember 12, 2017<September 12, 2017

Back, Bolder, and Better: A Conversation with Wolf Alice

by Nicole Almeida
Hudson Thames © 2017
Features, Interviews, MusicSeptember 8, 2017<July 18, 2023

The Sound of Timeless Youth: A Conversation with Hudson Thames

by Ethan Germann
The National Parks © 2017
Features, Music, PremieresSeptember 8, 2017<September 8, 2017

Premiere: Passion & Perseverance in The National Parks’ Driving “Currents”

by Mitch Mosk
Music, Music Videos, PremieresSeptember 8, 2017<September 8, 2017

Video Premiere: Waxing Cybernetic in Paper Chains’ “Close 2 Me”

by Ethan Armbrust
See Her Tonight - J Marco 2017
Music, PremieresSeptember 7, 2017<September 7, 2017

Premiere: Love, Hope, and Hunger in J. Marco’s Anthemic “See Her Tonight”

by Mitch Mosk
Concerts, Music, ReviewsSeptember 7, 2017<September 7, 2017

Live Review: Photay’s Magnetic Show at Baby’s All Right

by Carmen Chan
Interviews, MusicSeptember 7, 2017<September 8, 2017

A Musical Journey Filled With Compassion and a Non-Passive Attitude: A Conversation with SondorBlue

by Alexandra Graber
j hacha de zola © Miguel Peralta Jr.
Music, PremieresSeptember 6, 2017<September 6, 2017

Premiere: The Chaos and Fury of J Hacha de Zola’s “March of the Hollowmen”

by Mitch Mosk
Interviews, MusicSeptember 5, 2017<September 5, 2017

A Necessary Evolution: A Conversation with James Vincent McMorrow

by Atwood Magazine Staff
Music, Our Take, ReviewsSeptember 5, 2017<September 5, 2017

Our Take: Luke Christopher’s TMRWFRVR, A Movement For The Future

by Ethan Germann
Posts pagination
1 … 631 632 633 634 635 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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