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Eighty Ninety © 2017
Columns, Music, Today's SongOctober 10, 2017<October 10, 2017

Today’s Song: Eighty Ninety Remember “Your Favorite Song”

by Alex Killian
SUAD © 2017
Features, Music, PremieresOctober 10, 2017<October 17, 2017

Premiere: SUAD Answers “The Call” with Fire and Grace

by Mitch Mosk
Listener © Kevin Scullion
Music, PremieresOctober 10, 2017<October 10, 2017

Premiere: Listener Marry Poetry and Post-Hardcore with “Shock and Value”

by James Crowley
Agnes - Glass Animals
Features, Music, ReviewsOctober 9, 2017<December 15, 2020

The Fragile, Overwhelming Power of Glass Animals’ “Agnes”

by Mitch Mosk
The Fluids © Jordan Kuyper
Music, PremieresOctober 9, 2017<October 9, 2017

Premiere: The Fluids’ Timeless Rock and Emotion in “Just Like Me”

by Nicole Almeida
Pain / Ache / Loving - Hunny
Columns, Music, Music You Should KnowOctober 9, 2017<October 9, 2017

Music You Should Know: Two Years Later, ‘Pain / Ache / Loving’ is Still HUNNY’s Best

by Sydney Sweeney
INHEAVEN © 2017
Music, Our Take, ReviewsOctober 5, 2017<October 5, 2017

Our Take: INHEAVEN’s Timely Album is Just What a Debut Should Be

by Lindsay Call
Premiere: A Journey of Unexpected Warmth in Aparde’s “Glass”
Music, PremieresOctober 5, 2017<October 9, 2017

Premiere: A Journey of Unexpected Warmth in Aparde’s “Glass”

by Nicole Almeida
FEATURE: Oshin Dives Deep into Purposeful Experimental Pop
Features, Interviews, MusicOctober 2, 2017<October 2, 2017

FEATURE: Oshin Dives Deep into Purposeful Experimental Pop

by Sydney Sweeney
Music, Reviews, This Just InSeptember 29, 2017<September 29, 2017

The World Is A Beautiful Place & I Am No Longer Afraid To Die Recall the Past and Call for Action in the Future on ‘Always Foreign’

by James Crowley
Music, Our Take, ReviewsSeptember 28, 2017<September 28, 2017

Our Take: Vince Staples Avoids the Sophomore Slump with the Stunning ‘Big Fish Theory’

by Josh Weiner
Interviews, MusicSeptember 28, 2017<September 28, 2017

Dodging Stereotypes and American Dreaming: A Conversation with Canshaker Pi

by Alexandra Graber
Music, Music You Should KnowSeptember 27, 2017<March 10, 2021

Messages Without eXception: Introducing Allie X

by Kelly Wynne
Music, Today's SongSeptember 27, 2017<September 27, 2017

Today’s Song: NAO’s “Nostalgia” is a Long-Awaited Comeback

by Sydney Sweeney
Interviews, Music, PremieresSeptember 27, 2017<September 27, 2017

Premiere: Bruiser Queen Is Feeling “Sugar High” On Life

by Baylee Less
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Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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