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Strange Familia © Aaron Hendrix
Music, PremieresApril 4, 2017<April 4, 2017

Premiere: Strange Familia’s Infectious Anti-Anthem “Love/Drugs”

by Mitch Mosk
Marika Hackman © Steve Gullick
Columns, Music, Today's SongApril 4, 2017<April 4, 2017

Today’s Song: “Boyfriend,” Marika Hackman’s Call to Arms

by Nicole Almeida
Nick Pope © Gloria Lee
Music, PremieresApril 3, 2017<July 1, 2025

Premiere: Nick Pope Bears “A Devastation” with Faithless, Shaky Hands

by Mitch Mosk
FYOHNA - "Ghost Heart" live still
Music, Music Videos, PremieresApril 3, 2017<April 3, 2017

Video Premiere: FYOHNA’s Electronic, Intimate & Haunting “Ghost Heart” (live)

by Mitch Mosk
pronoun © Cory Ingram
Features, Interviews, MusicApril 3, 2017<April 3, 2017

Just ‘Cause She Can: pronoun Talks Music, Politics, and Moving On

by Kelly Wynne
Motion Picture Soundtrack - shallou
Columns, Music, Today's SongApril 3, 2017<April 3, 2017

Today’s Song: Shallou’s Radiohead Cover Highlights the Bittersweet

by Urooj Ali Rizvi
Concerts, FestivalApril 1, 2017<April 1, 2017

DeMarco & Sufjan To Finally Duke It Out At CoaCHILLa

by Lindsay Call
The Japanese House at The Foundry, © Nicole Almeida March 2017
Concerts, Music, ReviewsMarch 31, 2017<March 31, 2017

LIVE: The Japanese House Takes Philadelphia by Storm at The Foundry

by Nicole Almeida
Adam Melchor © 2017 press photo
Debut, Music, PremieresMarch 31, 2017<February 11, 2025

EP Premiere: Adam Melchor’s Hauntingly Human Debut ‘The Archer’

by Mitch Mosk
Screenshot from Rosie Carney's acoustic video for "Awake Me"
Music, Music Videos, PremieresMarch 31, 2017<January 30, 2019

Video Premiere: Understated Mastery in Rosie Carney’s “Awake Me” (Acoustic)

by Lindsay Call
Ultralife - Oh Wonder single art 2017
Features, Music, Reviews, This Just InMarch 31, 2017<July 24, 2017

This Just In: Oh Wonder Return with Joie de Vivre on “Ultralife”

by Mitch Mosk
The Ruby Shots © Hannah Keiffert
Music, PremieresMarch 30, 2017<March 30, 2017

Premiere: The Ruby Shots Take Off on the Road with “Brake Lights”

by Mitch Mosk
Moonrise Nation © Victoria Sanders
Features, Interviews, MusicMarch 30, 2017<March 30, 2017

Moonrise Nation Leave Nothing Behind: A Conversation About Songwriting and Inspiration

by Renae Weaver
Jacob Schaffer © 2017
Music, PremieresMarch 30, 2017<March 30, 2017

Premiere: Jacob Schaffer’s “Valley Road” is a Warm Ode to Family

by Mitch Mosk
Lulu Lewis © 2017
Music, Music Videos, PremieresMarch 30, 2017<March 30, 2017

Video Premiere: Lulu Lewis Unmask and Empower on Filmic “All Just Pretending”

by Mitch Mosk
Posts pagination
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Brand New

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’

:: discover something new ::

Recent Posts

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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