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You Are Coming To My Birthday - Psymon Spine
Debut, Features, Music, Our Take, Premieres, ReviewsJune 7, 2017<June 29, 2017

Premiere: Psymon Spine’s Groundbreaking Debut ‘You Are Coming to My Birthday’

by Mitch Mosk
Connect the Dots - MisterWives
Music, ReviewsJune 6, 2017<June 6, 2017

Review: MisterWives’ ‘Connect the Dots’ Is a Compilation of Mini Masterpieces

by Kelly McCafferty Dorogy
Rich in Love - Afterlife Revival
Debut, Music, PremieresJune 6, 2017<June 6, 2017

Premiere: Afterlife Revival Debuts with Inspiring “Rich in Love”

by Mitch Mosk
Trü EP Cover Art
Debut, Music, PremieresJune 6, 2017<June 6, 2017

Premiere: Trü’s “Kirsti” Is More than a Silly Love Song

by Mitch Mosk
Siberian Traps © Walt Burns
Features, Music, Our Take, Premieres, ReviewsJune 6, 2017<June 24, 2017

Album Premiere: The Hypnotic Summer Drive of Siberian Traps’ Indicator

by Mitch Mosk
Sleep Good © Zane Ruttenberg
Music, PremieresJune 6, 2017<June 6, 2017

Premiere: The Dreamy Gauze of Sleep Good’s “Somewhere”

by Mariel Fechik
Mitski © Ebru Yildiz
Columns, Music, Today's SongJune 6, 2017<June 5, 2017

Today’s Song: Mitski Imagines Happiness on “A Burning Hill”

by Matilda Berke
Cat Delphi © Adam J Spinks @ Initiative Motion Pictures
Music, Music Videos, PremieresJune 5, 2017<June 5, 2017

Video Premiere: Cat Delphi’s “Message” Explores a Deeper Side of Life

by Mitch Mosk
Black Honey © Charlotte Patmore
Features, Interviews, MusicJune 5, 2017<June 5, 2017

The Joys of Creating and Being “Perfect Weirdos”: An Interview with Black Honey

by Lindsay Call
Kinky Love © 2017
Music, PremieresJune 5, 2017<June 5, 2017

Premiere: The Hazy Hypnosis of Kinky Love’s “Glamour Child”

by Mitch Mosk
Bonnaroo 2017 logo
Features, Festival, Music, News, PreviewsJune 5, 2017<June 24, 2017

Surviving the Farm: (Y)Our Music Guide to Bonnaroo 2017

by Baylee Less
Paramore © Fueled by Ramen
Columns, Music, Today's SongJune 5, 2017<March 2, 2025

Today’s Song: Paramore Retain Emo Mastery on “Idle Worship”

by Kendall Graham
Hopeless Fountain Kingdom - Halsey album art
Features, Music, Reviews, RoundtableJune 2, 2017<June 29, 2024

Roundtable Discussion: A Review of Halsey’s ‘Hopeless Fountain Kingdom’

by Atwood Magazine Staff
A Crow Looked At Me - Mount Eerie
Music, Our Take, ReviewsJune 2, 2017<June 2, 2017

Our Take: Mount Eerie Transmit Devastation with ‘A Crow Looked at Me’

by Lucas Koprowski
Secret Colours © 2017
Music, PremieresJune 2, 2017<June 2, 2017

Premiere: The Gravity of Secret Colours’ Love Song “Changes in Nature”

by Mitch Mosk
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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