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Emma White © 2017
Features, Music, PremieresFebruary 2, 2017<February 8, 2017

Exclusive Premiere: Emma White Brings an Intimate, Fresh Voice to Country-Pop

by Mitch Mosk
Car Seat Headrest © Matador Records
Columns, Music, Today's SongFebruary 2, 2017<September 14, 2024

Don’t Drink & Drive Please: Car Seat Headrest’s “Drunk Drivers/Killer Whales”

by Erika Kooda
Judah & the Lion © Chloe Horseman
Features, Interviews, MusicFebruary 1, 2017<February 1, 2017

Nothing but Authenticity and Folk Hop: A Conversation with Judah & the Lion

by Renae Weaver
The Captain's Son © 2017
Columns, Debut, Music, Today's SongFebruary 1, 2017<January 24, 2017

Today’s Song: The Captain’s Son’s “Walking Around Purposely” is the Hangover You Want to Have

by James Crowley
Grumpus © 2017
Features, Music, PremieresJanuary 31, 2017<January 31, 2017

Exclusive Premiere: Grumpus’ “Divides” Takes a Moment for Real Reflection

by Mitch Mosk
Slowdive © Ingrid Pop
Columns, Music, Today's SongJanuary 31, 2017<January 24, 2017

Today’s Song: On Slowdive’s First Song in 22 Years “Star Roving,” the All-Embracing Journey Perseveres

by K
Garrett Pierce © 2017
Features, Music, PremieresJanuary 30, 2017<January 30, 2017

Exclusive Premiere: A Stirring Empathy in Garrett Pierce’s “Get Me Out of This Place”

by Mitch Mosk
Chris McClenney © 2017
Debut, Music, Our Take, ReviewsJanuary 30, 2017<January 30, 2017

Our Take: Chris McClenney Proves His Promise on Debut EP “Portrait in Two”

by Alex Killian
Snakehips & MØ (source: Instagram)
Columns, Music, Today's SongJanuary 30, 2017<January 24, 2017

Today’s Song: Snakehips and MØ’s “Don’t Leave” Leaves Us Torn Dancing and Crying

by Urooj Ali Rizvi
Star Slinger © Michaela Selmani
Features, Interviews, MusicJanuary 27, 2017<January 27, 2017

Striving for More: A Conversation with Star Slinger

by Nicole Almeida
Fawns of Love (L-R): Jenny Andreotti, Joseph Andreotti © Joseph Andreotti
Features, Music, PremieresJanuary 27, 2017<January 27, 2017

Exclusive Premiere: Fawns of Love Capture Turmoil on Melancholy “Silly Boy”

by Mitch Mosk
Julia Michaels © Meredith Truax
Columns, Debut, Music, Today's SongJanuary 27, 2017<March 8, 2017

Today’s Song: Julia Michaels Has 99 “Issues” but Songwriting Ain’t One

by Kelly McCafferty Dorogy
Julien Baker © Nolan Knight
Music, ReviewsJanuary 26, 2017<January 26, 2017

Review: Julien Baker’s “Funeral Pyre” Finds Immaculate Beauty in Hollow Places

by Nicholas Anderson
Sleeptalkre © Nadine Berns
Debut, Features, Music, PremieresJanuary 26, 2017<January 26, 2017

Exclusive Premiere: Dance to the Pop Power of Sleeptalkre’s “Fractions” Ricca Vita Remix

by Mitch Mosk
Tash Sultana © 2017
Columns, Music, Today's SongJanuary 26, 2017<January 26, 2017

Today’s Song: Tash Sultana’s “Jungle” Redefines Rock and Roll

by Kelly Wynne
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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