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COIN © Zachary Gray
Atwood On Tour, Columns, Features, Interviews, MusicNovember 15, 2016<November 30, 2016

Caffeine, Small Talk, and New Music: Catching Up with COIN

by Mitch Mosk
Jon Bellion © Visionary Music Group
Columns, Music, Today's SongNovember 15, 2016<November 11, 2016

Today’s Song: Fakin’ Through High School in Jon Bellion’s “Morning in America”

by Erika Kooda
Leonard Cohen
Essays, Features, MusicNovember 14, 2016<November 14, 2016

I Told You When I Met You I Was a Stranger: A Tribute to Leonard Cohen

by Jon Hecht
Kat Edwards © Tim Coad
Columns, Music, Today's SongNovember 14, 2016<November 14, 2016

Today’s Song: Kat Edwards Braves the Unbearable on “Stranger In My Room”

by Hannah Maire
Yoke Lore © DeSean McClinton-Holland
Features, Interviews, MusicNovember 11, 2016<May 9, 2017

Value in Dynamism: A Conversation with Yoke Lore

by Maggie McHale
Rebekah Fitch © 2016
Columns, Music, Today's SongNovember 11, 2016<November 11, 2016

Today’s Song: Rebekah Fitch Steps into the Spotlight on “Afraid of the Light”

by Natalie Harmsen
Ghost Lion © Cory Bailey
Debut, Features, Music, PremieresNovember 10, 2016<November 10, 2016

Exclusive Premiere: The Celebratory Glow of Ghost Lion’s “Shot the Sun Down”

by Mitch Mosk
Bad Suns © Elliot Lee Hazel
Music, Our Take, ReviewsNovember 10, 2016<November 10, 2016

Our Take: Taking Flight with Bad Suns’ Sophomore Album ‘Disappear Here’

by Tracy Smith
"Ordinary Lives" still - The Slow Show
Columns, Music, Music Videos, Today's SongNovember 10, 2016<November 10, 2016

Today’s Song: The Extraordinary Poignancy of The Slow Show’s “Ordinary Lives”

by Mitch Mosk
-ness © Zoey Peck
Debut, Features, Music, PremieresNovember 9, 2016<November 16, 2016

Exclusive Premiere: -ness Search for Balance and Self-Identity on Stunning Debut

by Mitch Mosk
D I A M O N D S © 2016
Features, Interviews, Music, PremieresNovember 8, 2016<November 30, 2016

Exclusive Premiere: Passion and Paranoia on D I A M O N D S’ Debut “My White Diamond”

by Mitch Mosk
Del Caesar © Dean Keim
Features, Music, PremieresNovember 7, 2016<November 7, 2016

Exclusive Premiere: Brooklyn’s Del Caesar Channel Raw Rock on EP 2

by Mitch Mosk
Features, Interviews, MusicNovember 7, 2016<November 7, 2016

Like a Recipe: A Conversation with Iration

by Maggie McHale
Maggie Rogers © 2016
Columns, Music, Today's SongNovember 7, 2016<November 7, 2016

Today’s Song: Racing Towards Enlightenment with Maggie Rogers’ “Alaska”

by Hannah Maire
Emily Blue © 2016
Debut, Features, Music, PremieresNovember 4, 2016<October 11, 2019

Exclusive Premiere: Emily Blue is More Than ‘Another Angry Woman’ on Empowering Debut Album

by Atwood Magazine Staff
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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