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Earl St. Clair © 2016
Columns, Music, Today's SongNovember 29, 2016<November 28, 2016

Today’s Song: Earl St. Clair Starts His Own Party with “Good Time”

by Ethan Germann
Charge the Atlantic © 2016
Features, Music, PremieresNovember 28, 2016<November 28, 2016

Exclusive Premiere: The Soul Sincerity of Charge the Atlantic’s “Something You Feel”

by Mitch Mosk
Conversing with Oceans © 2016
Debut, Features, Music, PremieresNovember 25, 2016<November 25, 2016

Exclusive Premiere: Conversing with Oceans Tackles Time on Dreamy “Past. Present. Future.” EP

by Mitch Mosk
DeModa © 2016
Features, Music, PremieresNovember 23, 2016<November 28, 2017

Exclusive Premiere: The Synthetic Warmth of DeModa’s “Friend” FRND Remix

by Mitch Mosk
QTY © 2016
Columns, Debut, Music, Today's SongNovember 23, 2016<November 23, 2016

Today’s Song: QTY Find Solace in Friendship in “Rodeo”

by Nicole Almeida
The Mono LPs © 2016
Debut, Features, Interviews, MusicNovember 22, 2016<November 21, 2016

A New Take on “Classic” Rock: A Conversation with The Mono LPs

by Kelly Wynne
Blak Emoji © Nicole Brody
Debut, Features, Music, PremieresNovember 21, 2016<November 21, 2016

Exclusive Premiere: Blak Emoji’s “Velvet Ropes & Dive Bars,” a Snapshot of Modern Romance

by Mitch Mosk
Baby Queens © 2016
Features, Music, Music Videos, PremieresNovember 18, 2016<November 18, 2016

Exclusive Premiere: Baby Queens’ “Unite” Evokes Love and the Human Connection

by Mitch Mosk
The Japanese House © Danny North
Features, Interviews, MusicNovember 18, 2016<November 18, 2016

A Tidal Force: A Conversation with The Japanese House

by Nicole Almeida
Val Fleury © Eric Nelson
Debut, Features, Interviews, Music, Music Videos, PremieresNovember 18, 2016<November 18, 2016

Exclusive Premiere: Val Fleury’s Celebration of the Self on Debut “Rain Dancing”

by Mitch Mosk
In Light Of © 2016
Debut, Features, Music, PremieresNovember 17, 2016<November 17, 2016

Exclusive Premiere: Post-Rock Duo In Light Of Balance Vibes with Texture on “Little Treasures” EP

by Mitch Mosk
Drunken Masters © 2016
Features, Interviews, MusicNovember 17, 2016<November 17, 2016

Life’s a Party: Getting “Louder” with Drunken Masters

by Alex Killian
Armors © Lhoycel Teope
Columns, Music, Today's SongNovember 17, 2016<November 17, 2016

Today’s Song: Armors’ “Overdose” is a Healthy Dose of Reality

by Lindsay Call
Le Trouble © Le Petit Russe
Features, Music, Music Videos, PremieresNovember 16, 2016<November 17, 2016

Exclusive Premiere: Finding Destructive Relief with Le Trouble’s “How Was I to Know?”

by Alex Killian
Stanaj
Columns, Debut, Music, Music You Should Know, ReviewsNovember 16, 2016<November 15, 2016

Music You Should Know: Stanaj’s “The Preview” EP Will Leave You Ready for More

by Kelly McCafferty Dorogy
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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