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Debut, Music, PremieresDecember 22, 2015<December 22, 2015

Exclusive Premiere: The Rhythmic Jocosity of Cool Dads’ “Jeff’s Party” [Part 1/5]

by Maggie McHale
Columns, Debut, Music, Music You Should KnowDecember 21, 2015<December 21, 2015

Music You Should Know: The Duality of Brittany Howard as “Thunderbitch”

by Ethan Germann
Columns, Music, Today's SongDecember 17, 2015<December 17, 2015

Today’s Song: BRÅVES’ Dark, Haunting, and Beautiful “Dust”

by Mitch Mosk
fieu
Columns, Music, Today's SongDecember 10, 2015<December 10, 2015

Feisty Sprint Towards Empowerment in Fieu’s “RUNNING”

by Hannah Maire
Verite
Features, Interviews, MusicDecember 4, 2015<December 4, 2015

Shifting Into Life: A Conversation with VÉRITÉ

by April Salud
The Royal Concept © Danny Rush 2015
Atwood On Tour, Columns, Concerts, Features, Interviews, MusicDecember 2, 2015<December 2, 2015

Connected to the People: No Barriers with The Royal Concept

by Mitch Mosk
Screenshot from "Top" by HØØNCH
Columns, Debut, Music, Music You Should KnowNovember 25, 2015<November 25, 2015

Music You Should Know: HØØNCH’s “Top” is Meaningful Pop

by Mitch Mosk
IYES
Columns, Music, Reviews, Today's SongNovember 20, 2015<November 20, 2015

“Can’t Feel My Face”: Even Better as a Duet?

by Josh Weiner
Atwood in Focus: New Music, 11/20/2015
NewsNovember 20, 2015<November 20, 2015

Atwood In Focus: November 20th New Music

by Atwood Magazine Staff
Riley Pearce Brave
Columns, Music, Today's SongNovember 19, 2015<November 19, 2015

Today’s Song: The Heartwrenching Tones within Riley Pearce’s “Brave”

by Hannah Maire
Alessia Cara © Meredith Truax
Debut, Music, Our Take, ReviewsNovember 19, 2015<November 19, 2015

Our Take: Alessia Cara Is a Rebellious Wallflower On “Know-It-All”

by Natalie Harmsen
Jamie N Commons
Atwood On Tour, Columns, Debut, Features, Interviews, MusicNovember 18, 2015<December 2, 2015

Redefining Rugged: A Rumble with Jamie N Commons

by Mitch Mosk
Gallant Weight In Gold
Columns, Music, Today's SongNovember 17, 2015<November 17, 2015

Today’s Song: Gallant Defies Gravity with “Weight in Gold”

by Ethan Germann
FIDLAR
Atwood On Tour, Columns, Interviews, MusicNovember 16, 2015<July 21, 2021

Punk, Rock, and Rehab: A Conversation with FIDLAR

by Mitch Mosk
What's Inside: Songs from Waitress - Sara Bareilles 8.7
Music, Our Take, ReviewsNovember 13, 2015<September 5, 2023

What’s Inside? Another Round of Great Fun from Sara Bareilles

by Josh Weiner
Posts pagination
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Brand New

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’

:: discover something new ::

Recent Posts

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
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