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The Japanese House (Amber Bain)
Columns, Music, Music You Should KnowOctober 2, 2015<October 19, 2015

Intensity, Eminence and Mystique: The Japanese House Lays a Sound Foundation

by Maggie McHale
Atwood in Focus: New Music, 10/2/2015
NewsOctober 2, 2015<October 2, 2015

Atwood In Focus: October 2nd New Music

by Mitch Mosk
Screenshot from "Doing The Right Thing" by Daughter
Columns, Music, Music Videos, Today's SongOctober 1, 2015<October 1, 2015

Today’s Song: Daughter Lament Life and Loss On “Doing The Right Thing”

by Mitch Mosk
Where Do You Run [EP] - The Score
Debut, Features, Interviews, MusicSeptember 30, 2015<July 4, 2024

A Guitar, A Keyboard, and A Computer in a Bedroom: A Conversation With The Score

by Mitch Mosk
Transviolet
Columns, Music, Today's SongSeptember 29, 2015<September 29, 2015

Today’s Song: Ideas Turn to Action in Transviolet’s “New Bohemia”

by April Salud
Forebear // lyynks.com
Columns, Music, Today's SongSeptember 28, 2015<September 28, 2015

Today’s Song: Forebear Deal with Love and Loss on “People’s Champ”

by Liz Wood
Atwood in Focus: New Music, 9/25/2015
NewsSeptember 25, 2015<October 9, 2015

Atwood In Focus: September 25th New Music

by Atwood Magazine Staff
Boston Calling Fall 2015
Features, Festival, Music, News, PreviewsSeptember 24, 2015<September 24, 2015

(Y)Our Guide to Boston Calling Music Festival, Fall 2015

by Mitch Mosk
Concerts, Music, Our Take, ReviewsSeptember 23, 2015<September 23, 2015

Live: Years & Years Take Shelter at Union Transfer in Philadelphia, PA

by Maggie McHale
Dustin Tebbutt
Features, Interviews, MusicSeptember 22, 2015<September 22, 2015

Breaking From The Breach: A Conversation with Dustin Tebbutt

by Mitch Mosk
Didn't He Ramble - Glen Hansard
Features, Music, ReviewsSeptember 21, 2015<September 21, 2015

Review: Nuance and Variation on Glen Hansard’s “Didn’t He Ramble”

by Molly Golski
Atwood in Focus: New Music, 9/18/2015
NewsSeptember 18, 2015<October 9, 2015

Atwood In Focus: September 18th New Music

by Atwood Magazine Staff
Smile - The Royal Concept
Features, Interviews, MusicSeptember 17, 2015<September 17, 2015

Dirty and Sunny: A Conversation with The Royal Concept

by Mitch Mosk
Dresses
Columns, Music, Today's SongSeptember 16, 2015<August 24, 2018

Today’s Song: The Empathetic Beauty of Dresses’ “Catch”

by Mitch Mosk
Halsey 6.9
Debut, Features, Music, Our Take, ReviewsSeptember 15, 2015<January 16, 2023

Our Take: How Halsey and BADLANDS are Becoming the Voice of the New Generation

by Liz Wood
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Brand New

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’

:: discover something new ::

Recent Posts

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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