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Crumb EP - Crumb
Columns, Debut, Music, Music You Should Know, ReviewsNovember 4, 2016<November 4, 2016

Review: Bathe in the Dreamy Haze of Crumb’s Debut EP

by Mitch Mosk
Deap Vally © Koury Angelo
Music, Our Take, ReviewsNovember 3, 2016<November 3, 2016

Our Take: Deap Vally Roars in Femejism

by Lindsay Call
The March Divide © Greg Gabrisch
Features, Music, PremieresNovember 3, 2016<November 3, 2016

Exclusive Premiere: The March Divide Moves On in “That Song I Wrote For You”

by Mitch Mosk
Molly Moore © 2016
Features, Interviews, MusicNovember 3, 2016<November 3, 2016

Now You See Her: A Conversation with Molly Moore

by Nicole Almeida
Porches © Jessica Lehrman
Features, Music, ReviewsNovember 2, 2016<November 2, 2016

Diving into Porches’ Water EP

by Regan Wojick
Echos - Echos
Columns, Music, Today's SongNovember 2, 2016<November 2, 2017

Today’s Song: Echos’ “Take” Captures the Pain of Unrequited Love

by Mitch Mosk
Mattie Safer © 2016
Features, Music, Music Videos, PremieresNovember 1, 2016<February 13, 2017

Exclusive Premiere: Mattie Safer Shines a Light in “Whenever You’re Ready” Video

by Mitch Mosk
Rosechild © 2016
Columns, Music, Music Videos, Today's SongNovember 1, 2016<October 31, 2016

Today’s Song: Sparks Fly and Fade in Rosechild’s Bittersweet “Disco Fever”

by Lindsay Call
Luna Tides "Open Woods" album art
Features, Music, PremieresOctober 31, 2016<October 31, 2016

Exclusive Premiere: LUNA TIDES’ “What Comes Around” Bears Memory’s Glow

by Mitch Mosk
Wild Child © Courtney Chavanell
Concerts, MusicOctober 31, 2016<October 31, 2016

LIVE: Wild Child are Wild, Upbeat… and Children? in Chicago

by Erika Kooda
Springtime Carnivore © Julia Brokaw
Columns, Music, Today's SongOctober 31, 2016<October 31, 2016

Today’s Song: Echoes of Growth and Self-Worth in Springtime Carnivore’s “Nude Polaroids”

by Tracy Smith
Youceff Kabal © 2016
Features, Music, PremieresOctober 31, 2016<October 31, 2016

Exclusive Premiere: Seeking Self on Youceff Kabal’s “A Way Out”

by Maggie McHale
The Watters perform "DNA"
Atwood x LiveSyphon, Columns, Features, Music, VideoOctober 28, 2016<October 28, 2016

Atwood Magazine and LiveSyphon Present: The Watters’ Unleashed Soul Rock Energy

by Mitch Mosk
Public Access T.V. © Jonah Freud
Music, Our Take, ReviewsOctober 28, 2016<October 28, 2016

Our Take: Public Access T.V. Take Back Wave in Debut ‘Never Enough’

by Lindsay Call
Mothlight
Columns, Music, Today's SongOctober 28, 2016<February 17, 2017

Today’s Song: Mothlight’s “Monarch” Embraces Artistic Integrity and Authenticity

by Mitch Mosk
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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