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Annie DiRusso © Danica Robinson
Debut, Features, Interviews, MusicApril 16, 2025<April 16, 2025

“It’s me getting myself where I need to go”: Annie DiRusso Explores the Art of Growing Up with Debut Album, ‘Super Pedestrian’

by Madeleine Eggen
The Two Seasons © Olivia Alonso Gough
Music, PremieresApril 16, 2025<April 16, 2025

Premiere: The Two Seasons Riff on Depression, Disassociation, & Digital Decay in “Simulator”

by Mitch Mosk
Mint Simon and Tafari Anthony © Steph Dinsdale
Columns, Music, Today's SongApril 16, 2025<April 16, 2025

Today’s Song: You’ll “Feel Better” with Mint Simon & Tafari Anthony’s Radiant Anthem of Love, Longing, & Liberation

by Mitch Mosk
Matilda Mann © Katie Silvester
Debut, Features, Interviews, MusicApril 15, 2025<April 15, 2025

“This Is Me as an Artist”: Matilda Mann Steps into Herself on Debut Album ‘Roxwell,’ a Record of Self-Discovery, Sonic Freedom, & Coming-of-Age Catharsis

by Kelly McCafferty Dorogy
Switchfoot & Buddy Guy © 2025
Columns, Interviews, Music, Today's SongApril 15, 2025<April 15, 2025

Interview: Switchfoot Pay Electrifying Tribute to Blues’ “Last Man Standing” in a Fiery Anthem ft. Buddy Guy

by Aileen Goos
Madison Hughes © Libby Danforth
Debut, Features, Interviews, MusicApril 14, 2025<April 15, 2025

Feature: Nashville’s Madison Hughes Gives Her Everything on ‘All That I Am’

by Emily Frances Algar
Showpony © Eddi M
Columns, Debut, Music, Today's SongApril 14, 2025<April 14, 2025

Today’s Song: New Haven’s Showpony Arrive with Drama, Theatricality, & Poetic Darkness on Debut Single “Shine”

by Miranda Urbanczyk
Bottle Rockets © Rosie Sco
Columns, Music, Today's SongApril 12, 2025<April 12, 2025

Glasgow’s Bottle Rockets Answer the “Video Call” with a Heart-on-Sleeve Indie Rock Anthem

by Mitch Mosk
Atwood Magazine's 117th Editor's Picks!
Columns, Editor's Picks, Features, MusicApril 11, 2025<April 11, 2025

Editor’s Picks 117: Dancer, Adam Melchor & Mt. Joy, CMAT, Arcy Drive, Sydney Sprague, and Charlotte OC!

by Mitch Mosk
Heaven © 2025
Features, Interviews, Music, Track-by-TrackApril 11, 2025<April 11, 2025

“Sonic Love Consciousness”: NYC’s Heaven ‘Dream Aloud’ on a Sweaty Reverie of Hazy Shoegaze, Spiritual Connection, & Emotional Surrender

by Mitch Mosk
Brielle Brown © Maria Wurtz
Columns, Music, Today's SongApril 11, 2025<April 11, 2025

Today’s Song: Brielle Brown’s “Blessing” Is a Stirring Call for Resilience & Hope

by Chloe Robinson
Atwood Magazine's Weekly Roundup | April 11, 2025
Columns, Features, Music, Weekly RoundupApril 11, 2025<April 16, 2025

Atwood Magazine’s Weekly Roundup: April 11, 2025

by Atwood Magazine Staff
Japanese Breakfast © Pak Bae
Features, Music, Reviews, RoundtableApril 10, 2025<April 10, 2025

Roundtable Discussion: A Review of Japanese Breakfast’s ‘For Melancholy Brunettes (& sad women)’

by Atwood Magazine Staff
Magnolia Park © Jonathan Weiner
Features, Interviews, MusicApril 10, 2025<April 11, 2025

Interview: Magnolia Park Create a Whole New World for Their Fans on ‘VAMP’

by Kaiana Lee
Stephen Day © Nick Jackson
Concerts, Music, ReviewsApril 10, 2025<April 10, 2025

Stephen Day Turns the Troubadour into a Gold Mine

by Guest Writer
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Brand New

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’

:: discover something new ::

Recent Posts

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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