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Music, ReviewsJuly 24, 2014<July 23, 2014

Surrendering To The Sound: A Slow Club Review

by Abigail
8
Music, Our Take, ReviewsJuly 23, 2014<May 18, 2025

Our Take: Smallpools Slay with New Single “Killer Whales”

by Mitch Mosk
Features, Interviews, MusicJuly 22, 2014<July 23, 2014

A Conversation with R. John Williams of Faded Paper Figures

by Conrad
Art, Features, InterviewsJuly 21, 2014<July 21, 2014

A Conversation With Erika Keck

by Libby
Concerts, Features, Music, ReviewsJuly 20, 2014<May 18, 2025

Feeling Musically Famished? Try a Little Biscuits & Gravy

by Mitch Mosk
Cover for Transience & A Word from the Editor
UncategorizedJuly 17, 2014<April 16, 2020

Cover for Transience & A Word from the Editor

by Liza
7
Concerts, Music, ReviewsJuly 13, 2014<May 18, 2025

Bridge City Hustle Brings Refreshing Funk-Rock to the Knitting Factory Brooklyn

by Mitch Mosk
Columns, Hidden Gems, MusicJuly 12, 2014<July 12, 2014

Hidden Gems: Metric – Strange Weather

by Nitesh
Features, Interviews, MusicJuly 11, 2014<July 10, 2014

Starbucks, Sunlight, and the Hierarchies of Cool: A Conversation with Teen Daze

by Luke
ArtJuly 10, 2014<July 10, 2014

Looking Back: Supports/Surfaces, An Art Movement

by Morgan
Music, Nostalgia TracksJuly 10, 2014<July 10, 2014

Nostalgia Tracks: Thao & The Get Down Stay Down’s “The Feeling Kind”

by Alexis
Features, Interviews, Music, ReviewsJuly 8, 2014<July 8, 2014

Craft Spells: Sincerity from Seattle // a conversation with Justin Vallesteros

by Conrad
Essays, PhotographyJuly 8, 2014<July 10, 2014

Evie McShane Editorial

by Liza
Music, Our Take, ReviewsJuly 8, 2014<July 8, 2014

Our Take: A Review of Alt J’s New Single “Left Hand Free”

by Liza
Features, Interviews, Photography, VideoJuly 3, 2014<August 20, 2024

A Conversation with Natalie Deryn Johnson (NatalieInMotion)

by Cynthia Liu
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Brand New

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  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
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  • Atwood Magazine’s Weekly Roundup: May 29, 2026
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Recent Posts

  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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