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Events, Features, Music, News, PreviewsSeptember 3, 2014<May 18, 2025

Festival Preview: Boston Calling Music Festival, Fall 2014

by Mitch Mosk
Debut, Music, Our Take, ReviewsSeptember 2, 2014<September 2, 2014

Our Take: Secret Someones Find Themselves On “I Won’t Follow” Debut EP

by Mitch Mosk
Art, Features, InterviewsSeptember 1, 2014<February 23, 2025

A conversation with Jamie Morgan

by Lara LoBrutto
Features, Interviews, MusicAugust 27, 2014<August 26, 2014

A Conversation with Johnny Lewis

by Cristina
Music, ReviewsAugust 26, 2014<August 26, 2014

Review: The Bug’s “Angels & Devils”

by Luke
Features, Interviews, MusicAugust 25, 2014<August 25, 2014

A conversation with Asgeir

by Alexis
Music, Music Videos, ReviewsAugust 20, 2014<August 20, 2014

Sunbeam Sound Machine’s “Cosmic Love Affair”

by Alexis
Interviews, VideoAugust 19, 2014<August 19, 2014

A Conversation with Kate Duhamel of Fountain 3 Films

by Cynthia Liu
Concerts, Features, Hidden Gems, Music, VideoAugust 17, 2014<August 17, 2014

Watch: Tori Amos Covers Creep By Radiohead

by Nitesh
Columns, Concert Conversations, MusicAugust 15, 2014<August 15, 2014

Concert Conversations: The Canaries Play the Islington, London

by Christian
Eliott Alexander Issue 8 Cover
Art, Contributor Interview, From The Zine, Interviews, PhotographyAugust 14, 2014<August 14, 2014

A Conversation With Elliott Alexander

by Abigail
Music, ReviewsAugust 13, 2014<August 13, 2014

Digital Distortion Moves to the Pacific With Raveonettes’ New Album Pe’ahi

by Charlotte
MusicAugust 13, 2014<August 13, 2014

Listen: Josef Salvat’s new single “Shoot and Run”

by Liza
Art, Essays, FeaturesAugust 12, 2014<August 12, 2014

Maite Pons Editorial: “The Labyrinth”

by Nitesh
Art, Features, Interviews, PhotographyAugust 11, 2014<August 11, 2014

A conversation with Anna Ladd

by Alexis
Posts pagination
1 … 730 731 732 733 734 … 736

Brand New

  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’

:: discover something new ::

Recent Posts

  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
  • “I Thought It Might Numb Something in Me”: ill peach Turn a Bad Night into Volatile Alt-Pop on “MOLLY’S NOT A FRIEND” May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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