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Penny and Sparrow © Claire Schaper
Music, PremieresJanuary 29, 2025<January 30, 2025

Premiere: Penny and Sparrow’s “Breakdown” Is an Intimate, Honest, & Fun Indie Folk Confessional

by Mitch Mosk
Foley 'That’s Life, Baby!' © Frances Carter
Music, PremieresJanuary 29, 2025<January 31, 2025

Premiere: The Sweaty, Irresistible Heat of Foley’s “Fever”

by Mitch Mosk
Lucy Dacus © Shervin Lainez
Columns, Music, Today's SongJanuary 29, 2025<January 29, 2025

Today’s Song: Lucy Dacus’ “Ankles” Is a Lush Landscape of Yearning

by Brianna Corrine
Atwood Magazine's Weekly Roundup | January 28, 2025
Columns, Features, Music, Weekly RoundupJanuary 28, 2025<January 29, 2025

Atwood Magazine’s Weekly Roundup: January 28, 2025

by Atwood Magazine Staff
Atwood Magazine's 108th Editor's Picks
Columns, Editor's Picks, Features, MusicJanuary 28, 2025<January 28, 2025

Editor’s Picks 108: Bria Salmena, TOLEDO, Mon Rovîa, Mary Eliza, jasmine.4.t, & MEGGO!

by Mitch Mosk
Camille Schmidt 'Nude #9' album art
Debut, Features, Interviews, MusicJanuary 28, 2025<January 28, 2025

Interview: Camille Schmidt Bares All in Debut Album ‘Nude #9’

by Noa Jamir
Biig Piig © Yana Van Nuffel
Columns, Music, Today's SongJanuary 28, 2025<January 28, 2025

Today’s Song: Biig Piig Delves into a Heartfelt Goodbye on Forward-Looking “One Way Ticket”

by Olivia Martinez
Samia © Sarah Ritter
Columns, Music, Today's SongJanuary 27, 2025<January 27, 2025

Femininity & Bloodless Reawakening: Samia Unveils the Haunting “Bovine Excision” in the Wake of a New Album

by Kaiana Lee
Matt Maltese © Vinca Petersen
Columns, Music, Today's SongJanuary 25, 2025<January 25, 2025

Today’s Song: Matt Maltese Returns With the Irresistibly Evocative “Anytime, Anyplace, Anyhow”

by Miranda Urbanczyk
Atwood Magazine's Best Concerts of 2024
Concerts, Features, Lists, MusicJanuary 24, 2025<January 24, 2025

Atwood Magazine’s Best Concerts of 2024!

by Atwood Magazine Staff
Joy Crookes "Pass the Salt" © 2025
Columns, Music, Today's SongJanuary 24, 2025<January 24, 2025

Bold, Fierce, & Fresh: Joy Crookes Makes a Powerful Return With “Pass the Salt” ft. Vince Staples

by Rachel Leong
Magana © Magana
Essays, MusicJanuary 24, 2025<January 24, 2025

Essay: “Ten Months of Teeth” by Magana

by Guest Writer
Hellier, Forever - Mia Day 9.7
Music, Our Take, ReviewsJanuary 23, 2025<January 23, 2025

Our Take: Mia Day’s ‘Hellier, Forever’ Is a Timeless Ode to ‘90s Grunge and the Supernatural

by Noa Jamir
PUP © Martyna Bannister
Columns, Music, Today's SongJanuary 23, 2025<January 23, 2025

“Don’t call it a fallout”: PUP Bring It Back to Basics With New Single “Paranoid”

by Juls Patterson
Frank Ocean 'Blonde' cover art
Columns, Music, Nostalgia TracksJanuary 23, 2025<January 23, 2025

Nostalgia Tracks: All-Consuming Memories on Frank Ocean’s “Ivy”

by Marc Maleri
Posts pagination
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Brand New

  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song

:: discover something new ::

Recent Posts

  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra March 31, 2026
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry March 31, 2026
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song March 30, 2026
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight March 30, 2026
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’ March 30, 2026
  • Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva” March 30, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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