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Ben Barnes © Ciara McMullan
Debut, Features, Interviews, MusicApril 7, 2025<April 7, 2025

Interview: Ben Barnes on His Move from Screen to Stage, Authenticity as an Artist, & Debut LP ‘Where the Light Gets In’

by Brianna Corrine
Miley Cyrus © Glen Luchford
Columns, Music, This Just In, Today's SongApril 4, 2025<April 4, 2025

Miley Cyrus’ “End of the World” Is a Disco-Fueled Love Letter to Apocalyptic Parties

by Danielle Holian
Hannah Cohen © Josh Goleman
Features, Interviews, MusicApril 4, 2025<June 4, 2025

“Anything Can Mean Everything”: Hannah Cohen Plants New Roots with ‘Earthstar Mountain,’ an Intimate Love Letter to the Catskills

by Mitch Mosk
I Said I Love You First - Selena Gomez & Benny Blanco 8.1
Music, ReviewsApril 4, 2025<April 4, 2025

Our Take: Selena Gomez and Benny Blanco Embrace Vulnerability in ‘I Said I Love You First’

by Danielle Holian
Babe Rainbow © Izzie Austin
Features, Interviews, MusicApril 4, 2025<April 4, 2025

Interview: Reconnecting to Their Roots, Babe Rainbow Go Deep into Nature & Psychedelia on ‘Slipper imp and shakaerator’

by Miranda Urbanczyk
Florist © V Haddad
Music, ReviewsApril 4, 2025<April 4, 2025

Review: Florist Ruminate on Bigger Questions and Explore Their Duality on ‘Jellywish’

by Kevin Krein
Atwood Magazine's 116th Editor's Picks!
Columns, Editor's Picks, Features, MusicApril 3, 2025<April 3, 2025

Editor’s Picks 116: Nami, Borderline, Litany, Lucy Dacus, Social Order, & zzzahara!

by Mitch Mosk
Jenner Fox Band "Right Away" © 2025
Music, PremieresApril 3, 2025<April 3, 2025

Premiere: Jenner Fox Band Illuminate Stillness, Distance, & the Warm Glow of Connection in the Radiant “Right Away”

by Mitch Mosk
CLOVER © Dani Sundream
Music, PremieresApril 3, 2025<March 12, 2026

Premiere: CLOVER Unravels and Exhales in Her Soul-Baring “Atlas,” a Haunting & Healing Surrender to the Weight We Carry Within

by Mitch Mosk
Sam Fender © Sarah Louise Bennett
Features, Music, Reviews, RoundtableApril 2, 2025<April 2, 2025

Roundtable Discussion: A Review of Sam Fender’s ‘People Watching’

by Atwood Magazine Staff
Alicia Clara © Taryn Fleischmann
Interviews, MusicApril 2, 2025<April 2, 2025

Interview: Sinking into Alicia Clara’s Dreamy Soundscapes

by Marissa DeLeon
Levi Foster © Annelise Loughead
Columns, Music, Today's SongApril 2, 2025<April 2, 2025

Today’s Song: Levi Foster Delivers a Tear-Jerking Tale with “Walter”

by Chloe Robinson
My Morning Jacket © Silvia Grav
Features, Interviews, MusicApril 2, 2025<April 2, 2025

“A Recording Is a Relic; a Show Is Alive”: My Morning Jacket’s Carl Broemel on Music as a Way of Life, the Spirit of Performance, & the Making of ‘is’

by Mitch Mosk
Chloe Moriondo © Madeline Kate Kann
Features, Interviews, MusicApril 2, 2025<April 2, 2025

Interview: Chloe Moriondo Doesn’t Regret a Single Word of ‘oyster’

by Juls Patterson
Lunar Vacation © Brandon McClain / Eat Humans
Columns, Music, Today's SongApril 1, 2025<April 1, 2025

Today’s Song: Lunar Vacation Embody Vulnerability and Raw Emotion in “Lights Off”

by Miranda Urbanczyk
Posts pagination
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Brand New

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’

:: discover something new ::

Recent Posts

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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