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Products Band © Juliet Farmer
Music, Music Videos, PremieresDecember 5, 2024<December 5, 2024

“Attach and Separate”: Basking in the Raw, Feverish Energy of Products Band’s “Steady/Sugarless”

by Mitch Mosk
Saint Blonde "Prowl" © 2024
Columns, Music, Today's SongDecember 4, 2024<December 4, 2024

“I heard it goin’ ‘round”: Saint Blonde Catch Feelings & Lean in on “Prowl,” Their Seductive Singalong

by Mitch Mosk
The Morning Herald © Jane Mok
Music, Music Videos, PremieresDecember 4, 2024<December 4, 2024

“The rumbles out on the town, and it’s alright”: Brooklyn’s The Morning Herald Premiere “Twenty Somethings,” an Anthemic Indie Rock Ode to Friendship and Good Times

by Mitch Mosk
Vlad Holiday © Nicole Mago
Debut, Features, Interviews, Music, Track-by-TrackDecember 4, 2024<December 4, 2024

Feature: Vlad Holiday Chases ‘My Favorite Drug’ on His Darkly Romantic Debut Album

by Mitch Mosk
Hank Heaven 'Loaded Dice' album art
Debut, Features, Interviews, Music, Track-by-TrackDecember 4, 2024<December 4, 2024

“Cheeky, Vulnerable, & Gritty”: Hank Heaven Debuts With Angst and Twang on Soul-Stirring LP ‘Loaded Dice’

by Mitch Mosk
Igmar Thomas © Dennis Manuel
Interviews, MusicDecember 4, 2024<December 5, 2024

Interview: Meet Igmar Thomas, Proud Music Director of the Revive Big Band & Many Major Acts As Well

by Josh Weiner
Aisha Badru © Jeffery Trapani
Features, Interviews, Music, Track-by-TrackDecember 4, 2024<December 4, 2024

Feature: Aisha Badru Hones Her Message of Hope, Healing, & Wellness on ‘The Sun Still Rises,’ a Therapeutic Folk-Pop Journey

by Mitch Mosk
Jo Hill 'girlhood' © Phoebe Fox
Debut, Features, Interviews, Music, Track-by-TrackDecember 3, 2024<December 3, 2024

“I want it to feel like you’re opening my diary”: Jo Hill Embraces & Exudes ‘girlhood.’ on Her Raw, Liberating, Coming-of-Age Debut Album

by Mitch Mosk
Pom Pom Squad © Eliza Jouin
Features, Interviews, MusicDecember 3, 2024<December 3, 2024

Interview: Pom Pom Squad’s ‘Mirror Starts Moving Without Me’ Is an Explosive Reckoning in Female Authenticity, Intersectional Identity, and the Modern Music Scene

by Rachel Leong
Sea Lemon © Rachel Bennett
Columns, Music, Today's SongDecember 3, 2024<December 3, 2024

“The One from the Start”: Sea Lemon’s “Sweet Anecdote” Is a Dreamy Dive into Nostalgia

by Haley Mitchell
Jacob Cummings © 2024
Features, Interviews, MusicDecember 2, 2024<December 2, 2024

Interview: Jacob Cummings Bids a Beautiful Farewell to His Childhood in Sparkling New Record ‘Southern & Enlightened’

by Rachel Leong
Tiana Major9 © Remy Bourdeau
Columns, Music, Today's SongDecember 2, 2024<December 3, 2024

Today’s Song: The Gut-Wrenching Heartache of Tiana Major9’s Soul-Baring Seduction, “alone”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 27, 2024
Columns, Features, Music, Weekly RoundupNovember 28, 2024<December 3, 2024

Atwood Magazine’s Weekly Roundup: November 28, 2024

by Atwood Magazine Staff
Roman Joon © 2024
Artist to Watch, Columns, Debut, Music, Today's SongNovember 28, 2024<November 27, 2024

“Crawling up the walls”: Brighton’s Roman Joon Debuts With Fresh, Urgent, & Exhilarating “Call It What You Want”

by Mitch Mosk
Wallice 'The Jester' album art 8.7
Debut, Music, Our Take, ReviewsNovember 27, 2024<November 27, 2024

Our Take: Wallice’s ‘The Jester’ Is an Eclectic Portrayal of Life and Striving to Reach Our Dreams

by Frankie Rose
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Brand New

  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song

:: discover something new ::

Recent Posts

  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra March 31, 2026
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry March 31, 2026
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song March 30, 2026
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight March 30, 2026
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’ March 30, 2026
  • Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva” March 30, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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