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Horsegirl © Ruby Faye
Music, ReviewsMarch 13, 2025<March 13, 2025

Review: Horsegirl Sing for You on “Phonetics On and On”

by Juls Patterson
Arcy Drive © 2025
Columns, Music, Today's SongMarch 13, 2025<March 13, 2025

“What a day for a daydream”: Arcy Drive’s Sun-Soaked Folk Rock Reverie, “Oak Tree (Daydream)”

by Mitch Mosk
emmersonHALL © Cole Yearwood
Columns, Music, Today's SongMarch 12, 2025<March 12, 2025

“I bleed so you’re winning”: emmersonHALL’s “Air” Is a Heavy, Cathartic, and Aching Exhale

by Mitch Mosk
Taylor Bickett © Libby Danforth
Essays, Music, Women's History MonthMarch 12, 2025<March 12, 2025

“The Crime of Being a Woman”: An Essay by Taylor Bickett for Women’s History Month

by Guest Writer
Clara Mann © Ella Margolin
Debut, Features, Interviews, MusicMarch 12, 2025<March 12, 2025

Interview: Clara Mann Finds Hope in the Spaces Between on Shimmering Debut Album ‘Rift’

by Rachel Leong
Masayoshi Takanaka © Noah Moyer
Concerts, Music, ReviewsMarch 12, 2025<March 12, 2025

“I’ve been waiting for this day for a long time”: Masayoshi Takanaka Plays First U.S. Show in 40 Years

by Max Kalnitz
Post Sex Nachos © Annaliese Baker
Concerts, Interviews, MusicMarch 12, 2025<March 12, 2025

Interview: Post Sex Nachos Are Having More Fun Than You

by Annaliese Baker
Atwood Magazine's Weekly Roundup | March 11, 2025
Columns, Features, Music, Weekly RoundupMarch 11, 2025<March 12, 2025

Atwood Magazine’s Weekly Roundup: March 11, 2025

by Atwood Magazine Staff
Madame Reaper © Shawn Ruddy
Essays, Music, Women's History MonthMarch 11, 2025<March 11, 2025

“Not Your Mother’s Women’s History Month”: An Essay by Madame Reaper

by Guest Writer
Addison Rae © Bella Newman
Columns, Music, Today's SongMarch 11, 2025<March 11, 2025

Today’s Song: Addison Rae Explores Luxury & Excess With “High Fashion”

by Marc Maleri
Benson Boone © David Roemer
Columns, Music, Today's SongMarch 10, 2025<March 10, 2025

Today’s Song: Benson Boone Moves on With Melody in “Sorry I’m Here for Someone Else”

by Danielle Holian
Arny Margret © Gudmundur Kristinn Jonsson
Features, Interviews, Music, Track-by-TrackMarch 7, 2025<March 7, 2025

Track-by-Track: Arny Margret’s Intimate, Expansive, & Achingly Vulnerable Sophomore Album, ‘I Miss You, I Do’

by Mitch Mosk
Atwood Magazine's 113th Editor's Picks!
Columns, Editor's Picks, Features, MusicMarch 7, 2025<March 7, 2025

Editor’s Picks 113: Soot Sprite, Black Country, New Road, Spacey Jane, Joan & the Giants, The Ting Tings, & Brandon!

by Mitch Mosk
Caylee Hammack © Alexa King Stone
Features, Interviews, MusicMarch 7, 2025<March 7, 2025

Interview: Caylee Hammack Tends to Her Heart on ‘Bed of Roses’

by Emily Frances Algar
Kristiane © Mallory Idoni
Music, Music Videos, PremieresMarch 7, 2025<March 7, 2025

Premiere: Kristiane Reckons with Restlessness, Reinvention, & Release in Her Cathartic Anthem, “Good & Ready”

by Mitch Mosk
Posts pagination
1 … 77 78 79 80 81 … 740

Brand New

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’

:: discover something new ::

Recent Posts

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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