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Fake Dad "ON/OFF" © Cassie Claire Howell
Interviews, MusicJanuary 16, 2025<January 16, 2025

Interview: Fake Dad Discuss Doomscrolling, Burnout, Posers, & Their Song “ON/OFF”

by Chloe Robinson
Wednesday © Charlie Boss, 2022
Columns, Music, Music You Should Know, ReviewsJanuary 16, 2025<January 16, 2025

“Show me all your smart blood”: Wednesday’s “Fate Is…” Tows the Line Between Snark & Vulnerability

by Juls Patterson
ROSÉ & Bruno Mars "APT." © John V. Esparza
Columns, Music, Today's SongJanuary 16, 2025<January 20, 2025

Today’s Song: ROSÉ & Bruno Mars Make History With “APT.”

by Danielle Holian
Suki Waterhouse © Jeremy Soma
Features, Reviews, RoundtableJanuary 15, 2025<January 15, 2025

Roundtable Discussion: A Review of Suki Waterhouse’s ‘Memoir of a Sparklemuffin’

by Atwood Magazine Staff
Gizmo Varillas © Sebastian Madej
Artist to Watch, Music, Music Videos, PremieresJanuary 15, 2025<January 15, 2025

“One heart, one soul, one life”: Gizmo Varillas’ Inner Light Shines on “Into the Night,” a Sun-Kissed Love Song to Life Itself

by Mitch Mosk
Sky Ferreira © Morgan Maher
Columns, Music, Today's SongJanuary 15, 2025<January 14, 2025

Today’s Song: Sky Ferreira Is Back, Bolder, and Better than Ever on “Leash”

by Isabella Le
Gigi Perez © 2025
Debut, Interviews, MusicJanuary 14, 2025<January 14, 2025

Interview: Gigi Perez Isn’t Afraid of Grief; She Welcomes It

by Mariam Bagdady
Kazy Lambist © 2025
Features, Interviews, MusicJanuary 14, 2025<January 14, 2025

Interview with Kazy Lambist: An Electro Master from Montpellier Spikes His Recipe With Mediterranean Seasoning

by Josh Weiner
brand new girl, brand new machine EP - Chiara Savasta
Music, Music You Should Know, ReviewsJanuary 14, 2025<January 14, 2025

Music You Should Know: Chiara Savasta Projects Energized Self-Assurance With ‘brand new girl, brand new machine’ EP

by Frankie Rose
Hana Giraldo © 2025
Columns, Music, Today's SongJanuary 14, 2025<January 14, 2025

Hana Giraldo Sizzles on Her Catwalk Commanding Anthem “Play My Sh*t (Alexa)”

by Grace Holtzclaw
Threetles: McCartney, Harrison, and Lennon circa 1974
Art, MusicJanuary 8, 2025<January 8, 2025

Ring Out the Old, Ring in the New: The Beatles at the Twilight of ‘74

by Aidan Moyer
Atwood Magazine's Top Artist Discoveries of 2024
Features, Lists, MusicJanuary 8, 2025<January 8, 2025

Atwood Magazine’s Top Artist Discoveries of 2024

by Atwood Magazine Staff
SZA ‘SOS Deluxe: LANA’ © Cassidy Meyers
Music, ReviewsJanuary 7, 2025<January 7, 2025

Review: ‘SOS Deluxe: LANA,’ SZA’s Continued Ruminations on Love, Insecurity, & Heartbreak

by Marc Maleri
Bad Bunny 'Debí Tirar Más Fotos' © Eric Rojas 9.6
Music, Our Take, ReviewsJanuary 7, 2025<January 7, 2025

Our Take: Bad Bunny’s ‘DeBÍ TiRAR MáS FOToS’ Is an Unapologetic Love Letter to Puerto Rico

by Julia Dzurillay
The Best EPs of 2024!
Features, Lists, MusicJanuary 6, 2025<January 7, 2025

The 25 Best EPs of 2024

by Atwood Magazine Staff
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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© Atwood Magazine 2024 For the Love of Music
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