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PATTERNS - Kelsea Ballerini 7.1
Music, Our Take, ReviewsOctober 25, 2024<October 25, 2024

Our Take: Kelsea Ballerini Breaks With Old Habits on Her Fifth Album, ‘PATTERNS’

by Emily Frances Algar
William Harries Graham © Col Elmore
Features, Interviews, Music, Track-by-TrackOctober 25, 2024<October 25, 2024

Track-by-Track: William Harries Graham Breaks Down His Narrative-Driven Album, ‘Annie’s House’

by Frankie Rose
Peach Pit 'Magpie' © Mackenzie Walker
Features, Interviews, MusicOctober 25, 2024<October 26, 2024

“The goal is to be able to do this as a career for the rest of my life with these guys”: Peach Pit Discuss Their Process, Success, Friendship, & New Album, ‘Magpie’

by Marc Maleri
Cecilia Castleman © Carly Butler
Artist to Watch, Columns, Music, Today's SongOctober 24, 2024<October 24, 2024

Today’s Song: Cecilia Castleman’s Wistful “Looking for June” Aches With the Sting of Growing Apart

by Mitch Mosk
Lola Young © Sophie Jones
Features, Interviews, MusicOctober 24, 2024<October 24, 2024

“Finding my voice has been a journey of resilience”: Lola Young Is Raw, Honest, Unapologetic, & Messy – and We Wouldn’t Have Her Any Other Way

by Mitch Mosk
The Lone Bellow circa 2022; based on press photo by Eric Ryan Anderson © Aidan Moyer
Features, Interviews, MusicOctober 24, 2024<October 24, 2024

Sing So Loud At the Top of Our Lungs: A Conversation With The Lone Bellow at World Cafe Live

by Aidan Moyer
Carmody and Tal Janes are Oh My Sun © Rebecca Zephyr Thomas
Debut, Music, PremieresOctober 24, 2024<October 24, 2024

Premiere: London Duo Oh My Sun Debut With “5 Pieces,” a Dreamy, Sweet, & Sun-Kissed Seduction

by Mitch Mosk
Tayla Parx 'Many Moons Many Suns' © Justin Ayers
Interviews, MusicOctober 24, 2024<November 2, 2024

“This album, for me, is a moment of fearlessness and boldness”: Tayla Parx Enters a New Phase With ‘Many Moons, Many Suns’

by Desire' Jackson-Crosby
ellipse © 2024
Debut, Interviews, MusicOctober 24, 2024<October 24, 2024

Interview: ellipse Debuts New Alias and Talks Transformation, Rebirth, & Sultry “Poison”

by Rachel Leong
Stavro © Adam Turner
Music, PremieresOctober 23, 2024<October 23, 2024

“You saw it coming, but it came too quick”: Stavro Premieres “Smoke Above the Interstate,” a Soul-Stirring Song for End Times

by Mitch Mosk
Painted Vein © Mila Nowhere
Debut, Music, Music Videos, PremieresOctober 23, 2024<October 23, 2024

Premiere: Seattle’s Painted Vein Dwells in Darkness & Hope on Grungy “My Well”

by Mitch Mosk
My Method Actor - Nilüfer Yanya
Features, Music, Reviews, RoundtableOctober 23, 2024<October 23, 2024

Roundtable Discussion: A Review of Nilüfer Yanya’s ‘My Method Actor’

by Atwood Magazine Staff
Joey Valence & Brae © 2024
Features, Interviews, MusicOctober 23, 2024<October 23, 2024

“We Do Whatever We Want. We Are Independent… And We Just Don’t Care”: Fun, Energetic, & Unashamedly Themselves, Joey Valence & Brae Coast With ‘NO HANDS’

by Jake Fewx
Stevie Bill © Monique Penders
Features, Interviews, Music, Track-by-TrackOctober 22, 2024<October 22, 2024

“Pure, Honest, & Fun”: Stevie Bill Bares All on ‘I was a platinum blonde,’ a Record of Guts, Growth, and Hair

by Mitch Mosk
Bleachers © Alex Lockett
Concerts, Music, ReviewsOctober 22, 2024<October 22, 2024

Live Review: Bleachers Bring a Taste of the Garden State to the Hollywood Hills

by Guest Writer
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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