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Dylan Cartlidge © Leo Walton
Columns, Music, Today's SongDecember 12, 2024<December 12, 2024

“When the sun hits the water, it’s a smile on my face”: Dylan Cartlidge Channels Joy into Song on His Hopeful, Sunny, & Soulful “New Day”

by Mitch Mosk
Bull © Liam Maxwell
Features, Interviews, Music, Track-by-TrackDecember 12, 2024<December 12, 2024

Track-by-Track: York’s Bull Hit the Sweet Spot With ‘Engines of Honey,’ a Sun-Kissed, Smile-Inducing Fever Dream

by Mitch Mosk
total tommy's Jess Holt © Andrea Veltom
Debut, Features, Interviews, Music, Track-by-TrackDecember 11, 2024<December 11, 2024

“Scuzzy, Gritty, & Grimy”: total tommy’s Jess Holt Bares Her Scars on ‘bruises,’ Her Brutally Raw Debut LP

by Mitch Mosk
Casual Male's Tim Lappin © Kevin Condon
Debut, Features, Interviews, Music, Track-by-TrackDecember 11, 2024<December 11, 2024

“It’s always the red wine that seems to break me”: The Irresistible Cheer, Charm, & Churn of Casual Male’s Debut Album

by Mitch Mosk
Nikka Costa © Kayleigh Schweiker
Concerts, Music, ReviewsDecember 11, 2024<October 7, 2025

Live Review: Nikka Costa Delivers a Perfectly Seasoned Party at Sony Hall

by Kayleigh Schweiker
Celine Wanyi © Taryn Wan
Features, Interviews, MusicDecember 11, 2024<December 11, 2024

Interview: Celine Wanyi on Breaking New Bounds, Agency, & Creative Vulnerability in “shadow of you”

by Rachel Leong
Water - Fie Eike
Debut, Interviews, Music, Track-by-TrackDecember 11, 2024<December 11, 2024

Track-by-Track: Take a Deep Dive into Fie Eike’s Debut Album, ‘Water’

by Joe Beer
A-Go-Go © 2024
Columns, Music, Today's SongDecember 11, 2024<December 10, 2024

Columbus- and Chicago-Based Band A-Go-Go Spin Everyday Mishaps into Garage Rock Gold on Spirited “Hardly Saving”

by Guest Writer
Portraits of Pirates © Bobby Rivero
Interviews, MusicDecember 10, 2024<December 10, 2024

Interview: Vince Cuneo Channels His Inner Buccaneer for New Solo Project, Portraits of Pirates

by Josh Weiner
Will Swinton © Bryce Glenn
Columns, Music, Today's SongDecember 10, 2024<December 10, 2024

“I’ve been lost since you let me go”: Will Swinton Bares His Soul on “Walls,” an Angsty & Aching Breakup Song

by Mitch Mosk
Mary Eliza © Katie Oscar
Columns, Music, Today's SongDecember 9, 2024<December 9, 2024

“No matter the occasion, I’ll bring a boxing ring”: Mary Eliza’s “Porcelain” Is a Feverish, Achingly Raw Indie Rock Reckoning

by Mitch Mosk
GNX - Kendrick Lamar 8.6
Music, ReviewsDecember 9, 2024<December 9, 2024

Our Take: Kendrick Lamar Reclaims the Rap Throne on the Dazzling ‘GNX’

by Josh Weiner
Lauren Mayberry 'Vicious Creature' album art © Charlotte Patmore
Debut, Music, ReviewsDecember 9, 2024<December 9, 2024

CHVRCHES Frontwoman Lauren Mayberry Looks to Break Away from the Boys on Her Solo Debut, ‘Vicious Creature’

by Josh Bloom
Atwood Magazine's Weekly Roundup | December 6, 2024
Columns, Features, Music, Weekly RoundupDecember 6, 2024<December 10, 2024

Atwood Magazine’s Weekly Roundup: December 6, 2024

by Atwood Magazine Staff
Sonic Incense - Azekel
Features, Interviews, Music, Track-by-TrackDecember 5, 2024<December 9, 2024

Feature: The Deep Heat of Azekel’s Sensual, Provocative, & Spiritual ‘Sonic Incense’

by Mitch Mosk
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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