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Caroline Kingsbury © Lissyelle Laricchia
Features, Interviews, Music, Premieres, Track-by-TrackOctober 17, 2024<October 17, 2024

EP Premiere: Caroline Kingsbury’s ‘I Really Don’t Care!’ Is an Irresistible, Cinematic Celebration of Caring Too Much

by Mitch Mosk
NikoCorlin © Phie Beckett Stenbæk
Features, Interviews, MusicOctober 17, 2024<October 17, 2024

Dreams and Defiance: NikoCorlin on Chasing Ambition and Challenging the Status Quo

by Danielle Holian
Nothing But Thieves © Mariah Senecal Reilly
Concerts, Music, ReviewsOctober 17, 2024<October 17, 2024

Live Review: Nothing But Thieves Astound New York at The Rooftop at Pier 17

by Christine Buckley
Casii Stephan © 2024
Interviews, MusicOctober 17, 2024<October 17, 2024

Interview: Casii Stephan Explores a Future That Is Out of Our Hands in “Without a Box”

by Chloe Robinson
Jo Hill © Phoebe Fox
Columns, Music, Today's SongOctober 16, 2024<October 16, 2024

Today’s Song: Jo Hill Soars on “ALL MY GIRLS ARE TOMBOYS,” a Spirited, Sun-Kissed Sisterhood Anthem

by Mitch Mosk
King Ibis © Robin Bottrell
Music, PremieresOctober 16, 2024<October 16, 2024

“Build me up to make me small”: Perth’s King Ibis Are Unleashed in Seductive Scorcher “Did You Dim the Lights”

by Mitch Mosk
paris_monster © Elizabeth Lauren West
Music, PremieresOctober 16, 2024<October 16, 2024

“Presently Dissolved”: Brooklyn’s paris_monster Add “Water to the Well” in an Electro-Funk Fury

by Mitch Mosk
Atwood Magazine's Weekly Roundup | October 15, 2024
Columns, Features, Music, Weekly RoundupOctober 15, 2024<October 17, 2024

Atwood Magazine’s Weekly Roundup: October 15, 2024

by Atwood Magazine Staff
High. © Aleko Syntelis
Columns, Music, Today's SongOctober 15, 2024<October 15, 2024

Today’s Song: High.’s “In a Hole” Is a Fever Dream of Gauzy, Glistening Grunge

by Mitch Mosk
Caroline Strickland © Aaron Champagne
Music, Music Videos, PremieresOctober 15, 2024<October 15, 2024

Premiere: Our Inner Voice Comes to Life in Caroline Strickland’s “Martha’s Calling,” a Song of Angst & Ache

by Mitch Mosk
The Scarlet Opera © Carianne Older
Features, Interviews, MusicOctober 15, 2024<October 15, 2024

“We can make anything a great moment live”: The Scarlet Opera on “Heaven Is a Place on Earth” and Their Evolving Sound

by Christine Buckley
William Hinson © 2024
Features, Interviews, MusicOctober 15, 2024<October 15, 2024

Interview: William Hinson, an Ascending Beatles Historian & Prolific Musician, Unveils “Give It a Day (It’s Alright)” and Teases Upcoming Full-Length LP

by Noah Wade
L.S. Dunes © Luke Dickey
Columns, Music, Today's SongOctober 14, 2024<October 14, 2024

“You isolate and hibernate”: L.S. Dunes Return With “Fatal Deluxe,” a Tapestry of Supercharged Sonic Turmoil

by Mitch Mosk
Johnny Hunter "Hot Mess" © 2024
Columns, Music, Today's SongOctober 13, 2024<October 13, 2024

Today’s Song: Unleashing Our Inner Demons With Johnny Hunter’s Sleazy & Seductive “HOT MESS”

by Mitch Mosk
Thutmose © Legendary Shots
Features, Interviews, Music, Track-by-TrackOctober 11, 2024<October 11, 2024

Confident, Braggadocious, & Aspirational: Thutmose Finds ‘Heaven on Earth’ in His Seductive Afro House EP

by Mitch Mosk
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Brand New

  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song

:: discover something new ::

Recent Posts

  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra March 31, 2026
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry March 31, 2026
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song March 30, 2026
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight March 30, 2026
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’ March 30, 2026
  • Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva” March 30, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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