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Lady Gaga 'MAYHEM' © Frank Lebon
Columns, Music, Today's SongFebruary 4, 2025<February 4, 2025

Today’s Song: Lady Gaga Makes a Spellbinding Return to Dark Pop With “Abracadabra”

by Danielle Holian
Spencer Katz © 2025
Interviews, Music, PhotographyFebruary 3, 2025<February 3, 2025

Seeing It All: Getting Behind the Lens With NYC Photographer Spencer “Bodega” Katz

by Ciaran Short
Perfume Genius © Cody Critcheloe
Columns, Music, Today's SongFebruary 3, 2025<February 3, 2025

Today’s Song: Perfume Genius’ “It’s a Mirror” Offers a Radical & Soul-Stirring Preview of Seventh Album, ‘Glory’

by Bárbara Martínez Campuzano
Atwood Magazine's 2025 Grammy Award Predictions
Essays, Features, Lists, MusicJanuary 31, 2025<January 31, 2025

Atwood Magazine’s 2025 Grammy Awards Predictions

by Noah Wade
Angie McMahon 'Light Sides' © Young Ha Kim
Features, Interviews, MusicJanuary 31, 2025<January 31, 2025

Growth, Grief, & Gratitude: Angie McMahon Reflects on Her Intimate Journey from Darkness to ‘Light Sides’

by Mitch Mosk
The Spice of Life
Columns, Sounds From the GroundJanuary 31, 2025<January 31, 2025

Sounds From the Ground: The Spice of Life and Cheeky Chicos

by Frederick Bloy
Franz Ferdinand 'The Human Fear' album art
Features, Interviews, MusicJanuary 31, 2025<January 31, 2025

Identity, Instinct, and ‘The Human Fear’: A Conversation With Franz Ferdinand

by Nasim Elyasi
Japanese Breakfast © Pak Bae
Columns, Music, Today's SongJanuary 31, 2025<January 31, 2025

“Like Venus from a shell”: “Orlando in Love” Is Japanese Breakfast’s Dreamy, Seductive Siren Song

by Marc Maleri
Las Nubes © Sal Rispoli
Features, Interviews, Music, Track-by-TrackJanuary 30, 2025<January 30, 2025

Heavy, Cathartic, & Saudade: Las Nubes Brave Life’s Storms on Fiery Sophomore LP ‘Tormentas Malsanas’

by Mitch Mosk
CIAO MALZ © Alex SK Brown
Debut, Features, Interviews, Music, Track-by-TrackJanuary 30, 2025<January 30, 2025

Track-by-Track: Brooklyn’s CIAO MALZ Debuts With ‘Safe Then Sorry,’ an Unrestrained Record of Risks & Rewards

by Mitch Mosk
Pictoria Vark © Aleiagh Hynds
Features, Interviews, MusicJanuary 30, 2025<January 30, 2025

‘Nothing Sticks’: Pictoria Vark on Savoring the Moments That Count

by Sophie Severs
Cian Ducrot © Jasmine De Silva
Columns, Music, Today's SongJanuary 30, 2025<January 30, 2025

Today’s Song: Cian Ducrot Questions “Who’s Making You Feel It” on New Hit

by Danielle Holian
Penny and Sparrow © Claire Schaper
Music, PremieresJanuary 29, 2025<January 30, 2025

Premiere: Penny and Sparrow’s “Breakdown” Is an Intimate, Honest, & Fun Indie Folk Confessional

by Mitch Mosk
Foley 'That’s Life, Baby!' © Frances Carter
Music, PremieresJanuary 29, 2025<January 31, 2025

Premiere: The Sweaty, Irresistible Heat of Foley’s “Fever”

by Mitch Mosk
Lucy Dacus © Shervin Lainez
Columns, Music, Today's SongJanuary 29, 2025<January 29, 2025

Today’s Song: Lucy Dacus’ “Ankles” Is a Lush Landscape of Yearning

by Brianna Corrine
Posts pagination
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Brand New

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’

:: discover something new ::

Recent Posts

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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