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Sunflower Thieves "How Was America" © Nick Porter
Features, Interviews, Music, Today's SongAugust 7, 2024<August 7, 2024

Interview: Leeds’ Sunflower Thieves Talk Friendship, “How Was America,” and the Heavy Weight of Ghosts

by Mitch Mosk
Melanie MacLaren "Get it Back" © Blaire Beamer
Music, Music Videos, PremieresAugust 7, 2024<August 7, 2024

“We lost our spark on the FDR”: Melanie MacLaren’s “Get it Back” Aches With the Warm Weight of Love & Grief

by Mitch Mosk
Aistis © Sophia Perras
Features, Interviews, Music, Track-by-TrackAugust 7, 2024<August 7, 2024

“Earnest, Manic, & Playful”: Montreal’s Aistis Molds Emotional Turmoil into Musical Excellence on ‘Clay’

by Mitch Mosk
Broken Record © 2024
Columns, Music, Today's SongAugust 6, 2024<August 16, 2024

Today’s Song: Broken Record Go Through the “Ringer”

by Will Yarbrough
I Love You So F***ing Much - Glass Animals
Features, Music, Reviews, RoundtableAugust 5, 2024<August 5, 2024

Roundtable Discussion: A Review of Glass Animals’ ‘I Love You So F***ing Much’

by Atwood Magazine Staff
Are we wasting money on streaming? © Aidan Moyer
Editorials, MusicAugust 5, 2024<August 5, 2024

Essay: Have we been wasting our money on streaming?

by Guest Writer
Hamish Anderson © Emma Gillett
Music, Music Videos, PremieresAugust 5, 2024<August 5, 2024

Premiere: Hamish Anderson’s “You’re Mine” Is a Smoldering Display of Love & Blues Rock Charm

by Mitch Mosk
Atwood Magazine's Weekly Roundup | August 5, 2024
Columns, Features, Music, Weekly RoundupAugust 5, 2024<August 8, 2024

Atwood Magazine’s Weekly Roundup: August 5, 2024

by Atwood Magazine Staff
Dinho Dinho © Spencer Katz
Columns, Music, Today's SongAugust 3, 2024<August 3, 2024

Today’s Song: NYC Band DINHO DINHO Explores Independence & Heartbreak With New Single “Fool for Free”

by Ciaran Short
Japandroids © Dan Monick
Columns, Music, Today's SongAugust 2, 2024<August 2, 2024

Today’s Song: Anthemic As Ever, Japandroids Return With Stadium-Level Sound & Finalize Their Legacy on “Chicago”

by Kevin Cost
Abby Holliday 'CRACK A SMILE COME ON STAY A WHILE' © Grace Holliday
Features, Interviews, Music, Track-by-TrackAugust 2, 2024<August 2, 2024

Track-by-Track: Abby Holliday Invites Us to ‘CRACK A SMILE COME ON STAY A WHILE’ With Her Triumphant & Vulnerable Third Album

by Mitch Mosk
The Japanese House's Amber Bain © Carissa Gallo
Features, Interviews, MusicAugust 2, 2024<August 2, 2024

The Japanese House Has Nothing to Hide: Amber Bain on Queerness, Artistry, & Honesty

by Madeleine Eggen
Maren Morris 'Intermission' EP 6.7
Music, Our Take, ReviewsAugust 2, 2024<August 2, 2024

Our Take: Cut! Maren Morris Slows It Down With New EP ‘Intermission,’ Exploring Identity Through Song

by Emily Frances Algar
the villain wins - MESSIAH!
Music, ReviewsAugust 2, 2024<August 2, 2024

“I don’t know how to cry, but I sure know how to bleed”: MESSIAH! Cuts Deep on ‘the villain wins,’ a Warm, Introspective, & Thought-Provoking Triumph

by Jake Fewx
Divine Sweater "Counterparts" © Megan Magray
Columns, Music, Today's SongAugust 1, 2024<August 1, 2024

“Hiding in the dark”: Divine Sweater’s Dreamy “Counterparts” & the Power of Companionship

by Mitch Mosk
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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