Debut, Features, Interviews, MusicApril 15, 2025<April 15, 2025 “This Is Me as an Artist”: Matilda Mann Steps into Herself on Debut Album ‘Roxwell,’ a Record of Self-Discovery, Sonic Freedom, & Coming-of-Age Catharsis by Kelly McCafferty Dorogy
Columns, Editor's Picks, Features, MusicMarch 14, 2025<March 18, 2025 Editor’s Picks 114: Attention Bird Utopia, Your Smith, Bo Staloch, Matilda Mann, Courting, & ESKA! by Mitch Mosk
Features, Lists, MusicDecember 19, 2023<January 7, 2024 The 36 Best EPs of 2023 by Atwood Magazine Staff
Features, Interviews, Music, Track-by-TrackJuly 18, 2023<July 18, 2023 Track-by-Track: Matilda Mann on the Romance, Lights, & Cinema of ‘You Look Like You Can’t Swim’ EP by Mitch Mosk
Columns, Editor's Picks, Features, MusicMay 12, 2023<May 16, 2023 Editor’s Picks 99: Jo Hill, BETWEEN FRIENDS, The Satellite Station, Harrison Storm, Chenayder, & Matilda Mann! by Mitch Mosk
Columns, Music, Today's SongJanuary 12, 2023<January 12, 2023 Today’s Song: “Borderline Insane” Is Matilda Mann & spill tab’s Irresistible Grunge Pop Anthem by Minna Abdel-Gawad
Columns, Music, Today's SongJuly 8, 2022<July 8, 2022 Today’s Song: Matilda Mann Gives Us a Glimpse of “Hell” with Her Newest Single by Sophie Severs
Features, Lists, MusicJanuary 18, 2022<September 29, 2022 Atwood Magazine’s 2022 Artists to Watch by Atwood Magazine Staff
Columns, Music, Today's SongJuly 30, 2021<July 30, 2021 Today’s Song: West London’s Matilda Mann Comes to Life in Intimate & Wondrous “Bloom” by Mitch Mosk
For the Love of Music
For the Love of Music
