Music, ReviewsJuly 22, 2019<July 22, 2019 Review: The Portland Ambience of Rose City Band’s Self-Titled Debut by Ben Niesen
Features, Music, Premieres, ReviewsJuly 17, 2019<July 17, 2019 Album Premiere: In ‘Rarest of Birds’, Grizfolk Fight Personal Struggles with Visions of the Sun by Frankie Rose
9.1 Music, Our Take, ReviewsJuly 12, 2019<December 15, 2020 Our Take: Flying Lotus’ Sprawling ‘Flamagra’ Embodies His Prolificacy and Variety by Danny Vagnoni
Music, ReviewsJuly 11, 2019<June 19, 2024 Tyler, the Creator Aims for Disgust, Contempt, and Empathy All at Once on ‘IGOR’ by Atwood Magazine Staff
8.2 Music, Our Take, ReviewsJuly 9, 2019<December 15, 2020 Our Take: “Let’s Rock” Is a Comeback to Admire for Long-Dormant The Black Keys by Josh Weiner
Features, Music, Reviews, Track-by-TrackJuly 5, 2019<July 5, 2019 Memory, Pain, and Healing: Black Grapefruit Dive into Their Exquisite ‘Fade/Forget’ EP by Mitch Mosk
Features, Music, Reviews, RoundtableJuly 3, 2019<June 29, 2024 Roundtable Discussion: A Review of Vampire Weekend’s ‘Father of the Bride’ by Atwood Magazine Staff
8.6 Music, Our Take, ReviewsJuly 3, 2019<December 15, 2020 Our Take: Mannequin Pussy’s ‘Patience’ Is the Shape of Punk to Come by Danny Vagnoni
Music, Our Take, ReviewsJune 27, 2019<December 15, 2020 Review: Two Door Cinema Club Reach New Heights on ‘False Alarm’ by Meredith Nardino
Music, Our Take, ReviewsJune 27, 2019<December 15, 2020 Review: The Driver Era Enter a New Age with Debut Album, ‘X’ by Kelly McCafferty Dorogy
Music, Our Take, ReviewsJune 27, 2019<June 27, 2019 Our Take: Lust for Youth Have Found a Balance Between Their Muses with Their New Self-Titled Album by Kareem Ghezawi
Music, ReviewsJune 26, 2019<June 26, 2019 Review: Prince Daddy & The Hyena Explore the Galaxy and Existence in ‘Cosmic Thrill Seekers’ by James Crowley
Debut, Music, Our Take, ReviewsJune 25, 2019<June 26, 2019 Review: Emotional Oranges – A Spiel on the Toronto Sound of ‘The Juice, Vol 1’ by Ben Niesen
Music, Premieres, ReviewsJune 24, 2019<June 24, 2019 Album Premiere: The Local Strangers Dive into Their Arresting ‘When We Were Honest’ by Mitch Mosk
Debut, Music, Our Take, ReviewsJune 24, 2019<June 24, 2019 Our Take: Hatchie’s ‘Keepsake’ Brings Forth Something Old, and Something New by Matthew Dunn
For the Love of Music
For the Love of Music
