Artist to Watch, Music, Reviews, This Just InJuly 31, 2026<July 31, 2026 “It’s Only Ever Been You”: Tom Iansek’s #1 Dads Celebrates Love with Sun-Soaked Devotion in “Already Something” by Mitch Mosk
Features, Interviews, MusicJuly 30, 2026<July 30, 2026 “I No Longer Have the Privilege to Be Ambiguous”: Genesis Owusu Is Rallying Against a World in Disarray with ‘REDSTAR WU & THE WORLDWIDE SCOURGE’ by Jake Fewx
Interviews, Music, PremieresJuly 29, 2026<July 29, 2026 “If You Can’t Laugh, Then You’ll Cry”: My Giddy Aunt Rally Against Collapse on “Always Something Falling Apart,” a Protest Anthem for an Uncertain Future by Mitch Mosk
Interviews, Music, Today's SongJuly 28, 2026<July 28, 2026 “A Bit Frantic and Sometimes Sweet”: Brisbane’s Radium Dolls Bottle Heartbreak, Pressure, & Raw Release into Sweaty Rock ‘n’ Roll by Mitch Mosk
Interviews, MusicJuly 16, 2026<July 25, 2026 “Falling in Love With the Chaos”: GIMMY’s Gemma Owens on Refusing to Be Molded by the Music Industry and Their Latest ‘Labour of Love’ by Damien Joyce
Features, Interviews, Music, Today's SongJuly 15, 2026<July 15, 2026 “Blood Ties” and Hard Truths: Rowena Wise Is Making Peace With the Mess of Being Human Through Smoldering, Unflinching Indie Folk Songs by Mitch Mosk
Features, Music, Track-by-TrackJuly 2, 2026<July 7, 2026 “Heaven’s Open and True Love Is Alive”: Selve Chase Holy Fire Through Desire & Danger on ‘Breaking Outta Heaven,’ a Liberating Escape Beyond the Gates by Mitch Mosk
Artist to Watch, Interviews, Music, Today's SongJune 24, 2026<June 24, 2026 “If You’re Not Happy, Leave!!!”: aleksiah Turns Self-Worth into Pop Perfection on “Bullsh*t, Baby!” & Her Irresistible Third EP ‘Good On Paper’ by Mitch Mosk
Interviews, Music, Today's SongJune 15, 2026<June 15, 2026 “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession by Mitch Mosk
Artist to Watch, Columns, Music, ReviewsJune 6, 2026<June 6, 2026 “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral by Mitch Mosk
Music, PremieresMay 13, 2026<May 13, 2026 “A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie by Mitch Mosk
Features, Interviews, MusicMay 11, 2026<May 13, 2026 “Most of What Is Good Only Comes from the Bad”: Matt Corby on the Highs, Lows, & Sitting in the Discomfort on ‘Tragic Magic’ by Rachel Leong
Columns, Interviews, Music, Today's SongApril 24, 2026<April 24, 2026 “What You Hear Is What Was Played”: Any Young Mechanic Are Bringing Raw, Beautifully Human Imperfections Back to Modern Folk Music by Mitch Mosk
Columns, Music, Today's SongFebruary 8, 2026<February 8, 2026 “As the Lights Smeared”: Rolling Blackouts Coastal Fever Chase the Afterglow on “Sunburned in London” by Ashley Littlefield
Interviews, MusicNovember 12, 2025<November 12, 2025 “It’s Messy, It’s Fun, & It’s Alive”: Kita Alexander Channels Late-Night Euphoria in “I Don’t Wanna Go Home,” a Carefree, Feel-Good Pop Anthem by Mitch Mosk
For the Love of Music
For the Love of Music
