Features, Interviews, MusicJune 6, 2019<June 6, 2019 Interview: Reviving Countrypolitan Music with John Paul White’s ‘The Hurting Kind’ by Frankie Rose
Interviews, Music, PremieresJune 6, 2019<June 6, 2019 Premiere: Indulgent As Ever, WESLEE Return with Irresistible “London Love” by Mitch Mosk
Features, Interviews, MusicJune 3, 2019<June 3, 2019 Music and Art as a Coping Mechanism for Mental Health: A Conversation with Royal Canoe by Jesse Herb
Debut, Features, Interviews, Music, PremieresMay 29, 2019<July 3, 2019 EP Premiere: Jack Gray’s Debut ‘Nights Like This’ Navigates Life with an Open & Honest Lens by Atwood Magazine Staff
Features, Interviews, MusicMay 23, 2019<May 23, 2019 Runnin’ Towards the Light: A Conversation with Dan Campbell by James Crowley
Features, Interviews, MusicMay 22, 2019<May 22, 2019 Interview: Finding New Aspects of Yourself with FEELS by Ben Niesen
Features, Interviews, MusicMay 22, 2019<May 22, 2019 Feature: Band of Skulls Have a New Sheen, but the Same Good Heart by Danny Vagnoni
Debut, Features, Interviews, MusicMay 17, 2019<May 18, 2019 Uncovering ‘Sad People Dancing’: La Bouquet’s Heartbreak, Self-Discovery, and Everything In-Between by Caitlin Ison
Debut, Features, Interviews, MusicMay 15, 2019<May 15, 2019 ‘Divinely Uninspired’ and Beautifully Aching: An Interview with Lewis Capaldi by Luke Pettican
Interviews, MusicMay 14, 2019<May 14, 2019 Interview: Cole DeGenova Comes into His Own with “Full Grown” by Coco Rich
Interviews, MusicMay 10, 2019<May 10, 2019 Interview: Quinn Lewis Has Found His Voice, and He’s Not Afraid to Use It by Mitch Mosk
Debut, Interviews, MusicMay 7, 2019<May 8, 2019 Interview: LANTA Astonishes with the Poignantly Touching “Worthy” by Luke Pettican
Features, Interviews, MusicMay 6, 2019<May 6, 2019 Marching to Your Own Beat: A Conversation with The Drums by Matthew Dunn
Debut, Features, Interviews, MusicMay 3, 2019<May 3, 2019 Feature: Getting to the Truth in Kevin Garrett’s ‘HOAX’ by Luke Pettican
Features, Interviews, MusicMay 1, 2019<July 3, 2019 Illusion, Reality, and Young the Giant’s ‘Mirror Master’ Philosophy by Mitch Mosk
For the Love of Music
For the Love of Music
