June 4, 2021<June 4, 2021 Interview: ELUNIA Speaks of Conformity vs. Individuality & Upcoming EP ‘DEEP END’ by Joe Beer
June 4, 2021<June 4, 2021 Roundtable Discussion: A Review of Olivia Rodrigo’s ‘SOUR’ by Atwood Magazine Staff
June 4, 2021<June 14, 2021 Premiere: B-Drop Worldwide Showcases Slothrust, The Islas, Velvet Starlings, Opus Kink, Modern Eyes, & The Roves by Mitch Mosk
June 3, 2021<June 3, 2021 Presence, Awe, & Wonder: Hayden Everett Soars on Sophomore EP ‘Kennecott’ by Mitch Mosk
June 3, 2021<June 4, 2021 Today’s Song: Wayne Snow’s Smoldering “Seventy” Is an Irresistible, Sultry Seduction by Mitch Mosk
June 3, 2021<June 3, 2021 Premiere: Jesse Markin Explores Identity & Masculinity in Empowering “Hemostasis” ft. Terrell Hines by Mitch Mosk
June 3, 2021<June 3, 2021 Interview: LA’s Zosia Opens Up About Her ‘Symptoms of Nature’ EP & Musical Metamorphosis by Chloe Robinson
June 3, 2021<August 19, 2021 Interview: Easy Honey’s Journey From Tennessee Frat House to Charleston Pour House by Lilly Eason
June 3, 2021<June 3, 2021 Premiere: The Magic Lantern’s Heart-Wrenching “Bound for Glory” Is an Existential, Moving Cinematic Wonder by Mitch Mosk
June 3, 2021<June 3, 2021 “Unpredictable, Deep-Diving, & Honest”: Louien Captivates with Beautiful ‘No Tomorrow’ EP by Mitch Mosk
June 2, 2021<June 2, 2021 Today’s Song: NJ Singer/Songwriter Rory D’Lasnow Rises on Impassioned Reckoning “Power of My Love” by Mitch Mosk
June 2, 2021<June 2, 2021 “Queer Love and Self-Sabotage”: Boyish Dive into Spellbinding Coming-of-Age EP ‘We’re all gonna die, but here’s my contribution’ by Mitch Mosk
June 2, 2021<June 2, 2021 “Living Room Intimacy”: Jazz-Folk Band The Witherbees Premiere Their Beautiful Sophomore LP, ‘Love Letter’ by Mitch Mosk
June 2, 2021<June 2, 2021 Premiere: Chicago’s burr oak Soars with Dramatic Fury in “FOMO” by Mitch Mosk
June 2, 2021<June 2, 2021 Interview: Rag’n’Bone Man on Living ‘Life by Misadventure’ by Bethan Harper