Features, Music, ReviewsNovember 17, 2017<November 26, 2017 Roundtable Discussion: A Review of Taylor Swift’s ‘Reputation’ by Atwood Magazine Staff
Music, PremieresNovember 17, 2017<November 16, 2017 EP Premiere: Ekurtis’ ‘Part II’ Reaches Bittersweet Resolve by Mitch Mosk
Music, PremieresNovember 16, 2017<November 16, 2017 Premiere: LIEZA’s Intimate & Empowering Anthem “Don’t Make Me Dance” by Mitch Mosk
Debut, Features, Music, PremieresNovember 16, 2017<November 16, 2017 Album Premiere: Broke Royals Break the Mold with Multi-Layered Debut by Sara Santora
Music, PremieresNovember 16, 2017<November 16, 2017 Premiere: Harlee’s “Venom” Burns with Pop-Filled Betrayal by Kelly McCafferty Dorogy
Music, Music Videos, PremieresNovember 16, 2017<November 16, 2017 Premiere: Gayle Skidmore’s “Pale Ghosts” World Fully Encompasses You by James Crowley
Columns, Music, Nostalgia TracksNovember 16, 2017<November 22, 2017 Nostalgia Tracks: Mariah Carey Teaches Us “Bye Bye”s Aren’t Forever by Kevin Young
Columns, Concert Conversations, Concerts, MusicNovember 15, 2017<November 15, 2017 Live: Flying Lotus’ Mind-Bending 3D Show at Brooklyn Steel by Carmen Chan
Music, PremieresNovember 15, 2017<November 15, 2017 Premiere: The Anxious Intensity of Antagonista’s “Speedy Anejo” by Mitch Mosk
Features, Music, Our Take, ReviewsNovember 15, 2017<December 11, 2017 Our Take: The Dreamy Depths of Tennis’ Magical ‘We Can Die Happy’ EP by Mitch Mosk
Music, PremieresNovember 15, 2017<November 15, 2017 Premiere: Elwell “Claps” for Clarity and Closure by Mitch Mosk
Features, Music, Music Videos, PremieresNovember 15, 2017<November 15, 2017 Premiere: POP ETC’s Dreamy “Sleight of Hand” Begs for Balance in Chaos by Mitch Mosk
Music, PremieresNovember 14, 2017<November 14, 2017 Premiere: LA River Bend’s Fearless Folk-Rock Anthem “Mountain” by Mitch Mosk
Debut, Features, Interviews, MusicNovember 14, 2017<November 20, 2017 Embracing the Dark: A Conversation with EZI by Kelly Wynne
Music, PremieresNovember 14, 2017<November 14, 2017 Premiere: Love & Hope in Fascinations Grand Chorus’ “When You’re Mine” by Mitch Mosk