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Adrian Vargas

Adrian Vargas

Adrian is a 2017 Florida State University graduate where he focused on editing, writing, and media. He is now living in Brooklyn, New York. Adrian works as a digital marketer, but music and all that goes into it continues to be a passion of his. You may find Adrian wandering around the city aimlessly (more than likely lost) or at home watching anime, movies, or reading anything sci-fi related. He can also make a dang good plate of shrimp scampi.

Rodrigo y Gabriela © Ebru Yildiz
Interviews, Music, ReviewsApril 21, 2023<April 30, 2023

“But At Least We Had Music”: A Conversation with Rodrigo y Gabriela

Jacob Banks © Edward Cooke
Features, Interviews, MusicMay 5, 2022<October 5, 2022

Unity Through Music: A Conversation with Jacob Banks

Music, Music Videos, PremieresMarch 16, 2022<March 16, 2022

Premiere: Amine Mesnaoui & Labelle Craft Suspenseful Allure on “Périastre”

Interviews, MusicFebruary 10, 2022<February 18, 2022

“Music Is My Mother Tongue”: A Conversation with Sofiane Pamart

Music, ReviewsNovember 16, 2021<November 16, 2021

Review: Mabe Fratti & Concepción Huerta Reimagine the Composer on EP ‘Estática’

Columns, Music, Today's SongNovember 3, 2021<November 3, 2021

Today’s Song: Diving Into the Folly of the High Life with Ellie Bleach’s “Doing Really Well Thanks”

Music, PremieresOctober 14, 2021<October 14, 2021

Premiere: Jazzy & Heartfelt, Florie Namir Creates Splendor on “Piece of My Soul”

Interviews, Music, ReviewsOctober 11, 2021<October 11, 2021

Interview: Hands Down Shines on Debut Album ‘Paintroller’

Columns, Music, Today's SongOctober 1, 2021<October 1, 2021

Today’s Song: Exploring the Ugly Truth of Fame on Number One Popstar’s “TV”

Interviews, MusicSeptember 28, 2021<September 28, 2021

Interview: Dancing Through the Pains of Youth with Modernlove.

Columns, Music, Today's SongSeptember 24, 2021<September 24, 2021

Today’s Song: A Breezy & Soulful Look Into Taylor Kelly’s Mind With “Maybe”

Andy Shauf © Colin Medley
Columns, Music, Today's SongSeptember 8, 2021<September 8, 2021

Today’s Song: A Sun-Adorned Look into Broken Love on Andy Shauf’s “Spanish on the Beach”

Columns, Music, Today's SongSeptember 7, 2021<September 7, 2021

Today’s Song: A Vast Beauty on Japanese Breakfast’s “Glider”

Columns, Music, Today's SongSeptember 1, 2021<September 1, 2021

Today’s Song: Young & Sick Manifests Gleeful Charm on Latest Single “CICADAS”

MusicAugust 30, 2021<August 30, 2021

Review: Confident Roars & Energized Melodies Uplift Suzanne Santo’s ‘Yard Sale’

Posts pagination
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Recent Posts

  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra March 31, 2026
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry March 31, 2026
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song March 30, 2026
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight March 30, 2026
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’ March 30, 2026
  • Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva” March 30, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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