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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

We're Here, My Dear - Ging
Debut, Features, Interviews, Music, Track-by-TrackJanuary 26, 2023<January 26, 2023

“Ode to a Love That’s Free”: Ging’s (ex-Frank Dukes) Debut Album ‘We’re Here, My Dear’ Is a Breathtakingly Raw Reckoning

Abby Holliday © Luke Holliday
Columns, Music, Today's SongJanuary 26, 2023<May 18, 2023

Today’s Song: “Ohio Laundry Room” Is Abby Holliday’s Beautiful, Raw Reckoning with Grief, Love, & Death

James Crowley © 2023
Music, PremieresJanuary 26, 2023<January 26, 2023

Premiere: James Crowley Lets the Light in on “By You,” a Raw Reckoning Wrapped in Indie Folk Dreams

L.S. Dunes © Mark Beemer
Debut, Features, Interviews, MusicJanuary 26, 2023<January 26, 2023

Interview: Frank Iero & Tucker Rule Are “Reborn” in Emo Punk Group L.S. Dunes

Illiterate Light © Joey Wharton
Columns, Music, Today's SongJanuary 25, 2023<January 25, 2023

Today’s Song: Illiterate Light’s “Fuck LA” and the Endless Ache of Long Distance Love

Cartoon Hearts © Natalia Neira
Debut, Music, PremieresJanuary 25, 2023<January 25, 2023

Premiere: Cartoon Hearts Go ‘All in’ on Debut Single “legs,” a Soaring Anthem of Love, Liberation & Hopeless Romance

Roanoke © Andrea Belk
Features, Interviews, Music, Reviews, Track-by-TrackJanuary 24, 2023<January 24, 2023

“Enchanting, Nostalgic, & Driving”: Roanoke Find Redemption on ‘Wolf Motel,’ a Stunning Soft Rock Reverie

Atwood Magazine's Editor's Picks 85
Columns, Editor's Picks, Features, MusicJanuary 24, 2023<March 11, 2023

Editor’s Picks 85: Jake Isaac, Softcult, DAMOYEE, Constant Smiles, Adi Oasis, & Neon Dreams!

Dana Why 'The Lyre' © 2023
Debut, Features, Interviews, Music, Track-by-TrackJanuary 24, 2023<January 24, 2023

“Even pain can feel good.”: Asbury Park’s Dana Why Erupts with Unapologetic Intensity on Debut Album ‘The Lyre’

The Coronas, from left: Danny O'Reilly, Conor Egan, Graham Knox © Lucy Foster
Features, Interviews, MusicJanuary 23, 2023<January 23, 2023

Interview: With ‘TIME STOPPED’, The Coronas Created a Beacon of Hope

Sunday Lendis © Maria Alzamora
Columns, Debut, Music, Today's SongJanuary 20, 2023<January 20, 2023

Today’s Song: Sunday Lendis Builds a Beautiful & Wondrous Cathartic Cacophony “With Ease”

Ruminating Thoughts - Chris Walton © J R Alexander
Debut, Music, Premieres, Today's Song, Track-by-TrackJanuary 19, 2023<January 19, 2023

Album Premiere: Boston’s Chris Walton Spills His Heart on Soul-Stirring Debut ‘Ruminating Thoughts’

April Marmara © Elisa Azevedo (@intowarmerair)
Music, PremieresJanuary 19, 2023<January 19, 2023

Premiere: Lisbon’s April Marmara Evokes Love’s Magic & Mystery in “Who Knows Where the Love Goes”

I Want It to Be Light So They Can See We Disappeared - Honeyyycrush
Music, PremieresJanuary 19, 2023<January 19, 2023

Premiere: Honeyyycrush’s Haunting & Fragile Alt-Folk Surrender, “I Want It to Be Light So They Can See We Disappeared”

Atwood Magazine's Editor's Picks 84
Columns, Editor's Picks, Features, MusicJanuary 19, 2023<March 11, 2023

Editor’s Picks 84: Vagabon, Quiet Houses, Somebody’s Child, Royel Otis, Florence Arman, & Matt Corby!

Posts pagination
1 … 98 99 100 101 102 … 313

Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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